English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 68566/102750 (67%)
造訪人次 : 18852169      線上人數 : 580
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋


    請使用永久網址來引用或連結此文件: http://nccur.lib.nccu.edu.tw/handle/140.119/109620


    題名: 'The light that never was on sea or land': William Wordsworth in America and Emily Dickinson's 'Frostier' Style'
    作者: Hsu, Li-hsin
    許立欣
    貢獻者: 英文系
    日期: 2016-11
    上傳時間: 2017-05-16 17:02:45 (UTC+8)
    摘要: This paper proposes to investigate Emily Dickinson’s transatlantic literary connection with William Wordsworth. Her references to and appropriation of Wordsworth inform her critical understanding of the polarized reception of Wordsworth’s poetry and its potential impact on her own poetic experimentation. Dickinson’s role as a poetic heir of Wordsworth, particularly her relation to Romanticism, has been extensively explored. Critics such as Harold Bloom and Joanne Feit Diehl point out the antagonistic relationship between Dickinson and her male precursors. Robert Weisbuch and Inder Nath Kher, alternatively, see Dickinson’s quest poems as essentially Romantic. Scholars such as Margaret Homans consider Dickinson’s poems as deconstructing the binary structure embedded in the writings of her male precursors. More recently, critics such as Richard Gravil and Richard E. Brantley place Dickinson firmly in the literary tradition of Anglo-American Romanticism. This paper explores Dickinson’s engagement with Wordsworth further through her potential awareness of and response to Wordsworth’s mixed Anglo-American receptions. A number of Dickinson’s Wordsworthian allusions in her poems, such as daffodils, primroses, and the sunlight, borrow and appropriate images that Wordsworth’s poetry had made popular in the cultural consciousness. These poems of Dickinson conjure up the Wordsworthian imagery as objects of rare values or commodities, reflecting the polarized receptions of Wordsworth in the mid-nineteenth century. In particular, Wordsworth’s “joyful” message of nature, which Arnold and his contemporaries considered most valuable, played a role in Dickinson’s experimentation with her own poetic voices in the 1850s and 1860s. The paper examines how Dickinson might have been aware of Wordsworth’s poetic reputation, and how Wordsworth’s “joyful” nature poems are critically reviewed in the mid-nineteenth-century Anglo-American world. I then scrutinize a number of Dickinson’s poems about Wordsworthian nature in relation to Dickinson’s tentative adjustment of her poetic expression for a “frostier” style at the inception of her poetic career. The paper suggests that Dickinson’s subtle engagement with Wordsworth provides a glimpse of how she is concerned about the positioning of herself, a New England poet, in a mid-nineteenth-century Anglo-American literary tradition.
    關聯: The Emily Dickinson Journal, Vol.25, No.2, pp.24-47
    資料類型: article
    DOI: http://dx.doi.org/10.1353/edj.2016.0007
    顯示於類別:[英國語文學系] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    index.html0KbHTML37檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