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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/74906


    Title: 《崩壞女神》 劇本創作與論述
    The Script and Creative Discourse of ``Wrecked Idol``
    Authors: 羅芽里
    Ya-Li, Lo
    Contributors: 陳儒修
    羅芽里
    Ya-Li, Lo
    Keywords: 劇本
    敘事
    女性電影
    宅男女神
    script
    narrative
    woman’s film
    idol
    Date: 2014
    Issue Date: 2015-05-01 11:29:52 (UTC+8)
    Abstract: 《崩壞女神》劇本概念為為了演電影不惜跟導演上床的宅男女神，被宣告三年後不孕。透過宅男女神和生育議題，探討女性公眾人物和女性生命歷程，分析社會隱而不顯的性別歧視和女性形象。
    本文根據Joseph Campbell的神話學敘事濃縮Campbell的英雄之旅、Maureen Murdock根據女性角色面臨父權社會的敘事分析「英雌之路」和Blake Snyder提出好萊塢電影劇本的劇情轉折表。綜合四人的敘事討論，分析劇本的三幕劇架構。同時，邀請四位業界人士評閱《崩壞女神》的劇本，分析劇本劇情架構、人物設計和可拍性等建議。彙整專家的意見，提出回應並陳述創作理念，作為後續創作與拍攝的修正方向。
    The high concept of the screenplay Wrecked Idol refers to an Idol famous for her sexy body and eager to become a leading actress in film; however, she suffers from endometriosis, which might cause her infertility in the future. Based on the social perception of sexy female idol and life progress of woman, this screenplay discusses subtle topics such as sexual discrimination against woman and female gender image in daily life.
    Four types of storytelling techniques are introduced and employed to structure this screenplay, including Joseph Campbell, Christopher Vogler, Maureen Murdock and Blake Snyder. After the screenplay is finished, four professionals from various fields of film-TV industry are invited to examine and critique it. Their feedbacks become valuable sources from which this screenplay will be modified and improved to become a real one to be produced.
    Reference: 中文文獻
    井迎兆（2014）。《編劇心理學：在劇本中建構衝突》。台北：五南。（原書Indick, W. [2004]. Psychology for Screenwriters: Building Conflict in Your Script: Building the Conflict in Your Script. ）
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    吳莉君譯（2013）。《好電影的法則》。台北：大雁文化。（原書 Landau, N. [2010]. 101 Things I Learned in Film School. New York, NY: Matthew Frederick.）
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    張愛玲（2010）。〈第二爐香〉，《傾城之戀：短篇小說集》。台北：皇冠。
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    黃政淵、戴洛棻、蕭少嵫譯（2014）。《故事的解剖：跟好萊塢編劇教父學習說故事的技藝，打造獨一無二的內容、結構與風格！》。台北：漫遊者文化。（原書 McKee, R. [1997]. STORY：Substance, Structure, Style and the principles of Screenwriting. New York, NY: HarperCollins Publishers LLC.）
    劉良淑譯（1991）。《丁道爾舊約聖經注釋：創世紀》，台北：校園。（原書Derek Kidner）
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    蔡鵑如譯（2013）。《作家之路》。台北：商周。（原書 Vogler, C. [2007]. The Writer’s Journey: Mythic Structure for Writers. Luban, Malaysia: Big Apple Agency, Inc.）

    外文文獻
    Bulter, J. (1990). Gender Trouble. London, England: Routledge.
    Cixous, H. (1979). The Laugh of the Medusa. (Keith and Paula Cohen, Trans.). In
    Elaine Marks and Isabelle de Courtivron (eds.), New French.
    Murdock, M. (1990). The Heroine’s Journey. New York: Random House Inc.
    Woolf, V. (1989). A Room of One’s Own. United States: Houghton Mifflin Harcourt.





    線上資料
    周郁蘋（2015年1月5日）。〈與婆婆聊韓劇如閨密 小S：我很愛她〉，《中時電子報》。取自http://star.chinatimes.com/news/20150105001310-261101
    施舜翔（2014年6月1日）。〈來自黑魔女的真愛之吻：看《黑魔女》中父權敘事改寫〉《部落格文字資料》。取自：http://a09201988.pixnet.net/blog
    翁羽（2013年7月10日）。〈小S微博甜嘴討好婆婆大讚其廚藝 自認和婆婆很像〉，《Yes娛樂》。取自http://tw.twent.chinayes.com/content/20130710/KH91TQZFUXSI0.shtml
    張弦、吳文昌（2014年6月9日）。〈與男星安志杰牽手？孫芸芸撇小王：已向婆婆報備！〉，《三立新聞網》。取自http://www.setn.com/E/News.aspx?PageGroupID=8&NewsID=26330
    教育部（2013年）。〈大專院校學生人數---按性別與學門別分（百分比）〉。取自http://www.edu.tw/
    蘋果日報（2014年2月9日）。〈孫芸芸逛自家微風兼巡場 婆媳同心鋪地墊〉。取自http://ent.appledaily.com.tw/enews/article/entertainment/20140209/35629028
    Boot, W. (2014, December 12). Exclusive: Sony Hack Reveals Jennifer Lawrence Is Paid Less Than Her Male Co-Stars. The Daily Beast. Retrieved from http://www.thedailybeast.com/
    Emma Watson (2014). Emma Watson: Gender equality is your issue too. UN Woman. Retrieved from http://www.unwomen.org/en
    Hiscock, J.(2008). Diablo Cody:`I feel more naked writing than I did as a stripper`. The Telegraph. Retrieved from http://www.telegraph.co.uk/
    Howell, P. (2008). Juno star has a mind of her own. Toronto Star. Retrieved from http://www.thestar.com/
    International Women`s Media Foundation (2011). Global Report on the Status of Women in the News Media. Retrieved from http://www.iwmf.org/our-research/global-report/
    Kashner, S. (2014, October 17). Both Huntress and Prey. Vanity Fair. Retrieved from http://www.vanityfair.com/

    電影資料
    井上博明 (Producer), & 今敏 (Director). (1998). Perfect Blue. [Motion picture]. Japan: MADHOUSE.
    Aronson, L., Greenhut, R. (Producer), & Allen, W. (Writer/ Director). (1995). Mighty Aphrodite.《非強力春藥》 [Motion picture]. United States: Miramax Films.
    DeVito, D., Sher, S., Shamberg, M., Lyon, G., Hardy, J. (2000). Erin Brockovich. 《永不妥協》[Motion picture]. United States: Universal Pictures. & Columbia Pictures.
    Eastwood, C., Kennedy, K. (Producer), & Eastwood, C. (1995). The Bridges of Madison County.《麥迪遜之橋》 [Motion picture]. United States: Warner Bros.
    Finerman, H., (Producer), & Frankel, D. (Director). (2006). The Devil Wears Prada. 《穿著Prada的惡魔》 [Motion picture]. United States: 20th Century Fox.
    Fischoff, R., Jaffe, S.R. (Producer), & Benton, R. (Director). (1979). Kramer vs. Kramer. 《克拉瑪對克拉瑪》 [Motion picture]. United States: Columbia Pictures.
    Greenhut, R., Aronson, L., Beaucaire. J. E., Doumanian, J., Joffe, C. H., Rollins. J. (Producer), & Allen, W. (Writer/ Director). Bullets Over Broadway. 《子彈橫飛百老匯》[Motion picture]. United States: Miramax Films.
    Halfon, L., Malkovich, J., Novick, M., Smith, R. (Producer), & Reitman, J. (Director). (2007). Juno. 《鴻孕當頭》 [Motion picture]. Canada & United States: Fox Searchlight Pictures.
    Handel, A., Franklin, S., Medavoy, M., Messer, A., Oliver, B. (Producer), & Aronofsky, D. (Director). (2010). Black Swan.《黑天鵝》 [Motion picture]. United States: Fox Searchlight Pictures.
    HBO. (Producer). (1998-2004). Sex and the City.《慾望城市》 [Television series]. United States: HBO.
    Heyman, D. (Producer), & Columbus, C. (Director). (2002). Harry Potter and the Chamber of Secrets. 《哈利波特：消失的密室》 [Motion picture]. United States: Warner Bros. Pictures.
    Kennedy, K., Marshall, F., Chaffin, C. (Producer), & Fincher, D. (Director). (2008). The Curious Case of Benjamin Button. 《班傑明的奇幻旅程》[Motion picture]. United States: Paramount Pictures & Warner Bros. Pictures.
    Milchan, A., Reuther, S., Goldstein, G.W. (Producer), & Marshall, G. (Director). (1990). Pretty Woman. 《麻雀變鳳凰》 [Motion picture]. United States: Buena Vista Pictures.
    Roth, J. (Producer), & Stromberg, R. (Director). (2014). Maleficent. 《黑魔女》[Motion picture]. United States: Walt Disney Studios Motion Pictures.
    Roven, C., Suckle, R., Ellison, M., Gordon, J. (Producer), & Russell, D.O. (Director). (2013). American Hustle. 《瞞天大佈局》 [Motion picture]. United States: Columbia Pictures, Australia: Roadshow Entertainment.
    Ruddy, A. S. (Producer), & Coppola, F. F. (Director). (1972). The Godfather.《教父》[Motion picture]. United States: Paramount Pictures.
    Utt, K., Saxon, E., Bozman, R. (Producer), & Demme, J. (Director). (1991). The Silence of the Lambs. 《沉默的羔羊》 [Motion picture]. United States: Orion Pictures.
    Webber, A.L. (Producer), & Schumacher, J. (Director). (2004). The Phantom of the Opera. 《歌劇魅影》 [Motion picture]. United States. & United Kingdom: Warner Bros. Pictures.
    Description: 碩士
    國立政治大學
    廣播電視學研究所
    100453009
    103
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1004530091
    Data Type: thesis
    Appears in Collections:[廣播電視學系] 學位論文

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