政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/72430
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109950/140901 (78%)
Visitors : 46022437      Online Users : 911
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/72430


    Title: 從視覺科技看清末纏足
    Other Titles: Visual Technologies and the Representation of Footbinding in Late-Qing China
    Authors: 苗延威
    Miao, Yen-Wei
    Contributors: 社會系
    Keywords: 纏足／反纏足;視覺科技;攝影;X光;博覽會
    footbinding/anti-footbinding;visual technologies;exhibitions;radiography;photography
    Date: 2007-03
    Issue Date: 2014-12-27 14:34:43 (UTC+8)
    Abstract: 發展數百年的纏足文化，在清末民初短短的數個世代裡，從傳統的文化體面，遽然轉變為必須洗刷的國族／文化污名。在這個歷史過程裡，本文認為，激起知識分子「野蠻焦慮」的國際視線，扮演了重要的角色。主要來自於西方人的國際視線，藉由視覺科技配備，形成一種架構在權力關係上的「帝國的凝視」，卸除和穿透了視覺客體的遮蔽。為了追溯纏足污名的文化建構，本文首先分析了現代新聞報導、臨床醫學、攝影術、X光掃描，以及博覽會於十九世紀下半葉隨著帝國主義進入中國之後，如何觀看、揭露和呈現中國女性的小腳。其次，本文指出，在「帝國的凝視」之下，纏足被西方知識菁英建構成為「視覺知識域」上的某種邪惡存在：在病理學建構上，纏足意味著生物有機體（個人）和社會有機體（國族）的骯髒和病癥；在殖民人類學建構上，纏足被視為一種野蠻民族的記號；以及，在美學建構上，纏足被形容成一種不忍卒睹的醜惡品味。視覺科技的威力不止在於讓西方公眾看到這些被建構的邪惡存在，更在於使中國人透過帝國主義的視線，看到「自身的邪惡」，並在清末民初的國族認同建構過程中，夾帶了這個恥辱感，使得漢民族的纏足轉化成為中國人共同背負的文化污名；這些負面的文化建構，不僅加深了中國知識／權力菁英的國族危機意識和焦慮感，也賦予了集體行動必要的情緒動員能量和論述框架。
    In modem textual and visual narratives, ”footbinding” symbolizes China`s backwardness and barbarism. Traditionally viewed as a symbol of chastity, ethnicity, feminity, and the cultivated taste of the higher classes, the millennium-long practice of footbinding dramatically declined as soon as it was seen as a cultural stigma and accordingly evoked new intellectuals` ”anxiety of being (seen as) barbarian” at the turn of the twentieth century. This article argues that ocularcentric modernity played a significant role in the process whereby the civility/barbarism discourses about footbinding became reversed. It examines how the hegemonic technologies of seeing-such as journalism, photography, radiography (X-ray), and exhibitions-challenged the cultural invisibility of footbinding and visualized what had been concealed under the binding cloths. Under the ”imperial gaze,” eventually, footbinding was constructed, represented, and displayed by foreign (and later, native) power elites as something evil, in accordance with the episteme of vision: pathologically, disease and filthiness; colonial-anthropologically, markers of barbarism; and aesthetically, hideous taste in beauty. These constructions reflected the scientific interest in human bodies, especially colonial bodies, of the imperial nations of the nineteenth century, invented a ”convertible” image of the ”modern” body for those who desired an identity of modernity, and contributed to the formation of an indigenous movement that sought to abolish the shameful spectacle of footbinding.
    Relation: 近代史研究所集刊, 55, 1-45
    Data Type: article
    Appears in Collections:[Department of Sociology] Periodical Articles

    Files in This Item:

    File SizeFormat
    0145.pdf92065KbAdobe PDF2501View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback