English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 94188/124659 (76%)
Visitors : 29684669      Online Users : 379
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/96629


    Title: 置換恐懼:〈低吟歌手〉與〈夜曲〉中脆弱的人際紐帶
    Other Titles: The Displacement of Fear: Frail Human Bonds in “Crooner” and “Nocturne”
    Authors: 王景智
    Wang, Ching-chih
    Keywords: 液態現代性;液態恐懼;脆弱人際紐帶;詭異;憂喜參半的恩賜
    liquid modernity;liquid fear;frail human bonds;uncanny;mixed blessings
    Date: 2012-06
    Issue Date: 2016-05-13 14:24:55 (UTC+8)
    Abstract:   本篇論文擬借用齊格蒙‧包曼「液態」概念,探討石黑一雄新作〈低吟歌手〉與〈夜曲〉中脆弱的人際紐帶。根據包曼的主張,生活在液態現代社會的人們都是身處在脆弱人際紐帶所引發的詭異情境中,因為液態社會裡人際紐帶的韌度降低,但它流動的力度卻讓人更靈活地彼此維繫,更靈活的人際關係是否能讓深陷液態之愛的男男女女克服就此被綁住的「恐懼」,抑或只是用不同的方式呈現焦慮?兩個短篇故事中的主角都因害怕孤單所以要找人同行,但新的不安卻從別處湧現,這種揮之不去的液態恐懼打破了原有的秩序與體制,導致他們幾近丑角的荒謬行徑,但在荒誕的背後卻是怕被遺棄的淒涼。如果明天就必須鬆開維繫此刻人際關係的安全帶,石黑一雄筆下的液態陌生人們仍會為追求生命遠景,毫不遲疑地繼續在液態愛的國度裡,尋找下一個可與之連結的人際紐帶。
      This paper follows Zygmunt Bauman’s observations of the frail human bonds exhausted in his theorization of “liquidity” to examine the vulnerable human connections implied in Kazuo Ishiguro’s “Crooner” and “Nocturne.” According to Bauman, people living in the liquid modern world cannot but experience the uncanny frailty of human bonds—the feeling of insecurity that frailty inspires and the conflicting desires that feeling prompts to tighten the bonds yet keep them loose. The human bonds only need to be loosely tied, so that they can be untied right afterwards when settings change. Connections thus become virtual relations because they are easy to enter and to exit. Immersed in the realm of liquid love, can dwellers in the liquid modern society prevent themselves from the fear of fixed connections by getting used to the virtual relations, or, project their anxieties of not being able to relate to “people in the know”? Characters in “Crooner” and “Nocturne,” the habitants in the liquid society, are afraid of being left alone, so they have to find others like them to assist them in unraveling or unpacking the liquid fear and to draw from the knowledge that they are not alone in their efforts to cope with the quandaries. If tomorrow they have to live without the security of togetherness they experience today, Ishiguro’s liquid strangers will still choose, with a view to a rosy picture in the realm of liquid love, to relate again without little delay.
    Relation: 文山評論:文學與文化, 5(2),79-104
    The Wenshan Review of Literature and Culture
    Data Type: article
    Appears in Collections:[文山評論:文學與文化 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    5(2)-4.pdf521KbAdobe PDF230View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback