English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109952/140887 (78%)
Visitors : 46283762      Online Users : 944
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 傳播學院 > 廣告學系 > 學位論文 >  Item 140.119/81155
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/81155


    Title: 音樂韓流與演藝應援 台灣模式的觀察與實踐
    Kpop Wave and Fan`s Supporting Activity: The Practice of Taiwan Model
    Authors: 鄭喬比
    Contributors: 賴建都
    鄭喬比
    Keywords: 韓流
    應援
    迷文化
    Date: 2012
    Issue Date: 2016-02-03 11:50:15 (UTC+8)
    Abstract: 近年來台灣社會刮起極為顯著韓流風潮,遍佈於媒體、坊間,以及人們的食衣住行。不同於過去十年的韓流研究,多將論述脈絡聚焦於韓國戲劇的傳播與閱聽,這股韓流來自流行音樂文化,以及韓國演藝人員及其迷群間特有的互動關係。當 Super Junior 、少女時代,以及為他們瘋狂著的粉絲社群們引領社會關注,若無庸置疑地將之視為和流行文化互相映照的「迷」,必將錯過這著迷的體現之下,潛藏於大眾刻板印象之外的體制運作與面貌。

    作者發現迷社群對於「應援」的組織與動員,讓迷社群形成具有生產力的經濟體系。迷群們透過多樣形式的消費與再製,反覆經歷我族群的區辨,拉攏粉絲間的凝聚力與貢獻意願,進而造就了韓國演藝人員的媒體顯著性。而當原生於韓國明星及其迷群間的特有互動文化,透過網路的傳播與串連,跨越地理疆界來到台灣,植基於台灣特殊的文化脈絡,以及迷群以跨國粉絲與偶像間的互動連結,產生了無論在金錢或人員規模上,都極為可觀的動員能力。其具象化的體現,則透過演唱會以及顯著地標的佔領,成為令人驚豔的媒體與迷群地景。作者爬梳應援文化與迷的研究交界,將這些台灣粉絲們藉由參與改良、在地化後的應援行動,展現並實踐個人及群體的體現與文化,稱為「韓國演藝應援的台灣模式」。

    紀錄台灣模式的發展與實踐,就是揭露台灣韓迷集體經歷非在地原生文化的跨文化傳播,並陸續在地實踐的過程。本研究透過長期的田野觀察,以及與該族群指標領袖的深度互動,詳細呈現並分析台灣模式的實踐與發展過程,不僅為在地韓迷社群留下實踐足跡,並且為非在地原生文化的在地化研究,植下堅定穩固的基礎。
    Reference: 中文部分:

    江佩蓉(2004)。《想像的文化圖景:韓流與哈韓族在台灣》。政治大學新聞研究所碩士論文。

    李明璁(2012)。〈超新生帝國主義 (Super Junior Imperialism)與跳舞共同體:韓國流行音樂工業的感官全球化〉。文化研究學會2012研討會論文,台北。

    李景鎬(2010.06.08)。〈粉絲文化正崛起 利弊參半是把雙刃劍〉,《韓星網》,網址:http://www.koreastardaily.com/tc/news/2854 (accessed: 2011.12.22.)。

    吳世政,蘇淑娟(2006)。〈台灣棒球場域的消費景觀〉,地理學報,第三十四期,頁1-22。

    高清淑(2008)。《質化研究的18堂課:首航初探之旅》。高雄:麗文文化。

    莊帷婷(2011)。《「偶像假結婚」作為理想浪漫婚姻典範?韓國實境綜藝節目「我們結婚了」之台灣女性閱聽人分析》。師大大眾傳播研究所碩士論文。

    黃冠華(2011)。〈國族、快感與資本:國際運動景觀的邏輯〉,新聞學研究 第一零七期,頁 291-323。

    潘瑞香(2003)。《歌迷社群的愉悅與反抗:以偶像歌手之歌迷俱樂部為例》。政治大學社會學研究所碩士論文。

    鄭君仲(2001)。《我迷,故我在—流行音樂樂迷和流行音樂文本互動關係之探索》。世新大學傳播研究所碩士論文。

    蕭新煌,潘英海,王甫昌,邱彥貴,李廣均,王宏仁,張翰璧(2011)。《台灣全志》,卷三,住民志。台灣:國史館台灣文獻館。

    龐惠潔(2003)。〈初探迷社群內階級與權力差異—以台灣傑尼斯迷為例〉。清大網路與社會研討會論文,新竹。



    英文部分:
    Anderson, B. (1983). Imagined Communities. Reflections on the Origin and Spread of Nationalism. London: Verso.
    Anderson, K., Domosh, M., Pile, S., and Thrift, N. (2003). Handbook of Cultural Geography. London: Sage. 李蕾蕾,張景秋譯(2009)。《文化地理學手冊》。北京:商務印書館。
    Abercrombie, N., and Longhurst, B. (1998). Audiences: A Sociological Theory of Performance and Imagination. London: SAGE.
    Booth, P. (2010). Digital Fandom: New Media Study. New York: Peter Lang Publishing, Inc.
    Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Cambridge, MA: Harvard University Press.
    Burnett, R. (1996). The global jukebox: The international music industry. London: Routledge.
    de Certeau, M. (1984). The Practice of Everyday Life. University of California Press, Berkeley. 戴從容譯。
    Fiske, J.(1989). Understanding popular culture. London and New York: Routledge.
    Fiske, J. (1992). The cultural economy of fandom. In Lewis, L.A. (Eds.), The adoring Audience:Fan Culture and Popular Media. (pp.30-49). London: Routledge.
    Grey, J., Sandvoss, C., and Harrington, L. (2007). Why Study Fans? In Grey, J., Sandvoss, C., and Harrington, L. (Ed.), Fandom—Identities and communities in a mediated world (pp. 1-16). New York: New York University Press.
    Grossberg, L. (1992). Is there a fan in house? The affective sensibility of fandom. In Lewis, L.A.(Eds.), The adoring Audience:Fan Culture and Popular Media.(pp. 50-65). London: Routledge.
    Harvey, D. (2005). Spaces of Neoliberalization: towards a Theory of Uneven Geographical Development. Stuttgart (Germany): Franz Steiner Verlag. 王志弘議(2008)。《新自由主義化的空間:邁向不均地理發展理論》。台北市:群學。
    Harvey, D. (1990). The Condition of Postmodernity— An Enquiry into the Origins of Cultural Change. Blackwell Publishers Inc. 閻嘉譯(2003)。《後現代的狀況—對文化變遷之緣起的探究》。北京:商務印書館。
    Hills, M. (2002). Fan Cultures. London: Routledge. 朱華瑄譯(2009)。《探究迷文化》。台北:韋伯文化國際。
    Huat, C. B. and Iwabuchi, K. (2008) East Asian Pop Culture: Analysing the Korea Wave. Hong Kong: Hong Kong University Press.
    Jenkins, H. (2007). The Future of Fandom. In Grey, J., Sandvoss, C., and Harrington, L. (Ed.), Fandom—Identities and communities in a mediated world (pp. 357-364). New York: New York University Press.
    Jenkins, H. (2006a). Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York; London: New York University Press.
    Jenkins, H. (2006b). Convergence Culture: Where old and new media collide. New York: New York University Press.
    Jenkins, H. (1992). Strangers no more, we sing: Filking and the social construction of the science fiction fan community. In Lewis, L.A. (Ed), The adoring audience : Fan culture and popular media (pp. 208 - 236). London and New York: Routledge.
    Jenson, J. (1992). Fandom as pathology: The consequences of characterization. In L.A.
    Lewis (Ed.), The adoring audience: Fan culture and the popular media (pp. 9-29). London: Routledge.
    Jung, S. (2011).Korean Popular Culture and Transcultural Consumption: Globalized Desires between “Ours and Others”. In Jung, S. (Ed.), Korean Masculinities and Transcultural Consumption (pp. 1-33). Hong Kong:Hong Kong University Press.
    Kim Hyun Mee (2005) ―Korean TV Dramas in Taiwan: With an Emphasis on the Location Process‖ Korea Journal, Vol.45, No.4 (Winter 2005), pp.183-205.
    Lewis, L. A. (1992). The Adoring Audience: Fan Culture and Popular Media. London: Routledge.
    McQuail, D. (1994). Mass communication theory:An introduction. London:Sage.
    Rogan Taylor, Football and Its Fans: Supporters and Their Relations with the Game, 1885-1985 (Leicester, U.K.: Leicester University Press, 1992)
    Schwabach, A. (2011). Fan Fiction and Copyright: Outsider Works and Intellectual Property Protection. UK: Ashgate.
    Shin, H. (2009). Have you ever seen the Rain? And who’ll stop the Rain?: the globalizing project of Korean pop (K-pop). Inter-Asia Cultural Studies, 10 (4), 507-523.
    Shin, H. (2007). K-pop (music) in the Emerging Cultural Economy of Asian Pop. Journal of Communication Arts, 25 (4).
    Shin, H. and Siriyuvasak, U. (2007). Asianizing K-pop: Production, Consumption and Identification Patterns among Thai Youth. Inter-Asia Cultural Studies, 8 (1).
    Sung, Sang-Yeon. (2010). Constructing a New Image. Hallyu in Taiwan. Europe Journal of East Asian Studies, 9 (1).
    The Korea Herald. (2008). Korean Wave. Seoul: Jimoondang.
    Russell, M. J. (2008). Pop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture. Berkeley CA: Stone Bridge Press.
    Ryoo, W. (2009). Globalization, or the logic of cultural hybridization: the case of the Korean wave. Asian Journal of Communication, 19 (2), 137-151.
    Yang, F. I. (2008). Rap(p)ing Korean Wave: National Identity in Question. In Huat, C. B. and Iwabuchi, K. (Ed.), East Asian Pop Culture: Analysing the Korean Wave (pp.191-216). Hong Kong: Hong Kong University Press.
    Yang, F. I. (2008a) ―The Genrification of ―Korean Dramas‖ in Taiwan.‖, China Information: A Journal of Contemporary China Studies (Special Issue on Gender and Sexuality) Vo. XXII No. 2, July 2008, pp. 277-304



    韓文部分:
    金延姝(2009)。대중문화 마케팅에 관한 연구 –가수 팬클럽을 중심으로–(Research on marketing in the entertainment industry - focus on the pop singer’s fan club management-) 檀國大學校大眾文化藝術大學院公演藝術學科大眾音樂製作專攻碩士論文。

    최미란(2004)。 월드캅응원을 체험한 사회 집단의 문화적 특성과 정사조절 양식의 관계(世界盃應援實踐與社會階層的文化特性與情緒的關係)。 한국스포츠사회학회지(韓國體育社會學會刊)

    신승호, 손명재, 전찬수(2009)。포로 야구관 람객의 응원활동 만족과팀충성도, 재관람의 사및구전의도의 관계(職業棒球觀眾的應援活動滿足感與球隊忠誠度,暨觀眾席仲介費額度的關係)。한국체육학회지-인문사회과학(韓國體育學會刊-人文社會科學)。

    박동균(2007)。2006년 월드컵 길거리응원 혼잡경비의 사례분석과 함의(2006年世界盃街頭應援混亂警備的案例分析與意涵)。한국위기관리논집(韓國危機管理論議)。
    Description: 碩士
    國立政治大學
    廣告學系
    97452003
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0097452003
    Data Type: thesis
    Appears in Collections:[廣告學系] 學位論文

    Files in This Item:

    File SizeFormat
    200301.pdf6704KbAdobe PDF21655View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback