Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/145060
|
| Title: | 描繪白色恐怖的台灣電影：從《悲情城市》到《幸福路上》
Portraying White Terror in Taiwan Cinema Through the Decades: Marching away from Sadness City to Happiness Road |
| Authors: | 楊雅雯
Van, Duong Nha |
| Contributors: | 陳儒修
Robert Chen
楊雅雯
Duong Nha Van |
| Keywords: | 悲情城市
超級大國民
幸福路上
白色恐怖
本土化
台灣意識
A City of Sadness
Super Citizen Ko
On Happiness Road
White Terror
Taiwanization
Taiwanese consciousness |
| Date: | 2023 |
| Issue Date: | 2023-06-02 11:39:07 (UTC+8) |
| Abstract: | 自從蔣經國總統宣布解除戒嚴以來已經過了六十多年，但白色恐怖仍然是台灣史上最重要的時期之一。當島嶼開始踏上尋找自我認同並尋求國際認可之旅時，白色恐怖也更加重要，因為這證明只有像台灣這種民主自由國家才能克服最黑暗的一段歷史。這個觀念也延伸到電影界，白色恐怖仍然是許多電影製作者的靈感來源。
根據白色恐怖對於台灣電影的重要性，本研究將探討三部不同年代的電影，包括《悲情城市》（1989年），《超級大國民》（1995年）和《幸福路上》（2017年），來探究白色恐怖在電影中的呈現方式。研究將論證每部電影中持續而獨特的白色恐怖議題，對於建構台灣意識有怎麼樣重大的貢獻，而這也是本土化的重要建構過程之一。本研究將定位為文化研究，採用符號學和文本分析兩種主要方法。透過此研究，將經典和當代電影連起來，進行比較分析，提供對於台灣電影中白色恐怖的描繪，以及對本土化與台灣意識的影響。
More than six decades have passed since former president Chiang Ching-kuo declared the lifting of martial law, yet White Terror continues as one of the most important historical periods in Taiwanese history. As the island embarks on a journey to define its own identity and seek for international recognition, White Terror becomes even more essential of a topic than ever because it is a solid proof that only a democratic, free nation like Taiwan can embrace one of the darkest, if not the darkest, past sufferings. This idea also expands to the film industry, where White Terror persists to be an inspiration for generations of filmmakers.
Given the importance of White Terror in Taiwan cinema, this study will be examining the representation of White Terror in three different films from three distinct decades, including A City of Sadness (悲情城市, 1989), Super Citizen Ko (超級大國民, 1995) and On Happiness Road (幸福路上, 2017). From then, it argues that the persistent yet distinctive presence of White Terror in each film contributes to the building of Taiwanese consciousness, which is also one of the crucial constructs in the Taiwanization movement (本土化). In order to achieve the proposed objectives, this study identifies itself as a cultural studies project and adopts two primary methodologies including semiotics and textual analysis. In doing so, this research connects the classic and the contemporary films to create a comparative study that provides an outlook into the portrayals of White Terror in Taiwan cinema and its future prospects as a part of Taiwanization. |
| Reference: | Andrew, J. D. (1976). The major film theories: An introduction. New York: Oxford University Press.
Akbari-Dibavar, A. (2016). Speaking trauma: silences and romanticization. Critical Studies on Security, 4(1), 125-128. doi:10.1080/21624887.2016.1163951
Barthes, R. (1968). Elements of semiology (A. Lavers & C. Smith, Trans.). New York: Hill and Wang.
Barthes, R. (1972). Mythologies (A. Lavers, Trans.). New York: The Noonday Press.
Baskett, M. (2008). The attractive empire: Transnational film culture in imperial Japan. Honolulu, United States: University of Hawaii Press.
Berger, J. (1972). Ways of seeing. London: Penguin Books.
Berry, C., & Lu, F. (2005). Introduction. In C. Berry & F. Lu (Eds.), Island on the edge: Taiwan New Cinema and after (pp. 1-12). Hong Kong: Hong Kong University Press.
Berry, C., & Rawnsley, M.-y. T. (2020). Introduction to a special issue on Taiwanese-language films (taiyupian). Journal of Chinese Cinemas, 14(2), 72-75. doi:10.1080/17508061.2020.1778831
Buttimer, A. (1976). Grasping the dynamism of lifeworld. Annals of the Association of American Geographers, 66(2), 277-292. Retrieved from http://www.jstor.org/stable/2562470
Brison, S. J. (1999). Trauma narratives and the remaking of the self. In B. Mieke, C. Jonathan, & S. Leo (Eds.), Acts of memory: Cultural recall in the present (pp. 39-54). Hanover: University Press of New England.
Chang, B.-y. (2006). Constructing the motherland: Culture and the state since the 1990s. In D. Fell, H. Klöter, & B.-y. Chang (Eds.), What has changed? Taiwan before and after the change in ruling parties (Vol. 4). Wiesbaden: Harrassowitz Verlag.
Chang, B.-y. (2011). So close, yet so far away: Imaging Chinese `homeland` in Taiwan`s geography education (1945--68). Cultural Geographies, 18(3), 385-411. doi:10.1177/1474474010384914
Chen, C.-F. (2022). Daoyan ji dazhong shijia: Dianying "Fanxiao" de lishi shuxie yuyishi [Film-Maker as public historian: The historical writing and historical consciousness of the movie "Detention"]. (Master`s thesis). Retrieved from National Digital Library of Theses and Dissertations in Taiwan database.
Chen, C.-y. & Yang, Y.-l. (Producers), & Hou, C.-j (Director). (2005). Taiwan hei dianying [Taiwan black movies] [Motion picture]. Taiwan: Shih Kuang Creative.
Chen, R.-s. (1996). Lishi yu jiyi: Cong "Hao Nan Hao Nu" dao "Chaoji Da Guomin" [History and memory: From "Good Men, Good Women" to "Super Citizen Ko"]. Zhongwai wenxue, 25(5), 47-57. doi:10.6637/CWLQ.1996.25(5).47-57
Chen, S.-Y. (2016). Taiwanization: Affective politics in post-martial law Taiwan. (Master`s thesis). Retrieved from National Digital Library of Theses and Dissertations in Taiwan database.
Chiang, K.-s. (1990). Two supplementary chapters. In Sanmin zhuyi [The three principles of the people]. Taipei: Government Information Office.
Chiu, K.-f. (2007). The vision of Taiwan new documentary. In D. W. Davis & R.-s. R. Chen (Eds.), Cinema Taiwan: Politics, popularity and state of the arts (pp. 17-32). Florence, United States: Taylor & Francis Group.
Davis, D. W. (2003). A new Taiwan person? A conversation with Wu Nien-chen. positions: asia critique, 11(3), 717-734. doi:10.1215/10679847-11-3-717
Davis, D. W. (2007). Introduction: Cinema Taiwan, a civilizing mission? In D. W. Davis & R.-s. R. Chen (Eds.), Cinema Taiwan: Politics, popularity and state of the arts (pp. 1-14). Florence, United States: Taylor & Francis Group.
Fleishman, A. (1992). Narrated films: Storytelling situations in cinema history. London: The Johns Hopkins University Press.
Gripsrud, J. (1995). The Dynasty years: Hollywood television and critical media studies. London: Routledge.
Hamilton, A. (2003). World War II`s mobilization of the science of food acceptability: How ration palatability became a military research priority. Ecology of Food and Nutrition, 42(4-5), 325-356. doi:10.1080/0367024030247805
Hartley, J. (1999). Uses of television. London, United Kingdom: Taylor & Francis Group.
Hawkins, J. M. (2017). Textual analysis. In M. Allen (Ed.), The SAGE encyclopedia of communication research methods. doi:10.4135/9781483381411
Henson, L. (2017). Cultural studies and communication. In M. Allen (Ed.), The SAGE encyclopedia of communication research methods. doi:10.4135/9781483381411
Hong, G.-J. (2011). Taiwan cinema: A contested nation on screen. New York: Palgrave Macmillan US.
Hong, Z. (2012). Semiotics of exile in contemporary Chinese film. New York: Palgrave Macmillan.
Hsu, I. (2019, January 21). On Happiness Road is a playful yet profound coming-of-age story. The Atlantic. Retrieved from https://www.theatlantic.com/
Jacobs, J. B. (2005). "Taiwanization" in Taiwan`s politics. In J. Makeham & A.-c. Hsiau (Eds.), Cultural, ethnic, and political nationalism in contemporary Taiwan: Bentuhua (pp. 17-54). New York: Palgrave Macmillan US.
Jameson, F. (1986). Third-world literature in the era of multinational capitalism. Social Text(15), 65-88. doi:10.2307/466493
Jeffords, S. (2012). Friendly civilians: Images of women and the feminization of the audience in Vietnam War films. In B. K. Grant (Ed.), Film Genre Reader IV (pp. 510-523): University of Texas Press.
Kaplan, D. E. (1992). Fires of the dragon: Politics, murder, and the Kuomintang. New York: Atheneum.
Koonar, C. (2018). Making chocolate American: Labor, tourism, and American empire in the Hershey company, 1903–85. The Pennsylvania Magazine of History and Biography, 142(3), 339-364. doi:10.1353/pmh.2018.0032
Kubek, A. (2002). Ronald Reagan and Free China. Tampa, Florida: Hallberg Publishing Corporation.
Laws and Regulations Database of the Republic of China. (n.d.). Chengzhi panluan tiaoli [Criminal Code and the Punishment of Rebellion Act]. Retrieved March 1, 2023, from https://law.moj.gov.tw/LawClass/LawAll.aspx?pcode=C0000010.
Lee, D.-M. (2018). Enlightenment, propaganda, and image creation: A descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937. In E. Y.-y. Yeh (Ed.), Early film culture in Hong Kong, Taiwan, and Republican China (pp. 101-133). United States of America: University of Michigan Press.
Lee, T.-h. (1995). Jingying da Taiwan [Managing big Taiwan]. Taipei: Yuanliu.
