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| Title: | 《怪的另一面》紀錄片創作論述
The Production Note on the Documentary Film “Living Out the Fiction” |
| Authors: | 王皓正
Wang, Hao-Cheng |
| Contributors: | 林玲遠
Lin, Ling-Yuan
王皓正
Wang, Hao-Cheng |
| Keywords: | 怪
自我成長
藝術學校
藝術學生
生活切片
紀錄片
家庭錄像
Weird
Self-growth
Art school
Art student
Slice of life
Documentary
Home movie |
| Date: | 2021 |
| Issue Date: | 2021-07-01 21:48:17 (UTC+8) |
| Abstract: | 作者帶著攝影機拜訪學生時期在藝術學校認識的好友，看他們在熟悉的鏡頭前，以風趣直白的口吻訴說畢業後不如預期的人生。劇中人物以荒謬、戲劇化的日常經驗建構出不同面向動人卻又引人發笑的生活歷程。所謂戲如人生，三位人物分別以演員、藝術家、攝影師的身份敘說自己如電影情節般的人生故事。其中包含離開藝術學校後在生活中感受到的衝突與格格不入、意外離奇的創業故事、對於自我認同的困頓和不自在、現實與理想生活之差距等面向。迎向現實或理想的路程有多遙遠？堅持做那個特別、不一樣的自己又會有多難？在這條意象不到的故事線裡，原先企圖旁觀的作者也進入了情節，依循人物的經驗和提示拼湊出自己的支線。我們一如往常以藝術學生的個性和思考慣習觀察自己、體會生活中怪與正常的界線，同時以開放的態度去擁抱生命中的荒謬和不確定性。當新生活與意外、機會交集，在曾經不滿意但可接受的生活切片之中，我們回顧、重新檢視自己與心中的失落。在真實、荒謬而浪漫的情節之間來去穿梭，逐漸發展出從未想過的另一面自己。
The filmmaker takes his camera while visiting his classmates from his days in art school. Through a familiar lens, he watches his friends speak candidly about the unexpected turns their lives have taken after graduation. The characters in the film use mundane, absurd anecdotes to talk about their experiences - at times moving, at times hilarious. As the saying goes, life is like a movie. The lives of these three characters, an actor, an artist, and a photographer, certainly read like a movie plot. In front of the camera, they relate the conflicts and plot points of their post-graduation lives: some feeling like misfits after art school, a bizarre account of starting a business, the struggles and difficulties they have with self-identity, and the difference between their ideal lives and their reality. How wide is the gap between an ideal life and reality? How hard is it to stay true to your weird and unique self? Following this unexpected storyline, the filmmaker, who originally intended to be a spectator, enters the plot. He takes hints from the characters and follows their experiences to piece together his narrative thread. We observe ourselves from the perspective of being art students, exploring the boundary between weird and normal while embracing its absurdity and uncertainty with an open mind. As new lives, accidents and opportunities intersect, we look back at the once unsatisfactory slices of our lives which we tried to make acceptable, and re-examine what we have lost in our hearts. We also start to explore and develop a different, unexpected side to ourselves as we traverse between the real, the absurd, and the romantic. |
| Reference: | （一） 書籍文獻
王亞維譯（1998）。《製作紀錄片》。台北：遠流。（原書Michael Rabiger. [1992]. Directing the Documentary. USA: Butterworth——Heinemann.）
王慰慈（2003）。〈台灣紀錄片的類型發展與分析 -以 Bill Nichols 的六種模式為研究基礎〉。《廣播與電視》。
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吳怡葶（2016）。〈家庭電影作為歷史文獻—以國立台南藝術大學家庭電影資料庫為例〉。國立臺南藝術大學音像紀錄與影像維護研究所碩士論文。
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蔡鵑如譯（2010）。《作家之路─從英雄的旅程學習說一個好故事》，台北：開啟文化。（原書Christopher Vogler. [2007]. The Writer’s Journey: Mythic Structure for Writers, 3rd Edition. USA: Michael Wiese Productions.）
鍾清瑜譯（2018）。《創作，是心靈療癒的旅程》，台北：橡樹林。（原書Julia Cameron. [2016]. The Artist`s Way: A Spiritual Path to Higher Creativity. USA: Tarcherperigree.）
Cagle, C. (2012). Postclassical Nonfiction: Narration in the Contemporary Documentary. Cinema Journal.
（二） 影視媒體資料
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易智言（2002）。《藍色大門》【電影】。台北：吉光電影。
陳映蓉（2012）。《騷人》【電影】。台北：華納兄弟。
黃信堯（2005）。《唬爛三小》【電影】。 台北：同喜文化。
黃信堯（2020）。《同學麥娜斯》【電影】。 台北：甲上娛樂。
黃惠偵（2017）。《日常對話》【電影】。台北：得利影視。
楊雅喆（2012）。《女朋友男朋友》【電影】。台北：原子映像。
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| Description: | 碩士
國立政治大學
傳播學院傳播碩士學位學程
106464027 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0106464027 |
| Data Type: | thesis |
| DOI: | 10.6814/NCCU202100551 |
| Appears in Collections: | [傳播學院傳播碩士學位學程] 學位論文
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