English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 94020/124474 (76%)
Visitors : 29063036      Online Users : 188
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/132455


    Title: 俄羅斯嘻哈及其社會意涵之研究
    A Study on Russian Hip-Hop and Its Social Implications
    Authors: 江廷安
    Jiang, Ting-An
    Contributors: 林永芳
    Lin, Yung-Fang
    江廷安
    Jiang, Ting-An
    Keywords: 嘻哈
    俄羅斯嘻哈文化
    嘻哈音樂
    次文化
    藝術社會學
    社會意涵
    Hip-Hop
    Russian Hip-Hop Culture
    Hip-Hop Music
    Subculture
    Aesthetic Sociology
    Social Implications
    Date: 2020
    Issue Date: 2020-11-03 11:30:03 (UTC+8)
    Abstract: 此篇論文旨在探究嘻哈(Hip-Hop)的起源、俄羅斯嘻哈文化在各個時期的發展情況, 以及俄羅斯嘻哈音樂與時代背景連結的社會意涵。

    嘻哈這個結合多個族群、不同理念的次文化,深刻影響著人們的生活態度 ,如今隨著全球化趨勢傳播至世界各地。嘻哈具有多種表達形式,音樂、舞蹈、視覺藝術等等,它是人民向政府、社會、世界發聲的一種媒介,在藝術社會學中不容忽視的次文化藝術。

    而嘻哈文化在俄羅斯境內,相較於其他國家,因為政治背景、社會發展迥 異,使得俄羅斯的嘻哈文化擁有相當強烈和獨特的風格。解析俄羅斯的在地嘻哈文化有助於了解俄國在不同時期的社會現象,尤其在俄羅斯饒舌歌曲之中的歌詞,充滿許多對社會現況的反思與隱喻。本研究就以歌詞為文本分析範例,進一步釐清現實社會情形。
    This thesis aims to explore the Hip-Hop origin, localized Russian Hip-Hop culture and the the social implications of Russian Hip-Hop music in different periods.

    Hip-Hop is a subculture that combines multiple ethnic groups and different concepts, and has profound influence on people’s attitude to life. Nowadays it’s spreading across the world in the context of globalization. Hip-Hop is a culture with various forms of expression, music, dance, visual art, and etc. It voices the standpoints for the people, speaks to the government, society, even the whole world, and cannot be underestimated in the aesthetic sociology.

    Compared to other countries, with the unique political background and social development in Russia, Russian Hip-Hop culture has a very distinct and peculiar style. Analyzing the localized Hip-Hop culture in Russia helps to understand the social status of Russia in different periods. The research applied textual analysis (Hip-Hop songs) as major research methods to better examine and interpret the reflections and metaphors on the current state of society.
    Reference: 一、中文部分:

    (一)專書

    George, Nelson著,《嘻哈美國(Hip Hop America)》(何穎怡譯),台北市:商周出版社,2002年。
    Neate, Patrick著,《嘻哈星球筆記(Where You’re At)》(何穎怡譯),台北市:商周出版社,2007年。
    Alexande, Victoria D. 著,《藝術社會學:精緻與通俗形式之探索(Sociology of the arts: Exploring fine and popular forms)》(張正霖、陳巨擎譯),高雄市:巨流圖書股份有限公司出版社,2008年。

    (二)期刊

    游美惠,〈調查研究 〉,《內容分析、文本分析與論述分析在社會研究的運用》,第8期(2000年8月),頁20。

    (三)網路資料

    顧力仁,〈歷史研究法〉,《圖書館學與資訊科學大辭典》,
    http://terms.naer.edu.tw/detail/1678683/(2012年10月)

    二、英文部分:

    (一)專書:

    Brewster, Bill and Broughton Frank. Last Night a DJ Saved My Life: The History of the Disc Jockey (Atlantic: Open Road + Grove, 2014)

    Gonzalez, Evelyn. The Bronx (Columbia History of Urban Life) (New York: Columbia University Press, 2006)

    Gilburd, Eleonory. To See Paris and Die: The Soviet Lives of Western Culture. Cambridge: Harvard University Press, 2018.

    George Price, Emmett and Iber Jorge. Hip Hop Culture. California: ABC-CLIO, 2006.
    P. Newton, Huey. To Die For The People (New York: Random House, 1972)

    Ness, Immanuel amd Ciment James. The encyclopedia of third parties in America (New York: Sharpe Reference)

    Kermit E. Campbell. "Gettin' Our Groove On": Rhetoric, Language, and Literacy for the Hip Hop Generation (African American Life Series) (Detroit: Wayne State University Press, 2005)

    Terrill, Robert E. The Cambridge Companion to Malcolm X (Cambridge: Cambridge University Press, 2010)

    Henry Williams, Raymond. Culture and Society. New York: Columbia University Press, 1983.

