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    Title: 觀眾視角之網紅經紀公司重要智慧資本研究 — 以某YouTuber經紀公司為例
    The Research on the Important Intellectual Capital of Internet Celebrity Agencies from the Viewpoint of the Audience — An Example of a YouTuber agency
    Authors: 王冠倫
    Wang, Kuan-Lun
    Contributors: 王文英
    Wang, Wen-Ying
    王冠倫
    Wang, Kuan-Lun
    Keywords: YouTuber經紀公司
    YouTuber
    智慧資本
    YouTuber agency
    YouTuber
    Intellectual capital
    Date: 2023
    Issue Date: 2023-08-02 13:25:48 (UTC+8)
    Abstract: 本研究選定國內一家大型YouTuber經紀公司作為研究對象,透過訪談與問卷分析,探討觀眾對YouTuber經紀公司與YouTuber所重視之智慧資本分別為何、為何重視,以及經紀公司對這些智慧資本是否亦重視。研究結論如下:

    一、觀眾對YouTuber經紀公司所重視之智慧資本共47項,可歸類為11個因素。
    二、觀眾對YouTuber所重視之智慧資本共27項,可歸類為7個因素。
    三、在YouTuber經紀公司應重視之智慧資本部分,觀眾端與公司端重視程度具顯著差異的有「市場洞察力」、「具備產業核心能力」、「創新文化與新市場投資」、「具備多元化專業知識與能力」等因素。因素不顯著,但項目具顯著差異的有10項。
    四、在YouTuber應重視之智慧資本部分,觀眾端與公司端重視程度具顯著差異的有「市場洞察力」、「YouTuber的個人特質與能力」、「多元互動與觸及觀眾之管道」等因素。因素不顯著,但項目具顯著差異的有5項。
    This study selected a major domestic YouTuber agency as the research subject. Through interviews and questionnaire analysis, this research can explore what intellectual capital the audience value in YouTuber agencies and YouTubers, and why they value it. It also examined whether the agencies also value these intellectual capitals. The research conclusions are as follows:

    1.The audience values a total of 47 intellectual capital items in YouTuber agencies, which can be classified into 11 factors.
    2.The audience values a total of 27 intellectual capital items in YouTubers, which can be classified into 7 factors.
    3.In terms of the important intellectual capital of YouTuber agencies, there are 4 significant differences, such as "market insight," "possession of core industry capabilities," "innovative culture and investment in new markets," and "diverse professional knowledge and abilities." However, 10 intellectual capital items still exhibited significant differences, despite insignificant differences in factor scores.
    4.As for YouTubers, there are also 3 significant differences, such as "market insight," "YouTuber`s personal traits and abilities," and "diverse channels for interaction and reaching the audience." However, 5 intellectual capital items still exhibited significant differences, despite insignificant differences in factor scores.
    Reference: 一、中文部分
    HowHow陳孜昊,2018,How Fun!如何爽當YouTuber : 一起開心拍片接業配!,臺北市:高寶國際出版。
    王文英與李佳玲,2008,我國資訊電子業之企業重要智慧資本—外部資訊使用者與內部人士之觀點,當代會計,9(1):33-67。
    古宜靈,2014,文化產業的創新與智識資本之研究,建築與規劃學報,第15卷,第2/3期,129-154。
    台灣智慧資本研究中心與資策會,2006,智慧資本管理,臺北市:華泰文化事業有限公司。
    行政院,2002,挑戰 2008:國家發展重點計畫(2002-2007),臺北市:新聞局。
    余家融、鄭楷騰與林勝為,2018,探討網紅在線直播之黏著度因素,東吳大學企業管理學系(主編),科際整合管理研討會:342-354。
    吳思華、黃宛華與賴鈺晶,1999,智慧資本衡量因素之研究─以我國軟體業為例,中華民國科技管理研討會論文集:1-14。
    吳思華、賴鈺晶與顏如妙,2000,網際網路智慧資本衡量與發展措施研究,經濟部工業局軟體五年發展計畫。
    李幸倫與林富美,2014,韓國流行音樂及娛樂經紀公司的政經分析,傳播與管理研究。
    林文燦、白森全、余文欽與洪文義,2008,民俗文化創意商品行銷策略—以大甲媽祖國際觀光文化節為例,管理學術研討會:433-439。
    林義屏、董玉娟與呂惠雯,2005,文化產業網路經營關鍵成功因素之探討,中華管理評論學報,第8卷第3期。
    俞洪亮、蔡義清與莊懿妃,2010,商管研究資料分析SPSS的應用二版,臺北市:華泰文化。
    洪婕,2016,韓國娛樂經紀公司創新商業模式與其價值創造形式—S.M.Entertainment 個案探討,國立政治大學企業管理學系碩士論文。
    洪叡珊,2019,網紅訊息一致性對網紅品牌知名度與品牌形象效果初探:內容分析法與社群聆聽技術之混合取俓研究,國立政治大學傳播碩士學位學程碩士論文。
    國家發展委員會,2021,國家數位發展研究報告,國家發展委員會數位發展部研究報告。
    陳佳宏,2014,文創產業「創作端」的關鍵成功要素—以霹靂布袋戲、悲慘世界、漫威漫畫為例,臺灣經濟研究月刊,37(4):19-26。
    賀楊,2021,寵物類Youtuber粉絲忠誠度形成之研究——以黃阿瑪的後宮生活為例,國立政治大學企業管理學系碩士論文。
    黃美賢,2015,博物館發展文化創意產業之關鍵成功因素,藝術教育研究,第29期,77-110。
    葉以雯,2002,台灣演藝經紀產業人力資本投資模式之研究,國立政治大學科技管理學系碩士論文。
    資策會,2001,我國產業智慧資本先導性個案研究,財團法人資訊工業策進會專題研究報告。
    蔡尚樺,2019,網紅經濟及自媒體創業商業模式,國立臺灣大學管理學院商學研究所碩士論文。
    二、英文部分
    Al-Ali, N. 2003. Comprehensive Intellectual Capital Management. Hoboken, New Jersey: John Wiley and Sons, Inc.
    Cocker, H. L., and J. Cronin. 2017. Charismatic authority and the YouTuber: Unpacking the new cults of personality. Marketing Theory 17(4): 455-472.
    Deighton, J., and L. Kornfeld. 2010. The construction of ordinary celebrity, in Dahl, D. W., G. V. Johar, and S. M. J. van Osselaer (eds.). Advances in Consumer Research 38. Duluth: Association for Consumer Research.
    Edvinsson, L., and M. S. Malone. 1997. Intellectual Capital: Realizing Your Company’s True Value by Finding Its Hidden Roots. New York: HarperCollins Publishers, Inc.
    Edvinsson, L., R. Dvir, N. Roth, and E. Pasher. 2004. Innovations: The new unit of analysis in the knowledge era. Journal of Intellectual Capital 5(1): 40-58.
    Freeman, D. 2017. Online Video Adverts : The influence of context. Taiwan: Ipsos Taiwan, Inc.
    Hackley, C., and R. A. Hackley. 2015. Marketing and the cultural production of celebrity in the era of media convergence. Journal of marketing management.31(5-6): 461-477.
    Jenkins, H., S. Ford, and J. Green. 2013. Spreadable Media: Creating Value and Meeting in a Networked Culture. New York: New York University Press.
    Jerslev, A. 2016. Media times in the time of the microcelebrity: Celebrification and the YouTuber Zoella. International Journal of Communication 10: 5233-5251. 
    Jones, C., and P. Foster. 2014. Film offices as brokers: Cultivating and connecting local talent to Hollywood, in Bielby, D., and V. Roussel (eds.). Invisible Hands in Cultural Markets: Brokerage and Production the American and French Entertainment Industries. Lanham: Lexington Books: 171-188.
    Lynn, B. E. 1998. Intellectual capital: Key to value-added success in the next millennium. CMA Magazine 72(1): 10-15.
    Oliver, R. L. 1999. Whence consumer loyalty?. Journal of marketing 63(4): 33-44.
    Pringle, H. 2004. Celebrity Sells. London: Wiley.
    Stewart, T. A. 1997. Intellectual Capital: The New Wealth of Organization. New York: Bantam Doubleday Dell Publishing Group, Inc.
    Ulrich, D. 1998. Intellectual capital = competence x commitment. Sloan Management Review 39(2): 15-26.
    Yin, R. K. 2009. Case Study Research: Design and Methods. 4th ed. California: Sage Publications.
    三、個案公司資料
    個案公司官方網站。
    Description: 碩士
    國立政治大學
    會計學系
    110353028
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0110353028
    Data Type: thesis
    Appears in Collections:[Department of Accounting] Theses

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