English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109951/140887 (78%)
Visitors : 46279587      Online Users : 1235
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version
    政大機構典藏 > 傳播學院 > 新聞學系 > 會議論文 >  Item 140.119/101976


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101976


    Title: 沉默的框架：框架理論六十年 的時間脈絡與空間想象
    Other Titles: A Silent Paradigm: Mapping the Spatio-temporal Contours of the Six-decade Framing Theory
    Authors: 王彥
    Contributors: 傳播博二
    Date: 2015-07
    Issue Date: 2016-09-12 11:12:50 (UTC+8)
    Abstract: The Framing Theory constitutes a topic of active research with a relatively long-standing effort, which looks back upon a 60-year history from 1955 when the eminent anthropologist, Bateson proposed, for the first time, the concept “FRAME” to 2015 when our study was still in its infancy. This paper attempts to chart the chronology of the Framing Theory and to highlight those practical and theoretical issues that we see as central to the investigation of Bateson’s mysterious silence as the pioneer of the Framing Theory. Such matters as his own interdisciplinary identity, his lack of academic promotion contributions to the “middle range theories” as well as the Spatio-temporal context of “effect is king”will profitably be taken on board by this paper. Besides, this paper, drawing on “the broad framing” perspective, also endeavours to shed light on the spaces where the frame occurs and which underpins the ever-changing landscape of general human beings communication and discovers the presence of silent “non-media effect framework”, silent “non-mass media framework” and silent “cultural framework”. This paper believes both the preference of empirical methodology and the focus on mass communication framework research (mass communication effects in particular) on the part of those communication scholars specializing in the Framing Theory have been significant influences on the shaping of aforementioned framework silence. To handle this issue, the embedment of framework into culture and the substitution of three-dimensional research arena in place of the “media – audience” binary linear model might be the two technocratic devices in the right direction.
    Relation: 中華傳播學會2016「從高雄出發:跨文化與新媒體想象」研討會年會, 中華傳播學會與義守大學 大眾傳播學系
    Data Type: conference
    Appears in Collections:[新聞學系] 會議論文

    Files in This Item:

    File SizeFormat
    410566.pdf1229KbAdobe PDF25673View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback