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|Title: ||戲曲跨界創新的反思 ─以梅蘭芳時裝作品中京劇與話劇的媒合嘗試為例|
|Other Titles: ||Peking Opera Straddling of Zones Reconsidering--The Peking Opera and the Modern Drama Intermediary Gathers the Attempt Take the Mei Lanfang Fashionable Clothing Work in as the Example|
Peking opera;Mei Lanfang;Fashionable clothing modern Peking opera;Drama;Straddling of zones
|Issue Date: ||2013-12-27 14:29:53 (UTC+8)|
1914-1918 is Peking opera master Mei Lanfang take “the fashionable clothing” as the main axle, starts to create a succession of fashionable clothing modern play the crucial phase, although this period of time compares in the Mei Lanfang whole artistic performance life says is short, but was actually provides him afterwards belonged to Mei the classical play goal ancient costume modern play when the creation, a quite important experiment experiences and refers to the value. But we if backward passes the nowadays the time, regarding the Peking opera straddling of zones innovation is one of nearly twenty for several year Taiwan Peking opera development priorities, all Trans-Culture, cross form, cross kind of drama and so on different attempt, all has the multitudinous new works thus produces. This article cares for the important time which joins this tandem two dramas to change, observes under the time migration, in takes place of the fallen in unceasing experiment, nowadays so-called to traditional innovation and change, with the beginning of the 20th century Mei Lanfang pondered when innovation, whether there is can profit by observing others or provides place of the reconsidering, for example in the artistic form and content matching and the fusion, the essential compatibility which as well as “the straddling of zones” faces, all is the Peking opera straddling of zones must face the most basic question. The 20th century initial period, are a new old form, new old generation in turn critical moment, Mei Lanfang do in turn for this time represent one of Peking opera performing arts most important actors, what he in inside and outside which faces in the environment fierce change time ponder principle road is? This article adopts the viewpoint has four: First, Peking opera nature transformation; second, Peking opera straddling of zones contact environment; third, Mei Lanfang triggering which obtains by “the Peking opera and drama confluence” phenomenon in; fourth, Mei Lanfang the actual operation which gathers at the Peking opera and the modern drama straddling of zones intermediary. Because of carefully examines a generation of master when faces the new old impact and in turn, makes all sorts of endeavors and the attempt, believed regarding reconsiders the advancement which the 21st century Peking opera straddling of zones intermediary gathers, when has the significance which some kind inherits from the past and carries on for the future.
|Relation: ||政大中文學報, 16, 201-230|
Bulletin of the Department of Chinese Literature National Chengchi University, 16, 201-230
|Data Type: ||article|
|Appears in Collections:||[政大中文學報 THCI Core] 期刊論文|
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