English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109951/140892 (78%)
Visitors : 46204265      Online Users : 746
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/87747


    Title: 尋找能聞到味道的語言－嗅覺表象與近代詩等－
    Other Titles: Toward the Smelling Words: Representations of Smell and Scent in Modern Japanese Poetry
    Authors: 坪井秀人
    Tsuboi, Hideto
    Contributors: 名古屋大學
    Keywords: 感覺;感受;味道;嗅覺;表象;日本近代詩
    Date: 2009-12
    Issue Date: 2016-04-28 17:06:03 (UTC+8)
    Abstract: 在十九世紀西歐感覺論中，嗅覺在視覺優位的感覺階級中被貶低到下層，但類似狀況在日本也能看見，且西歐近代退化論（degeneration）的說辭，也深刻地反映在自然主義與象徵主義文學的嗅覺表象當中。日語裡頭，味道（smell）與香味（scent）的感覺被差異化，前者普遍地被賦與負面價值。除此之外，前者被解釋為帶有公共意涵，而後者有時會被賦予私人、隱私文脈。關於前者的「味道」，在明治初期都市公共衛生中與惡臭有關的問題裡面，被焦點、言論化。當然的，私與公的分節系統，在文藝領域裡頭出現了動搖。視覺中心主義的感覺排列中，被下層化的嗅覺如何能透過文學賦予它的語言，來挑戰支配言論空間的視覺規範呢？本論文將從二十世紀初以來種種日本近代詩的實驗表現中，摸索探討這項課題的線索。
    In the 19th century European discourse of sensibility, the sense of smell was degraded in the order of visualism. Similar phenomenon could be seen in Japan. Besides, the discourse of degeneration in modern Europe was deeply reflected in the smell representation of naturalism and symbolism literature. In Japanese, the sense of smell and of scent was differenced. The former was regarded negtive generally. Besides, it was explained with a public meaning, and the later was read in a personal, privite context. “Smell” was focused, and discoursed in the stench problem of metropolotan public health in the beginning of Meiji period. Inevitably, the frame that differentiate between private and public was loosed in literature and art field. In the order of visualism, how did smell challenge the predominated visual displine through literary language? This is what I try to answer in the thesis by researching the varible experiment of Japanese modern poetry after 20th century.
    Relation: 臺灣文學學報,15,111-134
    Data Type: article
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    15(p.111-134).pdf2667KbAdobe PDF2418View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback