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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/79955


    Title: ﻲﺑﺮﻌﻟا يﻮﺴﻨﻟا دﺮﺴﻟا ﻲﻓ ﺮﺧﻵا ةرﻮﺻ
    Other Titles: The Other’s image in Arabic feminist narrative
    Authors: ﻱﺭﻮﻋﺎﻔﻟﺍ, ﻲﺤﺒﺻ ﻲﻧﻮﻋ .ﺩ
    Awni, S. El-Faouri
    Date: 2009-05-15
    Issue Date: 2015-12-29 11:04:24 (UTC+8)
    Abstract: ﺔﯿﻧﺎﺴﻧﻹا هرﻮﺼﺑ ةأﺮﻤﻟا جذﻮﻤﻧأ ﻰﻠﻋءﻮﻀﻟا ﻂﯿﻠﺴﺗ ﻰﻟا ﺔﺳارﺪﻟا هﺬھ فﺪﮭﺗ ةدﺪﻌﺘﻤﻟا ﺔﻨﺋﺎﺒﻟاوتﺎﯾاوﺮﻟا ﻦﻣ دﺪﻋ ﻲﻓﺔﯿﺑدﻷا ﺔﯾﻮﺴﻨﻟا ﮫﯿﻠﻋ ﺢﻠﻄﺻا ﺎﻣ ﻮھو ﻹﺎﺑﻟﺎﺨﻟا يﻮﺴﻨﻟا عاﺪﺑ ﺺFeminist literature تﺎﺒﺗﺎﻛ ﻰﻠﻋ ﺚﺤﺒﻟا ﺪﻨﺘﺴﯾ ذا ﺔﯿﺑﺮﻌﻟا ﺔﺒﺗﺎﻜﻟاو ﺎﻣﻮﻤﻋ ﺔﯾﻮﺴﻨﻟا ﺔﺑﺎﺘﻜﻟا ﺔﯿﻨﺑ ﺚﺤﺒﻟا ﻢھ نﻮﻜﯿﻓ ﺔﯿﺑﺮﻌﻟا ﺔﻘﻄﻨﻤﻟا ﻲﻓﺎﺻﻮﺼﺧ. ﺔﯿﺋاوﺮﻟا تﺎﯿﺼﺨﺸﻟا ﺔﺳارﺪﻟا هﺬھ ﻲﻓ ﺚﺤﺒﻨﺳو رﺆﺑو ﺮﻈﻨﻟا ﺎﯾاوزوة تﺎﯾﻮﺘﺴﻤﻠﻟ ﺎﻌﺒﺗ ﻚﻟذو ﺔﯿﻋﻮﺿﻮﻤﻟا ﺎﮭﺘﯿﺳﺎﺴﺣو ﺔﯿﺋاوﺮﻟا ثاﺪﺣﻷاثﻼﺜﻟا : ةأﺮﻤﻟاﻟاو يدﺮﺴﻟا يواﺮﻟاو ﻒﻟﺆﻤﻟاﺔﯿﻨﻔﻟا ﺔﯿﺼﺨﺸ, ﺎﯾﺎﻀﻗ ﺔﻟواﺪﺘﻣ و ﺔﯾﺮﺤﻟاو ﺔﻟاﺪﻌﻟا ﻞﺟﺮﻟا ﻊﻣ ةاوﺎﺴﻤﻟاوﺎﻛرﺪﺘﺴﻣو ةﺪﯾﺪﻌﻟا ﺔﯿﻧﺎﺴﻧﻹا جذﺎﻤﻨﻠﻟ ,ﺎﮭﻨﻣﻠﺿﺎﻨﻤﻟا ﺔ ﻚﻟذو ﺔﻔﻘﺜﻤﻟاو ﺔﻘﺷﺎﻌﻟاوو ماﺮﺤﻟا دوﺪﺣ ﻦﻤﺿ دﻮﯿﻘﻟاو فﻮﺨﻟا...... يﻮﺴﻨﻟا بدﻷا عﻮﯿﺷو ﺔﯿﺑﺮﻌﻟا ةأﺮﻤﻟﺎﻓ ﺔﯿﺜﯾﺪﺤﺘﻟا وأ ﺔﯿﺛاﺪﺤﻟا ﺎﯾﺎﻀﻘﻟا ﻦﻣ ةﺮﺻﺎﻌﻤﻟاﺔﯿﺑﺮﻌﻟا ﺔﻘﻄﻨﻤﻟا ﻲﻓ. إ ذرﻮﻀﺣ زﺮﺑ ةأﺮﻤﻟا و ﺔﯿﺑﺮﻌﻟاﺔﺒﺗﺎﻜﻟا ﺔﯿﻧدرﻷا ﻹا ﺎﮭﺻﻮﺼﻧ تﺪﺑو ﻲﻠﺟ ﻞﻜﺸﺑ ﺔﯿﻨﻔﻟا ﺔﺣﺎﺴﻟا ﻲﻓ ﺎﺻﻮﺼﺧ ﺎﮭﻟﺎﻤﻋأو ﺔﯿﻋاﺪﺑيﻮﻄﻠﺴﻟا ﻞﺟﺮﻟا ﺎھﺮﯿﻈﻨﻟ ﺔﺴﻓﺎﻨﻣ ﺔﯿﻨﻔﻟاﻲﻓرﻮﻀﺤﻟاو ةرﻮﺼﻟا ؛ ﻒﯿﻟﺄﺘﻟا ﺔﺣﺎﺴﻣ ﻲﺋاوﺮﻟا .ﺗ ذا وﺪﺒإو ﺔﯿﻏﺎﻃ ﺔﯿﻠﺧاﺪﻟا ةأﺮﻤﻟا تاذ ﺔﯿﻌﻗاو ﻦﻋ ﺎﮭﻟﺎﻤﻋأ تﺮﺒﻋ ن ﺔﻌﺋاذو ﺔﺴﻣﻼﻣ . إ وﺪﺒﺗ ﮫﯿﻠﻋو ﻲﻓ ﺔﻣرﺎﺻو ﺔﻗرﺎﻔﻤﻟا ﻲﻓ ﺔﻗرﺎﻏ ةأﺮﻤﻟا ﺪﻨﻋ ﺔﺑﺎﺘﻜﻟا ﺔﯿﻟﺎﻜﺷ ﻲﺋاوﺮﻟا ﺎﮭﺑﺎﻄﺧو ﺎﮭﺗﺎﺣوﺮﻃ .وﺮﯿﺸﺗﻰﻟا ﺔﺳورﺪﻤﻟا ﺔﯿﺋاوﺮﻟا جذﺎﻤﻨﻟا ىﺪﻣ حﺎﺠﻧ ودﻷا ﺎﮭﻛﻼﺘﻣاو مﺪﻘﺘﻟا ﻲﻓ ﺔﺒﺗﺎﻜﻟا ﺔﯿﺑﺮﻌﻟا ةأﺮﻤﻟاﻨﻋ تﻮﻜﺴﻤﻟا ﻒﺸﻛو ,إوتﺪﺑ ن ) ﺔﺒﺗﺎﻜﻟا ( ﺎﮭﺗﺎﯾاوروﻄﯿﺤﻣ ﻦﻜﺴﺗ ﺎﻘﻠﻗ ﺎ ؛ ﻲﺗﺎﯿﺤﻟاو ﻲﻨﻔﻟا ﻦﯿﻌﻗاﻮﻟا ﻲﻛﺎﺤﺑ عاﺮﺻ ﻞﻘﺣ ﺔﺒﺗﺎﻜﻟا ةأﺮﻤﻠﻟ ﺔﺒﺴﻨﻟﺎﺑ ﺔﯾاوﺮﻟﺎﻓ
    This study aims at shedding some light on the image of woman in its clear and various images in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally and Arabic women writer specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with the man considering the various humanitarian models: the striver, the lover and the educated within the boarders of the forbidden, the fear, and the limitations. The popularity of Feminist Literature is one of the issues of modernity in the Arab world. The role of Jordanian women writers is apparent in literature. Their creative works compete with those of dominant man in terms of imagery and artistic presence. The inner persona of the woman writer is dominant even though her work represents a realistic view. The problematic issue of writing for women writers seems to be plunged in paradox and sharp in its novelistic representation. The novelistic modules studied indicate the success the Arab woman writer achieved in terms of the use of artistic tools, and the ability of confrontation and revealing the untold. Although the feminists’ novels seem to dwell in an anxious environment, they represent an arena of conflict representing the artistic and living realities.
    Relation: 第三、四屆中東與伊斯蘭研討會論文集
    主辦單位:國立政治大學阿拉伯語文學系, 國立政治大學伊斯蘭文明與思想研究中心
    Data Type: conference
    Appears in Collections:[2009第三、四屆中東與伊斯蘭研討會論文集] 會議論文

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