    Nitzsche, Sina A and Grunzweig Walter. Hip-Hop in Europe: Cultural Identities and Transnational Flows (Transnational and Transatlantic American Studies) (Münster: LIT Verlag, 2013)

    Coban, Sezai. Knowledge - The Urban Dance Dictionary (Germany:Sezai Coban, 2018)

    (二)期刊:

    Richter, Andrei. “Post-Soviet Perspective On Censorship and Freedom of the Media: An Overview” International Communication Gazette, 70(5) (2008), pp. 104-105.

    Denisova, Anastasia and Herasimenka Aliaksandr. “How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter-Hegemony, and Emerging Resistant Publics.” Social Media + Society, 5(2) (2019), p.3

    Duinker, Ben and Martin Denis. “In Search Of The Golden Age Hip-Hop Sound(1986-1996).” Empirical Musicology Review, 12(1) (2017) , p.81.

    Blanchard, Becky. “The Social Significance of Rap & Hip-Hop Culture.” Ethics of Development in a Global Environment, 7(9) (2014).

    Cramer, Christopher. “Does inequality cause conflict?,” Journal of International Development, 15(4) (2003), pp. 397-412.

    Boer, Diana. “Music makes people come together: Social functions of music listening for young people across culture”, (2009), pp.3-4

    Schwarz, Frederic D. “The World’s First DJ.” American Heritage, 57(6) (2006)

    Persaud, Jerry. “The Signature of Hip Hop : A Sociological Perspective.” International Journal of Criminology & Sociological Theory 4(1) (2011) , p.627.

    Clément, Karine “New Social Movements in Russia: A Challenge to the Dominant Model of Power Relationships?,” Journal of Communist Studies and Transition Politics, 24(1) (2008), p. 68.

    Feyh, Kathleen Eaton. “Russian Hip-Hop : Rhetoric at the Intersection of Style and Globalization.” Texas Schlor Works, (2012)

    Mar Yam G.Hamedani and Markus Hanzel Rose. “Understanding Culture Clashes and Catalyzing Change: A Culture Cycle Approach.” Frontiers in Psychology, 10(1) (2019)

    Collmer, Peter and Scheide Carmen. “Pop and Politics in Late Soviet Society.” Governance and Culture in the Black Sea Region, 25(8), pp.3-5
    Beschastna, Tatyana. “Freedom Of Expression In Russia As It Relates To Critism Of The Government,” Emory International Law Review, 27(1) (2014), pp.1110-1111.

    (三)網路資料:

    Aaron Walsh. “9 Elements: Emceeing.” HHGA. 11 Nov. 2016. 17 Jun. 2020 <https://hiphopgoldenage.com/9-elements-emceeing/>

    Anton Kardashov, ”Richest 3% Russians Hold 90% of Country’s Financial Assets – Study” The Moscow Times. 12 April. 2019. 09 Aug. 2020 <https://www.themoscowtimes.com/2019/04/12/richest-3-russians-hold-90-of-countrys-financial-assets-study-a65213>

    Dan Charnas. “The Rise and Fall of Hip-Hop's First Godmother: Sugar Hill Records' Sylvia Robinson.” Billboard. <https://www.billboard.com/articles/columns/hip-hop/8533108/sugar-hill-records-sylvia-robinson-hip-hop-godmother>

    Emmanuel Adelekun. “This is what you need to know about a breaking throw down” Redbull. 14 Dec. 2018. 28 Jun. 2020 <https://www.redbull.com/ng-en/understand-the-basic-elements-of-breaking>

    Birger, Georgy. “Putin’s Public Enemy.” Foreign Policy. 3 Jan.2019. 8 Aug.2020
    <https://foreignpolicy.com/2019/01/03/putins-public-enemy-russia-rap-culture-soviet-union-vladimir-putin/>

    Suchland, Jennifer. “Contextualizing Pussy Riot in Russia and Beyond.” E-International Relations. 28 Aug. 2012. 8 Aug. 2020 <https://www.e-ir.info/2012/08/28/contextualizing-pussy-riot-in-russia-and-beyond/>

    Odenthal, Kathleen. “How Hip-Hop Music Has Influenced American Culture and Society.” Spinditty. 26 Jun. 2019. 17 Jun. 2020 <https://spinditty.com/genres/Hip-Hops-Influence-on-America>

    Kim, Lucian. “Young Russian Musicians Struggle Under Government Scrutiny.” National Public Radio. 17 Jan. 2019. 19 Aug. 2020 <https://www.npr.org/2019/01/17/685973630/young-russian-musicians-struggle-under-government-scrutiny>

