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政大機構典藏 > 學術期刊 > 文山評論：文學與文化 THCI Core > 期刊論文 > Item 140.119/132514

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/132514

Title:	The Cinematic Subject of Masumura Yasuzo
Authors:	Jackson, Earl
Contributors:	文山評論：文學與文化
Keywords:	Japanese cinema ; Masumura Yasuzo ; film theory ; subjectivity ; post-war Japan ; film history ; gender
Date:	2019-12
Issue Date:	2020-11-12 14:27:33 (UTC+8)
Abstract:	Although Masumura Yasuzo (1924-1986) worked within a commercial film studio (Daiei) his entire career, he was an intellectual and aesthetic maverick, having studied law and philosophy at Tokyo University and spent two years studying film making and film history in Italy. He left a substantial body of theoretical writings. This essay is an attempt to extrapolate his theory of a post-war Japanese subjectivity realized in cinema, reading his writings in the context of several of his early major films.
Relation:	文山評論：文學與文化, 13(1), 151-179
Data Type:	article
DOI 連結:	https://doi.org/10.30395/WSR.201912_13(1).0007
DOI:	10.30395/WSR.201912_13(1).0007
Appears in Collections:	[文山評論：文學與文化 THCI Core] 期刊論文

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