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| Title: | 英語與華語歌曲中語言與音樂之關係：音段、節奏與聲調
The Connection Between Language and Music in English and Mandarin Songs: Segment, Rhythm, and Tone |
| Authors: | 凌旺楨
Ling, Wang-Chen |
| Contributors: | 蕭宇超
Hsiao, Yuchau E.
凌旺楨
Ling, Wang-Chen |
| Keywords: | 音樂與語言的對應
感知語法
詞彙連結
韻律結構
子音串
優選理論
Language-music mapping
Perception grammar
Lexical association
Prosodic structure
Consonant cluster
Optimality Theory |
| Date: | 2020 |
| Issue Date: | 2020-09-02 11:34:59 (UTC+8) |
| Abstract: | 本論文以優選理論(Prince and Smolensky 1993/2004)分析英語及華語歌曲中音樂與語言的互動關係，並由音段、節奏與聲調三方面切入探討。本文首先研究語言到音樂的對應，檢視華語成人如何將自己說出的英語聲母子音串，以及韻尾子音串，感知進入音樂中唱出。研究結果顯示音樂節拍會導致唱的音段與唸的音段不同。此外，本文也討論作曲者如何將華語兒歌歌詞韻律結構，包含音步(foot)及語調詞組(intonational phrase)，感知進入音樂之中。本文發現韻律結構會與音樂旋律對整、並影響音樂節拍的指派。
音樂到語言的對應則是觀察華語兒童聽華語歌曲時，如何將音樂旋律感知為語言聲調，並說出其所聽到的音節聲調。結果顯示兒童所感知的語言聲調與歌曲旋律相近。然而所產出的聲調則因心理詞彙的連結與否，而可能造成產出與感知的聲調不同。
節奏的對應與音段的改變，顯示語言到音樂的感知語法具有重要角色。兒童產出聲調與感知聲調的不同，亦可驗證感知與產出係由獨立不同的語法所管理。
This study aims to investigate the relationship between language and music through segment, rhythm, and tone in English and Mandarin songs. The language-music mappings are analyzed under the framework of Optimality Theory (Prince and Smolensky 1993/2004).
This research first examines the language-to-music mapping through Mandarin-accented English in reading and singing. This study discusses how onset and coda clusters are produced in the linguistic output, and how the linguistic output is perceived into music. Segmental changes are shown in the language-to-music mapping, where beat assignment takes place and affects the linguistic output form. The language-to-music mapping is also explored through the composing of Mandarin children’s songs. This study finds that the prosodic structures of foot and intonational phrase in Mandarin children’s songs are aligned with music structures. Footing and intonational phrasing also affect the musical beat assignment.
The music-to-language mapping is examined through children’s perception of the musical melody in songs. The issue lies in how native Mandarin-speaking children map the music pitches to Mandarin tones, and how they produce what they hear. In the perception of the musical pitches, singing words or phrases are perceived into the linguistic input forms with similar tonal values. However, the children may produce syllables whose tones are different from what they perceive because of lexical association.
This research provides an extensive study on the interaction between language and music. Segmental changes, rhythmic correspondences, and tonal adjustments in language-music mapping reveal that perception and production are governed by independent phonological grammars. |
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| Description: | 博士
國立政治大學
語言學研究所
100555501 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0100555501 |
| Data Type: | thesis |
| DOI: | 10.6814/NCCU202001428 |
| Appears in Collections: | [語言學研究所] 學位論文
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