English  |  正體中文  |  简体中文  |  Post-Print筆數 : 11 |  Items with full text/Total items : 88657/118248 (75%)
Visitors : 23502464      Online Users : 532
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 學術期刊 > 文化越界  > 期刊論文 >  Item 140.119/119704
    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/119704


    Title: Roles and Functions of National Center of Cinema in France
    「法國國家電影中心」的中介角色與功能
    Authors: 阮若缺
    Juan, Rachel
    Keywords: 設置依據;組織規模;角色與功能;經費來源;運作模式
    organization;objectives;roles and functions;financial aids;savoir-faire
    Date: 2017-12
    Issue Date: 2018-08-28 16:16:18 (UTC+8)
    Abstract: 如今全球早已進入圖像文化的紀元,尤其環顧亞洲鄰國,電影事業蓬勃發展,無不將文化創意發揮到極致。具文化底蘊的我們,與眾人分享文化紮根的果實,推動並提昇我軟實力,成了重要課題。法國是影視大國,本論文欲就「法國國家電影中心」與我國「國家電影中心」二組織進行其設置依據、組織規模、角色及功能、經費來源與運作模式做對照分析,以爬梳出各自的優缺點,目的是截長補短,使我國電影中心在組織架構上更加健全,扮演中介角色並發揮更大效能,以推動我電影事業,達到在國際舞台發光發熱的影響力。
    The world has now entered the era of abundant images. Movie industry has thrived especially in our neighboring countries, such as China, Japan, Korea, and each one of them develops their cultural creativities to the maximum. With our vast accumulation of culture, it becomes imperative to share with the world the fruits of the cultural implantation as well as the levering encouragement of our soft power. France is a gigantic country in the domain of movie and television, with the third largest market share of movies in the world. This article will attempt to examine two semi-governmental intermediate organizations: National Center of Cinema in France and National Center of Cinema in Taiwan, in regard of the set up base, size of organization, roles and missions, source of funding, mode of operation, in order to do the comparisons and analysis. I hope to collect the data and find out the strengths and weaknesses so as to make our center of cinema more sound and complete in organizational and structural level. Therefore, not only could the organization operate to its full potential and consequently boost our movie industry, but also reach the level of influential soft power as France on the global platform.
    Relation: 文化越界,2(3), 1-21
    Data Type: article
    Appears in Collections:[文化越界 ] 期刊論文

    Files in This Item:

    File Description SizeFormat
    23-1-21.pdf810KbAdobe PDF160View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback