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    Title: 台灣戲曲小劇場的實驗與跨越--以21世紀京崑作品為對象
    Other Titles: Taiwan Xi Qu Little Theater Experiment and Spanning (Ⅰ) - Take the 21st Century Peking Opera and Kun Opera Work as the Object
    Authors: 侯雲舒
    Contributors: 中國文學系
    Keywords: 戲曲;小劇場;戲曲小劇場;京劇;崑劇;實驗
    Xi Qu;little theater;Xi Qu little theater;Peking opera;Kun opera;experiment
    Date: 2012
    Issue Date: 2016-04-11 17:09:18 (UTC+8)
    Abstract: 本計畫擬針對本世紀初台灣戲曲創作所開展的新路徑—「戲曲小劇場」為研究分 析及資料保存之對象,以「戲曲小劇場」為名之相關作品於上世紀末即現身於中國大 陸,且興起之後立即獲得諸多戲曲劇種的投入並進行創作實驗,舉凡京劇、崑曲、越 劇、豫劇、川劇、梨園戲、歌仔戲等,都不乏優秀作品的產出。反觀台灣之戲曲創作 市場,「戲曲小劇場」的初起,應始自2003 年《王有道休妻》於國際讀劇節的發表。 此後京劇、崑曲、豫劇、歌仔戲、南管等都有相應的作品陸續產生。如果由2004 年《王 有道休妻》在國光劇場的首演起算,台灣「戲曲小劇場」之發展已歷八年,在此期間, 業已累積不少頗具實驗及探索性質的新作,不論公營劇團,或是由民間對於戲曲志同 道合所組成的私人劇團,都注入了大量的人力,致力開展此一戲曲新路徑。 本計畫即以這些規模大小不同的劇團所展演的「戲曲小劇場」作品為材料,期望 針對其創作成果做出全面性的收集整理,加以保存分析及歸納,並搭配實際對各劇團 創作者,如策演人、導演、編劇、演員、舞台設計等,進行創作理念的訪探記錄,希 望能全面呈現此期間台灣戲曲甚或是戲劇工作者在「戲曲小劇場」的創作理路中所開 展或者是丟失的種種面向。並且進一步觀察在既植基於「戲曲」的土壤中,卻又以「小 劇場」之實驗性、顛覆性、突破格式為手段,有別於傳統甚或是扣問傳統的纛旗引領 下,台灣「戲曲小劇場」在題材上、文本抉取上、表現手法上、表演範式上乃至於審 美旨趣上,取得了哪些成果?或者反而是拋失了哪些本屬於戲曲的優良基因?雖然發 展的時間到目前為止只有八年,但所累積的作品卻已不少,足見各劇種工作者對這條 新路徑的濃厚興趣。因此,本計畫擬先針對其中京劇及崑劇作品及劇團為首批研究及 記錄的對象,至於豫劇、歌仔戲、南管或布袋戲等作品、將列於之後計畫的範圍中, 主要為能細緻且精確的進行相關計畫工作。由於本計畫之重點在於「全面性」,因此舉 凡本計畫時間斷限內,凡以「戲曲小劇場」為創作主要訴求的劇團及展演作品,均列 為研究及記錄的對象,以期能完整並即時保存台灣「戲曲小劇場」在這段時間的發展 軌跡,歸納目前創作及發展的特色及路徑,並為之留下詳實的第一手記錄資料。
    This project expect the new way which created at the beginning of the century in view of Taiwan Xi Qu develops - “the Xi Qu little theater” for the research analysis and the data storage object, take “the Xi Qu little theater” as the name the related work already on century's end was this present existence in mainland China, and after emerging, obtained many kinds of Xi Qu immediately the investment and carries on the creation experiment, many outstanding works produces. Reviews Xi Qu of the Taiwan to create the market, “Xi Qu little theater” at the beginning, should start from 2003 "Wang you dao Renounces he's wife " in international reads the play festival the publication. Hereafter the Peking opera, the Kun opera, the Henan opera, the Gezai opera, Nanyue and so on have the corresponding work to produce one after another. This project is base on performs by these scale size different theatrical troupe the work is a material, expected that makes the integrity in view of its creation achievement collection reorganization, preserves analyzes and induces, and matches actual to various theatrical troupes creator, like the director, the screenwriter, the actor, the stage design and so on, carries on the creation idea to visit searches the record, hoped can present this period Taiwan Xi Qu even is comprehensively the play worker in “the Xi Qu little theater” in the creation principle road develops or is loss all sorts faces. Although develops time so far only then eight years, but accumulates work actually by many, indicates various kinds of Xi Qu worker to this new way strong interest, therefore, this project expect to aim at the first Peking opera and the Kun opera work and the theatrical troupe for the first batch research and the record object, as for works and so on Henan opera, Gezai opera, Nanyue, will be listed in the scope which afterward plans. Because key point of this project lies in “the integrity”, every take “the Xi Qu little theater” as the creation main demand's theatrical troupe and the performance work, lists as the research and the record object, can complete and preserves Taiwan immediately by the time “the Xi Qu little theater” in this period of time development path, the induction present creation and the development characteristic and the way, and stays behind detailed for it first records personally records the material.
    Relation: 計畫編號 NSC101-2410-H004-188
    Data Type: report
    Appears in Collections:[中國文學系] 國科會研究計畫

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