    McGonigal, Mike. “TBT: Reel-to-reel DJ performance from 1991 by 'Mr. Tape from Latvia'.” The Metro Times, 03 Sep. 2015. 25 Jun. 2020 <https://www.metrotimes.com/city-slang/archives/2015/09/03/tbt-reel-to-reel-dj-performance-from-1991-by-mr-tape-from-latvia>

    Kachalin, Philipp. “The charm of illegal art : The history of Russian graffiti“ Strelka Mag, 15 Mar. 2017. 05. Jul. 2020
    <https://strelkamag.com/en/article/the-charm-of-illegal-art-the-history-of-russian-graffiti>

    Risk & Compliance Portal.” Russia Corruption Report”,GAN. Feb.2020. 08 Aug. 2020 <https://www.ganintegrity.com/portal/country-profiles/russia/>

    Scuzzy. “Melonious Thonk #18: 1930s Hip Hop!? The Earliest Rap Song?.” Steemit. 03 Sep. 2018. 08 June. 2020 <https://steemit.com/music/@scuzzy/melonious-thonk-18-1930s-hip-hop-the-first-rap-song>

    Samuels, Tanyanika. “Former Bronx gang members mark 40th anniversary of truce that led to decline of street violence in the 1970s.” New York Daily News. 08 Dec. 2011 <https://www.nydailynews.com/new-york/bronx/bronx-gang-members-mark-40th-anniversary-truce-led-decline-street-violence-1970s-article-1.988287>

    UK Essays. “The Civil Rights Act Of 1964.” UK Essays. 15 May. 2017. 12 Jun. 2020 <https://www.ukessays.com/essays/history/overview-of-the-civil-rights-act-of-1964-history-essay.php?vref=1>

    UK Essays. “Is Graffiti Art Or Vandalism Cultural Studies Essay.” UK Essays. 06 Nov. 2018. 22 Jun. 2020 <https://www.ukessays.com/essays/cultural-studies/graffiti-art-or-vandalism-cultural-studies-essay.php?vref=1>
    Vann R. Newkirk II.” King's Death Gave Birth to Hip-Hop.” The Atlantic. 8 Apr. 2018. 13 Jun. 2020 <https://www.theatlantic.com/entertainment/archive/2018/04/fear-of-a-black-messiah/557474/>

    三、俄文部分:

    (一)書籍:

    Миша Бастер. Хулиганы-80. М.: Клуб 36.6, 2009

    (二)期刊:

    Кузовенкова Ю .А . Трансформация Пространства Российской Молодежной Субкультуры в 80-90 гг. ХХ в. , // Человек в мире культуры. 2017. № 316

    Плясунов Владимир Васильевич. Особенности эволюции свободы слова в России // Философия права. 2017.№ 2(81). С. 30-34.

    Трякина И. А. Влияние Хип-Хоп Субкультуры На Установки Молодого Поколения // Социальные явления. 2013. № 2. С.100

    (三)網路資料:

    Flow. Da Boogie Crew: история самой популярной российской брейкданс-команды, рассказанная ею самой. [Электрон Ресус] – Режим доступа:
    https://the-flow.ru/features/da-boogie-crew (Дата Обращения: 07.19.2020)

    Rap.ru. Rap Recordz: Основые Активы Компании – Её Артисты!. [Электрон Ресус] – Режим доступа: http://www.rap.ru/reading/1611 (Дата Обращения: 08.05.2020)

    Величко Никита. Познакомьтесь с человеком, который, возможно, первым записал рэп на русском [Электрон. ресурс] – Режим доступа: https://daily.afisha.ru/music/3081-poznakomtes-s-chelovekom-kotoryy-vozmozhno-pervym-zapisal-rep-na-russkom/ (Дата обращения: 07. 20. 2020)

    РБК. Рэпер, бургер, барбер: на чем холдинг Black Star зарабатывает 1 млрд руб. [Электрон Ресус] – Режим доступа: https://www.rbc.ru/magazine/2017/08/5966310a9a794767e0f985e7 (Дата Обращения: 08.06.2020)

    Горкин Яша. Зачем создавалась «Зачем»? [Электрон Ресус] – Режим доступа: https://stoneforest.ru/look/culture/graffiti/zachem-sozdavalas-zachem/ (Дата Обращения: 07.24.2020)
    Янгспейс. Da Boogie Crew — ломая медийную систему (продолжение). [Электрон Ресус] – Режим доступа: https://youngspace.ru/culture/da-boogie-crew-2/ (Дата Обращения: 07.19.2020)
    Description: 碩士
    國立政治大學
    俄羅斯研究所
    107263011
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0107263011
    Data Type: thesis
    DOI: 10.6814/NCCU202001765
    Appears in Collections:[俄羅斯研究所] 學位論文

    Files in This Item:

    File Description SizeFormat
    301101.pdf2526KbAdobe PDF0View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback