English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109952/140887 (78%)
Visitors : 46297255      Online Users : 1410
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/123565


    Title: 卡拉OK在身份認同構成中的模糊特性
    On the Ambiguity of Identity Construction in Karaoke
    Authors: 林文剛
    Lum, Casey Man Kong
    Contributors: 新聞學研究
    Keywords: 人際傳通;卡拉OK;角色架構;身份認同構成;社群現實;媒介
    interpersonal communication;karaoke;role structure;identity construction;sosial reality;media
    Date: 1998-01
    Issue Date: 2019-05-22
    Abstract: 本文旨在說明及分析以卡拉OK為中心的傳通環境(communication environment)，其如何繼承一個模糊的(ambiguous)人際角色架構(role structure)，因而引起一些新奇有趣和值得研討的人際傳通現象。根據在美國、香港、臺灣和日本所作以民族誌學(ethnography)方法實地調查得來的資料，本文首先檢討傳通和身份構成(identityconstruction)之間息息相關的關係。之後，此研究會就下列三項課題作出一些研討和詮釋：(1)卡拉OK身為一種傳通環境和媒介的本質；(2)卡拉OK的模糊角色架構；(3)將卡拉OK比喻為面具或臉譜來了解人們在傳通時，如何可以利用存在於卡拉OK的一些戲劇性成份，作為他們在創造身份認同時的一種象徵性的敘事(narrative)和傳通工具。最後，本文會就上述的討論作出總結分析。
    This essay is an interpretation of the complexity and ambiguity inherent in the construction, presentation, maintenance and transformation of identity in the social and performative context of karaoke. The analysis begins with an examination of the symbiotic or interdependent relationship between communication and identity. Based on field research in Hong Kong, Japan, Taiwan, and the United States, the examination will then turn to a discussion on the nature of karaoke as a medium or context for communication, the ambiguity of role-playing in karaoke, and karaoke as mask and its implication for understanding how karaoke`s dramatic elements are incorporated for communication and identity construction. The essay will conclude with an analysis of the implications of the ambiguity of karaoke for our understanding of communication and identity construction.
    Relation: 新聞學研究, 56, 65-83
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    789.pdf1268KbAdobe PDF2151View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback