English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109948/140897 (78%)
Visitors : 46099374      Online Users : 743
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 傳播學院 > 期刊論文 >  Item 140.119/129109
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/129109


    Title: 修辭學應用於圖漫修辭表現之創作研究-以社群圖漫創作為例
    A Study of the Comics Rhetoric Expression - from the Perspective of Diary Comics on Social Media
    Authors: 劉俐華
    Liu, Li-hua
    Contributors: 傳播學院
    Keywords: 圖漫修辭 ; 修辭學 ; 圖像修辭 ; 社群圖漫創作 
    Comic Rhetoric ; Rhetoric ; Visual Rhetoric ; Diary Comics on Social Media
    Date: 2018-12
    Issue Date: 2020-03-04 16:09:51 (UTC+8)
    Abstract: 網紅經濟當道,圖漫作品能在手機上被快速瀏覽與分享,是社群行銷與傳播的利器。本創作研究從語言修辭學的角度出發,透過研究者的社群圖漫創作進行文本分析與實例驗證,找出「對照」、「映襯」、譬喻」、「象徵」、「轉化」、「誇飾」、「反諷」、「婉曲」、「設問」、「雙關」、「示現」、「倒敘」、「仿擬」、「引用」、「跳脫」、「層遞」、「排比」、「反覆」、「複合」、「文字」等20種適用於圖漫創作的修辭表現手法,並依性質差異分成「比較類」、「比喻類」、「形變類」、「義變類」、「音變類」、「時間類」、「援用類」、「聯想類」、「形式類」等九種類型。本創作研究發現,圖漫的修辭與語言的修辭特性具有極高的共通性,但由於媒介本質的差異,進行媒介轉換時會發生損失、變異與創新。圖漫修辭的使用端看創作者的敘事意圖,以研究者的圖漫作品而言,「誇飾」、「對照」、「反諷」、「映襯」的修辭使用最多,其中「誇飾」是最常運用的輔助修辭手法,而圖漫作品的文字敘述亦有輔助修辭的功能。本研究的圖漫修辭手法適用於單格、四格及短篇型態的圖漫創作,希望藉由本研究的結論與創作成果,提供學界教師在圖像敘事教學上的參考,以及讓創作者參考圖漫修辭手法與技巧進行創作。
    Internet celebrities have became a popular phenomenon in recent years. Comics on the social media are easy to read and share, therefore, the comic artists see the benefits of it and they have been using it to publish their comics. Base on the perspective of Chinese rhetoric, this study conducts cross-text analysis and case verification through the researcher`s comic works on Facebook. Twenty different types of comic rhetorical techniques are found, they are "antithesis", "relative", "metaphor", "symbolization", "metonym", "hyperbole", "Irony", "vague", "question", "ambiguity", "imaginary", "reversal", "imitation", "citation", "ellipsis", "progressively", "parallelism", "repetition", "composition", and "text". These techniques can also be classified into nine categories according to the usage. The study discovered that the comic rhetoric and the language rhetoric have a significant similarity in many ways; however, due to the different natures of language and comic, the variation, loss, and innovation may occur during the intermedium conversion. Furthermore, when studying or applying the comic rhetoric, the intention of the comic artists, the intertextual function of the text, the length and the publication method of the comics must be considered as well.
    Relation: 商業設計學報, No.22, pp.P19-38
    Data Type: article
    Appears in Collections:[傳播學院] 期刊論文

    Files in This Item:

    File Description SizeFormat
    129.pdf7181KbAdobe PDF2207View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback