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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/87752


    Title: 從音韻及句法、語意、構詞的關係看漢語的輕聲現象
    Neutral Tone Sandhi in Mandarin Chinese: A Perspective of the Connection between Phonology and Three Linguistic Components, Syntax, Semantics and Morphology
    Authors: 吳琇鈴
    Wu, Xiu Ling
    Contributors: 蕭宇超
    Hsiao, Yu Chau
    吳琇鈴
    Wu, Xiu Ling
    Keywords: 焦點詞語
    韻板計數理論
    構詞規型
    Focal Phrase
    Beat-counting Theory
    Morphological Template
    Date: 1994
    Issue Date: 2016-04-29
    Abstract:   本文主要是探討漢語短語及詞彙層次的輕聲現象。關於短語性的輕聲,鄭良偉先生(1989)是從句法的觀點來分析,本文則採用韻律体系理論來探討。我們提議了一組焦點詞語的原則及幾個相關的制約。此外,我們從蕭宇超先生(1991 & 1994)的韻板計數理論來觀察輕聲的節奏問題,因而修訂了虛詞音板指派及音板連接方向的原則,也建議了一條抵輔音板加入的規則。
      This thesis deals with neutral tone sandhi in Mandarin Chinese at the phrasal and lexical levels. Previous research of the phrasal neutral tone, e.g., R. Cheng (1989), has focused only at the syntactic level. In this research, we employ prosodic theories (Selkirk (1984 & 1986), Nespor and Vogel (1986), etc.) to condition phrasal neutral tone sandhi, and propose a set of focal phrasing principles and a couple of relevant constraints. In addition, we discuss the rhythm of neutral tone under the framework of the beat-counting theory (Hsiao, 1991 & 1994) to see in what ways the theory has to be modified. We propose a pair of revised principles of functor beat assignment and directional beat adjunction, along with a backup rule of the default beat addition.
    Description: 碩士
    國立政治大學
    英國語文學系
    G81551007
    Source URI: http://thesis.lib.nccu.edu.tw/record/#B2002003313
    Data Type: thesis
    Appears in Collections:[英國語文學系] 學位論文

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