政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/103133
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109951/140892 (78%)
Visitors : 46197697      Online Users : 603
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/103133


    Title: 少潮、觀潮、儀、耐儂、拾遺是誰？─《臺灣日日新報》作者考證
    Authors: 許俊雅
    Hsu, Chun-Ya
    Keywords: 李漢如;王韜;林紓;漢文小說;台灣古典文學
    Date: 2011-12
    Issue Date: 2016-10-21 14:11:28 (UTC+8)
    Abstract: 本文陳述《臺灣日日新報》若干作品的作者可能為何人？透過〈丹麥太子〉、〈稜鏡〉、〈玉蟾〉三篇作品對《吟邊燕語》亦步亦趨的改寫，論證觀潮與少潮宜是同一位作者。少潮、耐儂則為李漢如其人，署名少潮之作刊於1906 年，耐儂之作為1910 年，因時隔三年多，耐儂〈翠微〉、〈魔妻〉、〈小紫〉、〈神女〉四篇可謂三年磨劍有成，不僅題材特殊，且有兩篇為中國報刊雜誌轉載。「儀」與「拾遺」則可能為王韜其人，耐儂之作在1910 年已相當成熟，而「儀」尚多沿襲王韜之作，轉化不多。此外，由台灣文人自《醉茶志怪》、《吟邊燕語》、《花國劇談》、《聊齋誌異》等等文言小說的轉載改寫，足見從借鑒到創新的文學衍化，在在是推進台灣小說發展史上的一種能源，也唯有確認作品來源，方能相應做出較正確的文本詮釋。
    The main concern of this article is to find out the identity of the authors of several novels published in taiwan ri ri xin bao, who adopted different pseudo names at different times. For example, “Prince of Denmark”, “leng jing” and “yu chan” are all works which are adapted fromy in bian yan yu. Judging from the styles of writing, it is argued that their alleged authors guan chao and shao chao should indeed be the same person – Li Han-ru. It is also observed that he used the name nai nong in his 1910 works (“Cuiwei”, “devil’s wife”, “xiao zi” and “shen nu”), which are more mature and creative such that two of them are reprinted in some magazines in Mainland China. Other examples contain the case of Wang Tao, who used names such as yi and shi yi at different times. Indeed, Taiwanese writers in general, at that time, adapted many Chinese classic novels such as zui cha zhi guai, yin bian yan yu, hua guo ju tan and Strange Stories from a Chinese Studio. It is therefore important to identify the authors and origins of these Taiwanese classic literary works, which gave strong thrusts to the development of Taiwanese literature from mere mimicry to genuine creation. In this way, adequate interpretations of these texts can be made possible.
    Relation: 臺灣文學學報,19,1-34
    Data Type: article
    Appears in Collections:[Bulletin of Taiwanese Literature] Journal Articles

    Files in This Item:

    File Description SizeFormat
    19(p.1-34).pdf4671KbAdobe PDF2638View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback