政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/142413
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 110936/141856 (78%)
造訪人次 : 47710680      線上人數 : 1224
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋
    政大機構典藏 > 文學院 > 宗教研究所 > 期刊論文 >  Item 140.119/142413


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/142413


    題名: 元末明初的道教山水藝術：方從義與道教山水藝術的關係
    Daoist Landscape Art in the Late Yuan and Early Ming: The Relationship of Fang Congyi and Daoist Landscape Art
    作者: 謝世維
    Hsieh, Shu-Wwi
    貢獻者: 宗教所
    關鍵詞: 道教;方從義;龍虎山;山水畫
    Daoism;Fang Congyi;Longhu Mountain;landscape paintings
    日期: 2022-06
    上傳時間: 2022-10-20 15:34:52 (UTC+8)
    摘要: 元末明初的龍虎山崇尚一種道教藝術的風格，方從義既是龍虎山的道士，又是當時著名的畫家，能體現元末明初道教的山水觀，又能將這些道教的概念以山水藝術展現。本文從方從義相關人物留存下來的詩、文、畫等，進行脈絡分析，從敘事來俱現元末明初方從義所體現的形象。方從義雖然留下論著絕少，但是從其交遊的文士作品中，仍可以勾勒出其生平、道教修練與藝術創作，並呈現元末明初江南山水在道教藝術與社群網絡的重要性。這些山水的描繪大多以江西、浙江、福建為主，顯現元末明初江南的神聖山岳的特質與人文風貌，其中蘊含大量對自然的宗教視野，賦予大自然深刻超卓的靈性敘事與圖像。方從義是十三至十五世紀道教藝術的代表者，而在南方沿海形成一種獨特的藝術風格，以及一種美學風尚。
    Around the late Yuan and early Ming dynasties, Longhu Mountain advocated a style of Daoist art. Fang Congyi was both a Daoist priest of Longhu Mountain and a famous painter at that time. This article analyzes the context of the poems, essays, paintings, etc. left behind by Fang Congyi`s related figures, and reveals the image of Fang Congyi in the 14th century from these narratives. Although Fang Congyi has few works left, we can still outline his life, Daoist practices and artistic creation from the works of scholars he communicated with, and show the importance of Jiangnan landscape art in Daoists and literati social network in the late Yuan and early Ming dynasties. The depictions of these landscapes are mostly in Jiangxi, Zhejiang, and Fujian, showing the characteristics and humanistic features of the sacred mountains in the south of the Yangtze River in the 14th century. They contain a large number of religious visions of nature, giving nature profound and superior spiritual narratives and images. Fang Congyi was a representative of Daoist art from the 13th to 15th centuries, and he formed a unique artistic style and an aesthetic style on the southern coast.
    關聯: 國文學報, No.71, pp.69-106
    資料類型: article
    顯示於類別:[宗教研究所] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    index.html0KbHTML2116檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