Lee, T.-h. (1999). The road to democracy: Taiwan`s pursuit of identity. Sanbancho, Tokyo: PHP Institute, Inc.
Lin, S. L.-c. (2004). Two texts to a story: Representing White Terror in Taiwan. Modern Chinese Literature and Culture, 16(1), 37-64. Retrieved from http://www.jstor.org/stable/41490913
Lin, S. L.-c. (2007). Representing atrocity in Taiwan: The 2/28 incident and White Terror in fiction and film. New York: Columbia University Press.
Makeham, J. (2005). Introduction. In J. Makeham & A.-c. Hsiau (Eds.), Cultural, Ethnic, and Political Nationalism in Contemporary Taiwan: Bentuhua (pp. 1-14). New York: Palgrave Macmillan US.
Manthorpe, J. (2005). Forbidden nation: A history of Taiwan. Gordonsville, United States: Palgrave Macmillan.
McKee, A. (2003). Textual analysis: A beginner`s guide. London: SAGE Publications Ltd.
Neri, C. (2015). Haunted island: Reflections on the Japanese colonial era in Taiwanese cinema. In A. D. Morris (Ed.), Japanese Taiwan: Colonial rule and its contested legacy (pp. 171-184). London: Bloomsbury Publishing.
Rawnsley, M.-y. T. (2009). Observational Realism in New Taiwan Cinema. In L. Nagib & C. Mello (Eds.), Realism and the Audiovisual Media (pp. 96-107). London: Palgrave Macmillan UK.
Rawnsley, M.-Y. (2011). Cinema, historiography, and identities in Taiwan: Hou Hsiao-Hsien`s A City of Sadness. Asian Cinema, 22(2), 196-213. doi:10.1386/ac.22.2.196_1
Reynaud, B. (2002). A City of Sadness. London: British Film Institute.
Riep, S. L. (2012). Piecing together the past: The nation of recovery in fiction and film from Taiwan. Modern China, 38(2), 199-232. Retrieved from http://www.jstor.org/stable/23217440
Rubinstein, M. A. (2015). Taiwan: A new history. New York: Routledge.
Wu, C.-Y. (2021). A critical remembering of the White Terror: Re-politicizing justice and trauma in Green Island and Detention. (Master`s thesis). Retrieved from National Digital Library of Theses and Dissertations in Taiwan database.
Wu, M.-l. (2005). Postsadness Taiwan New Cinema: Eat, drink, everyman, everywoman. In S. H. Lu & E. Y.-y. Yeh (Eds.), Chinese-language film: Historiography, poetics, politics (pp. 76-95). Honolulu: University of Hawaiʻi Press.
Ye, G. (2021, December 27). Huange jiaodu, shijie hui geng kaikuo [From another angle, the world will be wider]. Medium. Retrieved March 1, 2023, from https://medium.com/
Ye, S. (2014). Introduction to the history of nativist literature in Taiwan. In S.-s. Y. Chang, M. Yeh, & M.-j. Fan (Eds.), The Columbia sourcebook of literary Taiwan (pp. 284-287). New York: Columbia University Press.
Yeh, E. Y.-y., & Davis, D. W. (2005). Taiwan film directors: a treasure island. New York: Columbia University Press.
Yi, G.-Y. (2019). On Taiwanese animated film On the Happiness Road: Modernization traces and collective memory of Taiwan. (Master`s thesis). Retrieved from National Digital Library of Theses and Dissertations in Taiwan database.
Yip, J. (2004). Envisioning Taiwan: Fiction, cinema, and the nation in the cultural imaginary. Durham and London: Duke University Press.
Zhang, Z.-w. (2018, January 2). Bu pingfan de shidai langtou hou, bei chongshua mosun de pingfan rizi/No.007: Song Xinying [Ordinary days washed away after the waves of extraordinary times/No.007: Sung Hsin-yin]. The Reporter. Retrieved from https://www.twreporter.org/a/ontheroad-007
Zhu, T.-w. (1995). Hao Nan Hao Nu: Hou Xiaoxian paipian biji fen chang, fen jing juben [Good Men, Good Women: Hou Hsiao-hsien`s shooting notes and screenplay]. Taipei: Mai Tian.
Film Citations
Chiu, F.-s. (Producer), & Hou, H.-h. (Director). (1989). A City of Sadness [Motion picture]. Taiwan: 3-H Films.
Feng, S. (Producer), & Sung, H.-y. (Director). (2017). On Happiness Road [Motion picture]. Taiwan: Happiness Road Productions.
Liao, C.-s. & Wan, R. (Producers), & Wan, R. (Director). (1995). Super Citizen Ko [Motion picture]. Taiwan: Wan Jen Films Ltd. |
| Description: | 碩士
國立政治大學
國際傳播英語碩士學位學程(IMICS)
109461023 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0109461023 |
| Data Type: | thesis |
| Appears in Collections: | [國際傳播英語碩士學程] 學位論文
|
Files in This Item:
| File |
Description |
Size | Format | |
|---|
| 102301.pdf | | 6116Kb | Adobe PDF2 | 100 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
