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    Title: 藝文活動平台未來契機探討
    Discovery of the Future Opportunities of Art and Cultural Activities Platform
    Authors: 呂智隆
    Lu, Chih-Lung
    Contributors: 韓志翔
    呂智隆
    Lu, Chih-Lung
    Keywords: 平台
    藝文表演
    服務品質
    顧客滿意
    商業模式
    Date: 2020
    Issue Date: 2020-07-01 14:03:19 (UTC+8)
    Abstract: 近年來隨著網路科技的發達與平台經濟的盛行,在各大產業中相繼出現平
    台企業的經營,如零售業的 Amazon 及蝦皮購物、旅遊業的 Airbnb、外送餐飲業的 Uber Eats 及 Foodpanda、或是社交類的 Facebook、Instagram 等等,唯獨藝文產業尚未出現一強而有力的整合型平台。與此同時,台灣的藝文產業卻發展地相當艱辛:藝文市場人才的供給逐年攀升,但一般大眾觀賞表演的需求卻沒有相應增加,呈現供需失衡的問題。藝文市場未能健全運作,其中一部分的原因與藝文平台未能有效運作有關。

    有鑑於此,本研究利用 Alexander Osterwalder 所提出的商業模式九宮格,參考各大知名台的設計,並結合平台設計與推薦系統原理,自行提出一套全新的藝文平台商業模式與介面設計,命名為 LiveX。同時,本研究採用服務品質與顧客滿意度等相關理論設計驗證架構,並以兩廳院 OpenArts 平台進行比較,藉由個別訪談、焦點團體訪談及專家業者訪談進行商業模式及介面設計的驗證。

    研究結果發現:藝文平台內建個人化活動推薦系統、具 Instagram 水準的使用者體驗、具參考性的活動評價機制有助於提升平台服務品質。然而,作為一個新創平台,若要成功維運或提供專業化人士的接洽服務,需先提升平台的信譽與安全性,才能讓使用者在平台放心地進行付費交易。

    在經營策略的部分,建議藝文平台經營者可從「吸引用戶」、「促進互
    動」、「媒合」三個部分做優化改善:在吸引用戶的部分,應儘量符合使用者的期望做功能與介面的優化;在促進互動的部分,應思考如何提升平台的網絡外部性,藉以提升平台藝文資訊的曝光度;在促進媒合的部分,應善用大數據及 AI 技術,為使用者提供個人化的活動推薦,進而提升使用者對藝文表演活動的興趣。
    In recent years, with the development of Internet technology and the prevalenceof platform economy, platform companies have emerged in various industries such as Amazon and Shopee in the retail trade, Airbnb in tourism, Uber Eats and Foodpanda in the food and the beverage industry, or social media such as Facebook, Instagram,etc. However, there isn`t a strong and integrated platform emerged in the art and performance industry. At the same time, Taiwan`s arts and performance industry are under a tough circumstance: the supply of talents in the arts and performance market is increasing year by year, but the general public`s demand for performances has not increased accordingly, presenting a problem of the imbalance between supply and demand. The art and performance market has failed to operate soundly; part of the reason is that the art platform has failed to operate effectively.

    This study used Osterwalder and Pigneur `s business model canvas analysis, combined with the design of well-known platforms and the theory and tactics of the platform operation to propose a new design of art and performance platform, named LiveX. At the same time, this study used SERVQUAL and customer satisfaction theories to design a verification framework and compared it with the
    OpenArts app. The business model and interface design are verified through individual interviews, focus group interviews, and expert interviews.

    The results of the study showed that the built-in personalized activity recommendation system, the user experience similar to Instagram, and the referenced
    activity evaluation mechanism of the art and performance platform help improve the service quality of the platform. However, as a new platform, in order to successfully maintain operation or provide professional contact services, it is necessary to improve the credibility and security of the platform before users can safely make payment transactions on the platform.

    As for art and performance platform strategy, it is recommended that the operator of the art platform can improve the platform from the following three perspectives, which are "attracting users", "promoting interaction" and "matching":In order to attract users, the operator should meet the user`s expectations to improve the function and the interface of the platform; for the purpose of promoting interaction, the operator should consider how to create the platform`s network externality, thereby enhancing the exposure of the platform`s artistic information; in light of promoting matchmaking, the operator should make good use of big data and AI technology to provide personalized activity recommendations for users to further draw the users` interest in artistic performances.
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    三、LiveX 平台設計圖片引用
    1. 圖3.2.2:https://kknews.cc/zh-tw/entertainment/g5q8g8.html
    2. 圖3.2.3:https://www.ettoday.net/news/20171228/1081546.htm
    https://v2.dcard.tw/f/funny/p/228300883
    3. 圖3.2.4:https://vocustaiwan.fandom.com/zhtw/
    wiki/%E9%8B%BC%E7%90%B4%E4%B8%8B%E7%9A%84%E7
    %A5%95%E5%AF%86
    4. 圖3.2.5:https://sites.google.com/site/quanqiufengline/home/line
    5. 圖3.2.6:https://www.youtube.com/watch?v=zdcf-zeMnvw
    6. 圖3.2.7:https://page.line.me/vsu7662w/media/77912096327102/item/3
    https://www.facebook.com/NccuSO
    https://m.1688.com/huo/b-
    C0D6D1C5B3D8C0ADB6A1CEE8B5B8B7FE.html
    7. 圖3.2.13:https://kknews.cc/health/jvver8l.html
    https://www.pngwing.com/en/free-png-bopkx
    http://www.juimg.com/shiliang/201609/beijing_1019624.html
    Description: 碩士
    國立政治大學
    企業管理研究所(MBA學位學程)
    107363025
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0107363025
    Data Type: thesis
    DOI: 10.6814/NCCU202000581
    Appears in Collections:[企業管理研究所(MBA學位學程)] 學位論文

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