政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/146503
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 111300/142216 (78%)
造访人次 : 48327305      在线人数 : 835
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/146503


    题名: 韓國流行音樂在美國: 防彈少年團與混和陽剛味作為進入主流媒體的捷徑
    K-Pop in the United States: BTS and Hybrid Masculinity as a Pathway into Mainstream Media
    作者: 雪芷
    Winter, Jasmine Elif
    贡献者: 劉曉鵬
    Philip Hsiao-Pong Liu
    雪芷
    Jasmine Elif Winter
    关键词: 韓流
    混合男性氣概
    韓國流行樂隊形成
    BTS
    跨國文化流動
    Hallyu
    Hybrid Masculinity
    K-pop Group Formation
    BTS
    Transnational Cultural Flows
    日期: 2023
    上传时间: 2023-08-02 13:47:27 (UTC+8)
    摘要: 本主題通過韓國流行音樂探討韓流及其在美國的成功方式。韓國流行音樂在美國取得成功有很多策略,但這項研究是針對韓國流行音樂組合防彈少年團的混合男性氣質。 混合男性氣質可以被認為是韓國流行樂隊連接美國文化邊界的一種方式。這也可以成為這些團體在音樂產業中創造跨國文化流動的一種方式。這項研究的目標是增加人們對男性氣質如何影響全球流行文化的了解。這項研究的結果表明,韓國流行樂隊的發展使得混合型男性氣質可以在樂隊中得到表達。這種混合的陽剛之氣可以在不同時間和不同團體成員的 BTS 中看到。 BTS 展現混合男性氣質的方式可以被視為美國媒體的成功策略。
    This topic focuses on the impact of The Korean Wave, specifically through the lens of Korean pop, and the methods that have allowed for its success in the United States. While there are numerous strategies to consider when addressing Korean pop’s growing popularity in the United States, the focus of this research is on hybrid masculinity as it is utilized within the K-pop idol group BTS. By understanding hybrid masculinity as a means with which Korean male idol groups may have successfully crossed cultural boundaries and negotiated their status in the United States, it may be also considered a means with which these groups have facilitated transnational cultural flows within the industry. This research further aims to enrich the current understanding of how global pop culture may be impacted through social constructs such as that of masculinities. The findings indicate that, by addressing how K-pop idol group formation allows for varied and hybridized expressions of masculinity in the group at different phases in time, the ability of the group to cater to hybrid masculinities may be considered a strategy with which these male idol groups have been able to enter United States media successfully and with popular reception.
    參考文獻: Publications
    Chae, Y.E. (2014). Winter Sonata and Yonsama, Ideal Love, and Masculinity: Nostalgic Desire and Colonial Memory. In: Kuwahara, Y. (eds) The Korean Wave. Palgrave Macmillan, New York.
    Connell, R. W. (2005). Masculinities. 2nd ed. Cambridge: Polity Press
    Connell, R. W. (1987). Gender and power: society, the person and sexual politics. Sydney Boston: Allen and Unwin.
    Jin, D.Y. (2016) New Korean Wave: Transnational Cultural Power in the Age of Social Media, Urbana, IL: University of Illinois Press.
    Jung, S. (2011). Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols. Hong Kong University Press.
    Kim Kyŏng-hyŏn (2021). Hegemonic Mimicry Korean popular culture of the twenty-first century. Duke University Press.
    Levesque, R.J.R. (2011). Gender Coding. In: Levesque, R.J.R. (eds) Encyclopedia of Adolescence. Springer, New York, NY.
    Ng, Eve (2023). Cancel culture: A Critical Analysis. London: Palgrave Macmillan.
    Octobre, Sylvie and Cicchelli, Vincenzo (2021). Sociology of Hallyu Pop Culture: Surfing the Korean Wave. Springer Nature.

    Journal Articles
    Bae, Eun-song, Meehyang, Eung-Suk, and Dae-cheol (2017). "The effect of Hallyu on tourism in Korea". Journal of Open Innovation: Technology, Market, and Complexity.
    Bridges, Tristan and Pascoe, C. (2014). Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities. Sociology Compass.
    Butler, J. (1988). Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.
    Choo, H. Y., & Ferree, M. M. (2010). Practicing Intersectionality in Sociological Research: A Critical Analysis of Inclusions, Interactions, and Institutions in the Study of Inequalities. Sociological Theory, 28(2), 129–149. https://doi.org/10.1111/j.1467-9558.2010.01370.x
    Christensen, Ann-Dorte & Jensen, Sune Qvotrup, (2014) Combining hegemonic masculinity and intersectionality, NORMA, 9:1, 60-75, DOI: 10.1080/18902138.2014.892289
    Crowe, S., Cresswell, K., Robertson, A., Huby, G., Avery, A., and Sheikh, A., The case study approach. BMC Med Res Methodol 11, 100 (2011). https://doi.org/10.1186/1471-2288-11-100
    Donaldson, M. (1993). What Is Hegemonic Masculinity? Theory and Society, 22(5), 643–657. http://www.jstor.org/stable/657988
    Driessens, Olivier. (2013). Celebrity capital: Redefining celebrity using field theory. Theory and Society. 42. 543-560. 10.1007/s11186-013-9202-3.
    Elfving-Hwang, Joanna (2011). `Not So Soft After All: Kkonminam Masculinities in Contemporary South Korean Popular Culture` Conference Proceedings of the KSAA 7th Biennial Conference. pp. 2–21.
    Iwamoto, Derek. (2003). Tupac Shakur: Understanding the Identity Formation of Hyper-Masculinity of Popular Hip-Hop Artist. The Black Scholar. 33:2, 44-49, DOI: 10.1080/00064246.2003.11413215
    Kim, Bok-rae (2016). Past, Present and Future of Hallyu ( Korean Wave). American International Journal of Contemporary Research
    Kim, E.M., and Ryoo, J. (2007). South Korean culture goes global K-Pop and the Korean Wave.
    Kim L. Bissell and Jee Young Chung (2009). Americanized beauty? Predictors of perceived attractiveness from US and South Korean participants based on media exposure, ethnicity, and socio-cultural attitudes toward ideal beauty. Asian Journal of Communication. 19:2, pp. 227-247,
    Kim, S., Long, P. and Robinson, M. (2009). Small Screen, Big Tourism: The Role of Popular Korean Television Dramas in South Korean Tourism. Tourism Geographies, pp. 308-333.
    Kim, M. and Lopez, A (2021). The deployment of gender for masculine balance: analyzing multi-platform K-pop performances. Feminist Media Studies
    Kim, Y. (2022). Soft power of the Korean Wave: Parasite, Bts and drama. Routledge, Taylor and Francis Group.
    Lee, Chew Ging and How, Shi-Min (2022). Hallyu Tourism: Impacts on Inbound Tourists to South Korea. Current Issues in Tourism. pp. 1361-1367
    Lee, J.J., Lee, R., & Park, J.H. (2020). Unpacking K-pop in America: The Subversive Potential of Male K-pop Idols’ Soft Masculinity. International Journal of Communication, 14, 20.
    Lim, Sungkyu and Giouvris, Evangelos (2020). Tourist arrivals in Korea: Hallyu as a pull factor, Current Issues in Tourism. pp. 99-130.
    Lin, H.S. (2012). Emotions, Desires, and Fantasies: What Idolizing Means for Yon-sama Fans in Japan. In: Galbraith, P.W., Karlin, J.G. (eds) Idols and Celebrity in Japanese Media Culture. Palgrave Macmillan, London.
    ​​Lin, Xi and Rudolf, Robert (2017). Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set. Asian Women. pp. 27-54.
    Macnamara, J. (2005). Media Content Analysis: Its Uses, Benefits and Best Practice Methodology. Asia Pacific Public Relations Journal.
    Mayring, P. (2015). Qualitative Content Analysis: Theoretical Background and Procedures. In: Bikner-Ahsbahs, A., Knipping, C., Presmeg, N. (eds) Approaches to Qualitative Research in Mathematics Education. Advances in Mathematics Education. Springer, Dordrecht.
    Miyose, Colby and Engstrom, Erika. (2015). Boys Over Flowers: Korean Soap Opera and the Blossoming of a New Masculinity. Popular Culture Review. pp. 2-13.
    Monocello, Lawrence and Dressler, William. (2020). Flower boys and muscled men: Comparing South Korean and American male body ideals using cultural consensus analysis. Anthropology and Medicine.
    Oh, Chuyun. (2014). The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop. In: Kuwahara, Y. (eds) The Korean Wave. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137350282_4
    Oh, Chuyun (2015). Queering Spectatorship in K-pop: The Androgynous Male Dancing Body and Western Female Fandom. The Journal of Fandom Studies.
    ​​Oh, Y. (2018). 3. Image Producers: The (Re)Production of K-Pop Idols. In Pop City: Korean Popular Culture and the Selling of Place (pp. 105-135). Ithaca, NY: Cornell University Press. https://doi.org/10.1515/9781501730733-007
    Patton, M. (1990). Qualitative evaluation and research methods. (pp. 169-186). Beverly Hills, CA: Sage.
    Rashid, Y., Rashid, A., Warraich, M. A., Sabir, S. S., and Waseem, A. (2019). Case Study Method: A Step-by-Step Guide for Business Researchers. International Journal of Qualitative Methods, 18.
    Ryoo, Woongjae (2009). Globalization, or the Logic of Cultural Hybridization: The Case of the Korean Wave. Asian Journal of Communication. 19:2. pp. 137-151
    Shepherd, R. (2002). “Commodification, Culture and Tourism.” Tourist Studies. London: Sage Publications. pp. 183-201.
    Song, Kirsten and Velding, Victoria. (2019). Transnational Masculinity in the Eyes of Local Beholders? Young Americans’ Perception of K-Pop Masculinities. The Journal of Men’s Studies. 28.
    Vandello, J. A., Bosson, J. K., Cohen, D., Burnaford, R. M., & Weaver, J. R. (2008). Precarious manhood. Journal of Personality and Social Psychology, 95(6), 1325–1339. https://doi.org/10.1037/a0012453
    Xiao, Hong. (2007). Theorising Chinese Masculinity: Society and Gender in China (review). China Review International. 14. 10.1353/cri.0.0000.
    Yang, Fang-chih Irene (2012). From Korean Wave to Korean Living: Meteor Garden and the Politics of Love Fantasies in Taiwan. Korea Observer. 43. pp. 419-445.
    Yu, Ya-ting and Sui, Hongsheng (2022). The anxiety over soft masculinity: a critical discourse analysis of the “prevention of feminisation of male teenagers” debate in the Chinese-language news media. Feminist Media Studies.
    Zhang, Ruonan and Bi, Nicky Chang (2019). Do K-Pop Consumption and Direct Contact with Koreans Affect American Audiences` Perception on South Korea and Its Products?. 16. 72-104.

    News Articles
    Benjamin, J. (2016). BTS ``Wings` sets new U.S. record for highest-charting, best-selling K-Pop Album. Billboard.
    Billboard. (2017, May 22). BTS accept the Top Social Media Artist Award at the Billboard Music Awards. Billboard. https://www.billboard.com/video/bts-accept-the-top-social-media-artist-award-at-the-billboard-music-awards-7801213/
    Choi, A. (2016, October 12). BTS continues reign on top of the US itunes albums charts. Soompi. https://www.soompi.com/article/905615wpp/bts-continues-reign-top-us-itunes-albums-charts
    Dong-woo, Chang. 2017. “(News Focus) Catching Fire: Grassroots Campaign That Sold BTS to Mainstream America.” Yonhap News Agency. en.yna.co.kr/view/AEN20171222003200315.
    Herman, T. (2023, February 7). BTS awarded Order of Cultural merit by South Korean government. Billboard. https://www.billboard.com/music/music-news/bts-awarded-order-of-cultural-merit-by-south-korean-government-8481640/
    Johar, A. (2022, June 13). Understanding BTS’ foundation in hip-hop. Rolling Stone India. https://rollingstoneindia.com/understanding-bts-foundation-in-hip-hop/
    Kaufman, G. (2023, April 18). RM reveals the Influence Drake & Eminem had on him, how BTS used to be “mocked.” Billboard. https://www.billboard.com/music/music-news/rm-drake-eminem-influence-bts-mocked-9574276/
    Kelley, C. (2017, September 20). BTS smashes K-pop records with “DNA” music video. Billboard. https://www.billboard.com/music/music-news/bts-k-pop-records-dna-music-video-7972894/
    Mane, A. (2022, June 8). KBS bans two new tracks from BTS’ proof album for crude language. Sports News. https://www.sportskeeda.com/pop-culture/news-kbs-bans-three-new-tracks-bts-proof-album-crude-language
    Merrill, Philip. 2017. “BTS Wrap up Successful U.S. Tour on ‘Ellen.’” Recording Academy. www.grammy.com/news/bts-wrap-successful-us-tour-ellen.
    Mier, T. & Paul, L. (2022, May 31). White House press unleash their Inner Army during BTS briefing. Rolling Stone. https://www.rollingstone.com/music/music-news/bts-visits-white-house-1360788/
    Pascual, D. (2023, June 13). BTS’ 15 top songs on the Billboard hot 100. Billboard. https://www.billboard.com/lists/bts-top-songs-billboard-hot-100/
    Rainey, A. (2022, July 4). Here’s the fashion evolution of BTS (so far). TheThings. https://www.thethings.com/fashion-evolution-of-bts/#bts-rsquo-fashion-looks-got-softer-in-their-wings-era
    Rapkin, M. (2022). Covid-19 couldn`t stop K-pop`s global rise. Travel. National Geographic.
    Rolli, B. (2020, January 24). BTS is the first Korean Act to earn an RIAA platinum album certification. Forbes. https://www.forbes.com/sites/bryanrolli/2020/01/24/bts-is-the-first-korean-act-to-earn-an-riaa-platinum-album-certification/?sh=617bd1ee2153
    Rosca, J. (2017, October 9). BTS “DNA” played on over 170 radio stations in the USA and Canada. Korea Portal. http://en.koreaportal.com/articles/42155/20171009/bts-dna-played-on-over-170-radio-stations-in-the-usa-and-canada.htm
    Rowley, Glenn. 2020. “BTS & Halsey’s ‘boy with Luv’ Video Officially Crosses the Billion Views Mark on YouTube.” Billboard. www.billboard.com/music/music-news/bts-halsey-boy-with-luv-hits-1-billion-views-youtube-9474959/
    Soompi. (2016, October 23). BTS’s “Blood sweat & tears” MV breaks another record as views continue to soar. Soompi. https://www.soompi.com/article/909239wpp/bts-blood-sweat-tears-mv-breaks-another-record-views-continue-soar
    Stangarone, T. (2021). 2021 in review: K-pop surviving through the pandemic. Korea Economic Institute of America.
    The Ellen Show. 2017. “BTS Fans Get the Surprise of a Lifetime.” Video. YouTube. https://www.youtube.com/watch?v=jtVz0qxQM_U. Accessed 29 June 2023.
    The Korea Herald. 2016.. Big Hit Entertainment apologizes for BTS’ misogynistic lyrics (full translation). K-Pop Herald. https://kpopherald.koreaherald.com/view.php?ud=201607061726135533447_2
    Thomas, C. (2018). BTS: The K-pop group that finally won America over. Forbes.
    Trust, Gary. 2021. “BTS’ ‘dynamite’ Breaks Record for Most Weeks at No. 1 on Digital Song Sales Chart.” Billboard. www.billboard.com/pro/bts-dynamite-record-weeks-no-1-digital-song-sales-chart/.
    UNICEF (2021). UNICEF and BTS celebrate success of “groundbreaking” love myself campaign. https://www.unicef.org/press-releases/unicef-and-bts-celebrate-success-groundbreaking-love-myself-campaign
    Vaidehi. (2022, June 20). BTS’ firsts: Music show win, Daesang, and more. Sports News.
    Wickman, G. (2018, October 19). Love yourself: The message behind BTS’s record breaking album series. Medium. https://medium.com/bangtan-journal/love-yourself-the-message-behind-btss-record-breaking-album-series-229119e81902

    Videos
    BTS Being BTS. 20 Nov, 2017. BTS (방탄소년단) - ‘DNA’ (Live At The AMAs 2017) U.S. Television Debut (아메리칸 뮤직 어워드가 한 2017) Video. YouTube. https://www.youtube.com/watch?v=eLdNrclbne0. Accessed 25 June 2023.
    Hybe Labels. (2013). BTS (방탄소년단) “No More Dream” Official MV Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=rBG5L7UsUxA.
    Hybe Labels. (2015). [MV] BTS(방탄소년단) _ I NEED U Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=NMdTd9e-LEI.
    Hybe Labels. (2016a). BTS (방탄소년단) 2017 BTS LIVE TRILOGY EPISODE III THE WINGS TOUR Trailer Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=RuntXwPvvaE.
    Hybe Labels. (2016b). BTS (방탄소년단) “피 땀 눈물 (Blood Sweat & Tears)” Official MV Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=hmE9f-TEutc.
    Hybe Labels. (2017a). BTS (방탄소년단) “DNA” Official MV Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=MBdVXkSdhwU.
    Hybe Labels. (2017b). BTS (방탄소년단) “MIC Drop (Steve Aoki Remix)” Official MV Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=kTlv5_Bs8aw.
    Hybe Labels. (2018). BTS (방탄소년단) “IDOL (Feat. Nicki Minaj)” Official MV Video. YouTube. Retrieved June 25, 2023, from https://www.youtube.com/watch?v=K1scjjbfNsk.
    Hybe Labels. (2019). BTS (방탄소년단) “Make It Right (feat. Lauv)” Official MV Video. YouTube. Retrieved June 29, 2023, from https://www.youtube.com/watch?v=eXBu09fwe3I.
    United Nations. (2021). BTS Shine Spotlight on the United Nations as Envoys of the President of the Republic of Korea Video. YouTube. Retrieved June 29, 2023, from https://www.youtube.com/watch?v=wAXcMD5dOBA.
    Washington Post. (2018). BTS’ Speech at the United Nations (Full Speech from 2018) Video. YouTube. Retrieved June 29, 2023, from https://www.youtube.com/watch?v=ZhJ-LAQ6e_Y.
    描述: 碩士
    國立政治大學
    亞太研究英語碩士學位學程(IMAS)
    109926025
    資料來源: http://thesis.lib.nccu.edu.tw/record/#G0109926025
    数据类型: thesis
    显示于类别:[亞太研究英語博/碩士學位學程(IDAS/IMAS)] 學位論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    602501.pdf7358KbAdobe PDF293检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