English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109951/140890 (78%)
Visitors : 46263449      Online Users : 893
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/49899


    Title: 從優選理論分析現代閩南語歌曲中音樂與語言之互動
    Interaction between music and language in modern songs of Taiwan southern Min- An optimality theory analysis
    Authors: 王曉晴
    Wang, Hsiao Ching
    Contributors: 蕭宇超
    Hsiao, Yuchau E.
    王曉晴
    Wang, Hsiao Ching
    Keywords: 音樂與語言
    優選理論
    Date: 2008
    Issue Date: 2010-12-09 12:33:03 (UTC+8)
    Abstract: 近年來許多學者開始注意語言及音樂之間的共通之處。這篇論文主要從結構、韻律及曲調方面,分析現代閩南語歌曲中,歌詞與旋律之間的協調與配合,希望能夠對語言與音樂之間的互動有更多的了解。傳統閩南語歌曲旋律簡單,非常忠於語言本身的特性,在優選理論的架構下,受到某些制約條件影響。當這些歌曲融入Rock 或R&B等音樂元素後,歌詞與旋律之間的對應受到另一套制約條件排列的影響。透過分析同一首歌曲的不同版本,對於音樂與語言之間、以及不同版本之間的對應,提供更完整的理論分析。
    The parallel structures between language and music have been observed in the literature of linguistics. To have further understanding on the interaction of language and music, this study examines the concordance and compromise of lyrics and melodies in Taiwanese folk songs from the aspects of prosodic structure, rhythmic pattern and tonal mapping. Traditional Taiwanese folk songs demand a simplistic tune, showing faithfulness to the linguistic form. Under the framework of the Optimality Theory, some constraints related to the arrangement of lyrics and melodies are detected. As these songs are adapted to different musical styles—Rock or R&B—the constraint ranking changes on the basis of output-to-output correspondence, resulting in different musical representations. With the analysis of different versions of the same song, this paper provides a theoretical account on the harmony between language and music and also the relationships between different musical versions.
    Reference: English References
    Beckman, Jill. 1998. Positional Faithfulness. Ph. D. dissertation, University of Massachusetts, Amherst.
    Chen, M. 1979. Metrical structure: Evidence from Chinese poetry. Linguistic Inquiry 10:371-420.
    Chen, M. 1980. The primacy of rhythm in verse: A linguistic perspective. Journal of Chinese Linguistics 8:15-41.
    Duanmu, S. 2004. A Corpus Study of Chinese Regulated Verse: Phrasal Stress and the Analysis of Variability. Phonology 21, pp. 43-89.
    Gilbers, D. and M. Schreuder. 2002. Languag and music in optimality theory. ROA-571.
    Hayes, Bruce. 1995. Metrical Stress Theory: Principles and Case Studies. Chicago: The University of Chicago Press.
    Hsiao, Yuchau E. 2006. The Metrical Structure of Changhua Folk Verse. Concentric: Studies in Linguistics 32.1:1-29.
    Inkelas, Sharon. 1989. Prosodic Constituency in the Lexicon. Ph. D. dissertation, Stanford University.
    Ito, Junko, Yoshihisa Kitagawa, and Armin Mester. 1996. Prosodic Faithfulness and Correspondence: Evidence from a Japanese Argot.. Journal of East Asian Linguistics 5: 217-294.
    Jackendoff, R. & F. Lerdahl. 1980. A Deep Parallel between Music and Language. Indiana University Linguistic Club.
    Jackendoff, R. & F. Lerdahl. 1982. A Grammatical Parallel between Music and Language. In Music, Mind and Brain, M. Clynes, eds., pp. 83-117. New York: Plenum Press.
    Jackendoff, R. 1989. A Comparison of Rhythmic Structure in Music and Language. Phonology and Phonetics 1:15-44.
    Jakobson, R. 1970. The Modular Design of Chinese Regular Verses. In Puillon, J., Maranda, P, eds, Echanges et communications. Melanges offers a Levi-Strauss Claude a l’occasion de son 60 eme anniversaire. Paris. The Hague: Mounton. 215-223.
    Kager, R. 1999. Optimality Theory. New York: Cambridge University Press.
    Lerdahl, F. & R. Jackendoff. 1983. A Generative Theory of Tonal Music. The MIT Press,Cambridge, Massachusetts, London, England.
    Liberman, M. 1975. The Intonational System of English. Ph.D. dissertation. MIT.
    McCarthy, John J. and Alan S. Prince. 1995a. Generalized Alignment. In Geert Booij and Jaap van Marle: Yearbook of Morphology. Dordrecht: Kluwer. 79-153.
    McCarthy, John & Alan Prince. 1995b. Faithfulness & Reduplicative Identity. In Jill Beckman, Laura Walsh Dickey, & Suzanne Urbanczyk, eds., Papers in Optimality Theory: University of Massachusetts Occasional Papers 18. Amherst, MA: Graduate Linguistic Student Association. 249-384.
    Nelson , Nicole. 2003. Asymmetric Anchoring. Ph.D. dissertation, Rutgers University, New Brunswick.
    Pinker, Steven. 1997. How the Mind Works. New York: W. W. Norton.
    Prince, A. & P. Smolensky. 1993. Optimality Theory: Constraint Interaction in Generative Grammar. Manuscript. Ms. Rutgers University, New Brunswick, N.J, and University of Colorado, Boulder.
    Schreuder, M. 2006. Prosodic Processes in Language and Music. Ph.D. dissertation, Research School of Behavioral and Cognitive Neurosciences (BCN), Groningen
    Selkirk, Elisabeth, 1986. On Derived Domains in Sentence Phonology. Phonology Yearbook 3, 371-405.
    Sundberg, J and B. Lindblom. 1991. Generative Theories for Describing Musical Structure. In P. Howell, R. West, and I. Cross, eds., Representing Musical Structure, pp. 245-272. London: Academic Press.
    Sung, Kai-lin. 2008. An Optimality Theory Approach to Jiang Kuei’s Verses in Music. MA. thesis, National Cheng Chi University.
    Van der Werf, Sybrand and Petra Hendriks. 2004. A Constraint-Based Approach to Grouping in Language and Music. In Proceedings of the Conference on Interdisciplinary Musicology, R. Parncutt, A. Kessler and F. Zimmer, eds.
    Yen Xiu-fang. 2004. Constraint and Ranking in Language and Music. MA. thesis, National Chung Cheng University.
    Chinese References
    王振義,1983。語言聲調和音樂曲調的關係—台灣閩南語歌謠的「詩樂諧合」傳統研究。台灣風物。第33 卷第4 期:43-56。
    宋凱琳,2006。從優選理論看語言與音樂的互動:從詩經入樂談起。
    楊蔭瀏。1988。語言與音樂。台北:丹青圖書有限公司。
    楊克隆。1998。台灣流行歌曲研究。台灣師範大學國文研究所,碩士論文。
    徐富美、高林傳。2003。歌詞聲調與旋律曲調相諧和的電腦檢測。
    Description: 碩士
    國立政治大學
    語言學研究所
    95555011
    97
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0095555011
    Data Type: thesis
    Appears in Collections:[語言學研究所] 學位論文

    Files in This Item:

    File Description SizeFormat
    501101.pdf112KbAdobe PDF2692View/Open
    501102.pdf166KbAdobe PDF2707View/Open
    501103.pdf108KbAdobe PDF2706View/Open
    501104.pdf152KbAdobe PDF2683View/Open
    501105.pdf97KbAdobe PDF2743View/Open
    501106.pdf396KbAdobe PDF2906View/Open
    501107.pdf351KbAdobe PDF22171View/Open
    501108.pdf278KbAdobe PDF2738View/Open
    501109.pdf278KbAdobe PDF2845View/Open
    501110.pdf117KbAdobe PDF2643View/Open
    501111.pdf201KbAdobe PDF2920View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback