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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/53746

    Title: 美學與意義的辯證---2000年代台灣紀錄攝影的藝術話語研究
    Other Titles: Dialectical Analysis between Aesthetics and Meaning--- Cultural Studies of Art and Discourse on Taiwan's Documentary Photography, 2000-2009
    Authors: 郭力昕
    Contributors: 國立政治大學廣播電視學系
    Keywords: 美學;台灣紀錄;攝影;藝術話語
    Date: 2010
    Issue Date: 2012-10-18 10:26:31 (UTC+8)
    Abstract: 本計畫為一年期研究計畫,目的在於通過文本分析與話語分析的方法,針對2000-2009 年活躍於攝影創作界的六位台灣重要攝影家及一個組織的13 部紀錄攝影作品,進行對台灣過去十年來之紀錄攝影在藝術話語、意義建構、與美學之政治性的文化研究。本計畫延續申請者近幾年一項主要的研究關切,並試圖串連出對台灣新聞攝影與紀錄攝影的一個比較具有歷史縱向視野的文化研究計畫。本計畫將以文本分析與論述分析為研究方法,對選定的研究對象進行質性文化研究。筆者將同時對照攝影家或其他研究者/詮釋者對特定影像作品的文字,進行分析與辯論。本計畫希望以研究成果填補既有研究在宏觀視野上的不足。
    The aim of my one-year research project is to conduct an inductive and synthetic study on the aesthetics and meaning of Taiwanese documentary photography in the 2000s. With textual analysis and discourse analysis as the main research methodologies, this project wants to look at the complicated and dialectical effects of these photographic projects through their artistic expressions, and the cultural/social/political discourses constructed behind them. This research project is a continuing effort of my major research interest in Taiwanese documentary photography over the last three decades, and it would be part of a large and integrated research plan to investigate this documentary culture with a horizontal and macro view in the future.
    Relation: 基礎研究
    研究期間:9908~ 10007
    Data Type: report
    Appears in Collections:[廣播電視學系] 國科會研究計畫

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