English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109948/140897 (78%)
Visitors : 46103973      Online Users : 1417
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version
    政大機構典藏 > 文學院 > 宗教研究所 > 期刊論文 >  Item 140.119/133805


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/133805


    Title: 依納爵主教的音樂語彙與對神聖的描繪與再現The Musical Language/Metaphor in the Epistles of Ignatius of Antioch and Its Representation of the Divine
    The Musical Language/Metaphor in the Epistles of Ignatius of Antioch and Its Representation of the Divine
    Authors: 張毅民
    Chang, Paulus Iee-Ming
    Contributors: 宗教所
    Keywords: 安提約基雅的依納爵 ;音樂語彙 ; 比喻 ; 殉道 ; 基督徒合一 ;降生奧蹟 ; 神聖性
    Ignatius of Antioch ; Musical Language  ; Musical Metaphors; Martyrdom ; Christian Unity ;the Mystery of the Incarnation; Representation of the Divine
    Date: 2014-10
    Issue Date: 2021-01-27 15:23:00 (UTC+8)
    Abstract: 本文主要是在分析安提約基雅的依納爵主教書信中，如何使用音樂語彙與比喻來呈現他對於基督信仰中神聖事物的思想。作者指出，依納爵的音樂語彙主要用在論述三個神聖的主題上：基督徒的團結合一、殉道、以及降生奧蹟。藉著音樂語彙與比喻，依納爵喚醒讀者（聽眾）自己的宗教經驗，與他共同分享面對神聖事物的經驗，並進一步引導出讀者自己對基督真理的深切皈依。作者也指出「靜默」在依納爵的音樂語彙中亦扮演極重要的角色，不僅因為靜默（休止符）是音樂重要的一部份「靜謐之音」與「寂默」其本身更具有神聖性。
    The purpose of this paper is to analyze the musical languages/metaphors used by St. Ignatius of Antioch in his epistles, and how he uses them as the representation of the Divine. The author of this paper points out that St. Ignatius uses musical languages/metaphors on the following three topics which are sublime and sacred to him: Christian unity, martyrdom, and the Mystery of the Incarnation. By using musical metaphors, St. Ignatius not only awakes his readers` (or, listeners`) own religious experiences but also invites them into his own experience of encountering the Divine with him on the way to the martyrdom; and, by doing so, to lead his readers/listeners to a deeper conversion to the Truth. This author also argues the importance of ＂silence＂ in Ignatius` musical language/metaphor, not only because silence (or pause) is an integral part to a melody/music, but also because silence itself is divine to St. Ignatius.
    Relation: 哲學與文化, Vol.41, No.10, pp.109-130
    Data Type: article
    Appears in Collections:[宗教研究所] 期刊論文

    Files in This Item:

    File SizeFormat
    354.pdf4833KbAdobe PDF2157View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback