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Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/38325
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| Title: | 紀錄片：《睜開左眼》
Documentary：TV news cameraman：Open eyes |
| Authors: | 李惠仁
Lee, Kevin H.J |
| Contributors: | 關尚仁
李惠仁
Lee, Kevin H.J |
| Keywords: | 紀錄片
電視新聞
攝影記者
置入性行銷
業配
創傷後症候群
Documetary
TV News
TV News Cameraman
Placement promotion
Paid news
Post-Traumatic Stress Disorder |
| Date: | 2008 |
| Issue Date: | 2010-04-09 14:15:40 (UTC+8) |
| Abstract: | 《睜開左眼》真實紀錄了國內四位電視台記者太短又太長，太急又太慢的職業生命。都說記者是無冕王，其實他們像乞丐般一整天蹲在特偵組前面，只為乞求一個不到5秒鐘的約談畫面；或者配合業主拍攝美美的業配新聞。對於一個擔任15年把最精華的人生歲月都給了新聞工作的電視新聞攝影記者來說，究竟「什麼樣的事物是生命當中最重要的註腳」？
長久以來，觀眾所看到的電視新聞都經過了不只一道的壓縮與過濾，事件真實的樣貌當然是難以窺視。不過在這部紀錄片當中，我們清楚看到了目前商業電視台無法避免的「業配新聞」究竟如何產製？而這些站在第一線見證歷史的攝影記者們又是怎麼面對？
如果我們把電視媒介生態當成一幅拼圖，那麼「電視新聞攝影記者」與「新聞產製過程」無疑的是兩片重要的拼圖，而紀錄片《睜開左眼》就剛好適時的把這兩片拼圖擺到他應有的位置上。
The documentary named “Eye on the Left” is literally telling a true story about four TV news cameramen whose life careers in Taiwan were too short, too long, too harsh and too slow.
We always said the reporters are the King without Crown, but the truth is, they are little more than a group of beggars sitting in front of the Special Investigation Division all day long, begging for an opportunity to capture the certain person interview by the prosecutor for finding their individual counseling which the content of length is only less than 5 seconds. Thing can be worse that reporters were forced to make a series of nice-looking paid news in order to fulfill the commercial buyers` demand sometimes. As a professional reporter who have been dedicated his prime 15 years to TV news reporting and videos taking, he might ask himself, “what is the most significant thing during my career?”
For a long time, the TV news which offer to audiences daily is manipulated by not only but several human interferences and condensed selectively, the truth behind the scene is very hard to reveal to the public. However, in this documentary, we can understand apparently the fact about how the commercial TV company produce the “paid news” which they are just cannot say no to the buyers. And how these TV news cameramen witness and face the historical scenes they encounter in the front line.
If we consider that the TV media as an uncompleted jigsaw puzzle, the “TV news cameraman” and the “Process of News Reporting” are undoubtedly the last two essential pieces to assemble together. “Eye on the left”, just put all of them back to their right positions in the best time. |
| Reference: | 王慰慈（2002）。〈台灣紀錄片的類型與分析—以Bill Nichols的六種模式為研究基礎〉。《真實與再現：紀錄片美學國際學術研討論》論文集。
冷冶夫（2005）。〈紀錄片的敘事與結構〉。取自http://www.oursee.com/html/jilupian/2005_11_09_12_56_65_2.html
李道明。(1990)。〈台灣紀錄片與文化變遷〉。《電影欣賞》44期。台北：電影資料館。
李道明（2000）。〈什麼是紀錄片？〉。《台灣紀錄片研究書目與文獻選集（下）》。台北：文建會。
李竹旺（2008）。〈鼓出森巴文化的台灣原住民音樂〉。國立政治大學廣播學院在職專班碩士論文。
李建成（2006）。〈我希望---員山戲夢少年〉。國立政治大學廣播電視學系碩士班碩士學位作品創作報告。
張勤（1994）。《電視新聞》。台北：三民。
黃新生（1994）。《電視新聞》。台北：遠流。
陳向明（2002）。《社會科學質的研究》。台北：五南。
陳儒修、郭幼龍譯（2002）。《電影理論解讀》。台北：遠流。（原書Robert Stam. [2000]. Film Theory: An Introduction. Blackwell Publishers Inc.）
董小英（1994）。《再登巴比倫塔---巴赫金與對話理論》。香港：三聯。
游惠貞（2002）。〈紀錄片美學的多重面向〉，《電影欣賞》第110期。
蔡念中等（1998）。《大眾傳播概論》。台北：五南。
盧非易 (1999)。〈紀錄片的再現技術與觀念之轉變〉。《政大傳播研究簡訊》12期，政治大學傳播學院研究中心
駱俊嘉（2006）。〈「遺忘的國度」--樂生療養院紀錄片製作流程研析〉。世新大學廣播電視電影所碩士論文。
韓耀叢 (2001)。〈紀錄片再現真實的再思考〉。《獨立製片與紀錄片國際學術研討會》會議論文。台灣台南藝術學院音像技術科技多媒體中心暨音像藝術管理
研究所。
Nichols, Bill. (1983). “The Voice of Documentary. Film Quarterly. 36.3:17-30.
Nichols, Bill. (1991). Representing Reality: Issues and Concepts in Documentary, Bloomington and Indianapolis: Indiana University Press.
Nichols, Bill (2001). Introduction of Documentary, Indiana University Press. |
| Description: | 碩士
國立政治大學
傳播學院碩士在職專班
95941018
97 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0095941018 |
| Data Type: | thesis |
| Appears in Collections: | [傳播學院碩士在職專班] 學位論文
|
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| 101801.pdf | | 1685Kb | Adobe PDF2 | 2804 | View/Open |
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