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| Title: | 電視節目錄影現場的隱性主持人－「氣氛營造者」初探
Exploring the Implicit Hosts in Television Program Recording：A Preliminary Study of “Atmosphere Creator” |
| Authors: | 黃英峰
Huang, Ying-Feng |
| Contributors: | 林玲遠
陳百齡
Lin, Ling-Yuan
Chen, Pai-Lin
黃英峰
Huang, Ying-Feng |
| Keywords: | 氣氛營造者
氣氛
情緒感染
專家生手
智能配置
機緣
Atmosphere Creator
Atmosphere
Emotional contagion
Expert-novice
Distributed intelligence
Affordance |
| Date: | 2023 |
| Issue Date: | 2024-01-02 15:24:36 (UTC+8) |
| Abstract: | 電視節目的錄製現場除了工作人員及演出人員之外，部分節目十分仰賴「現場觀眾」共同參加節目錄影、進行現場互動。不過大多數的現場觀眾都是臨時性參與的，甚至有人還是第一次走進攝影棚，體驗電視節目錄影。所以在錄製節目的過程中，需要有一位協調者來告訴所有的現場觀眾「該做什麼」、「要做什麼」以及「怎麼做」。這個協調者於錄影現場的工作多樣且繁雜，本研究認為以「氣氛營造」來定義此協調者的核心能力，其任務就是在不同的錄影情境下運用物質工具（人造物）及環境特性，引導錄影現場觀眾的表現。當我們以「氣氛營造者」來看待這位協調者，這個角色主要的任務即為製造節目錄影現場氛圍，且於不同的錄影情境調適現場觀眾、素人來賓的錄影狀態（情緒），像是一位隱性主持人協助節目營造氛圍，達到錄影所預期的氣氛與效果。
回顧過往電視製播領域相關文獻，氣氛營造者這個協調者的角色工作任務雖然繁雜，卻隱於錄影現場未曾被定義與探討，面對當代電視節目類型多元，氣氛營造者的能力特性是否能應用在不同的節目型態與錄影情境中，而氣氛營造者的能力如何從實體的現場錄影轉移至線上錄影、混合式類型的錄影型態。本研究透過多次先行觀察，擬定訪談題綱與框架，並採取深度訪談的方式，訪問相關經驗工作者，探討以下面向的問題：一、氣氛營造者的角色內涵及核心能力；二、氣氛營造者在不同節目類型中，如何與現場觀眾或素人來賓互動營造錄影氣氛；三、氣氛營造者在行動中，如何運用物質工具於不同的錄影情境中。透過彙整受訪者資料並整理「訪問文本」與「筆者文本」等意義單元進行內容分析，建構氣氛氛營造者其角色定義與工作內涵，以及錄影情境中對於氣氛製造、傳遞、延續的技巧。期望本研究後續有助於各式錄影現場、活動、演唱會，乃至需要營造氣氛之場域，將製造氣氛的能力得以引用。讓氣氛營造者這位協調者，不再只是一位隱身於錄影現場的無名角色。
In the realm of television program production, besides essential personnel and performers, certain productions heavily rely on the active participation of "Live audiences" during the recording process to foster on-site engagement. It is noteworthy that a significant proportion of these Live audience members are temporary participants, with many experiencing the world of television program recording for the first time. Consequently, a compelling need arises for a designated coordinator to manage this dynamic and inexperienced audience effectively during the program recording. This coordinator plays a multifaceted and intricate role within the recording scene's context.
This study delineates the core competencies intrinsic to this coordinator, succinctly termed the "Atmosphere Creator." The coordinator's main responsibility centers on the deliberate creation of an atmosphere within the recording studio. This is achieved by utilizing a repertoire of material tools and harnessing environmental variables to craft a distinctive ambiance in various recording scenarios. By conceptualizing this role as the "Atmosphere Creator," we emphasize the coordinator's central mission of shaping the essence of the recording environment. This includes adept manipulation of the emotional states of both the Live audience and novice guests, tailoring them to diverse recording situations. Essentially, the coordinator operates similarly to a nuanced orchestrator, guiding the course of events to achieve the desired atmosphere and effects.
Reviewing past literature in the field of television production and broadcasting, the role and tasks of an atmosphere creator, a coordinator with complex responsibilities hidden within the recording scene, have not been defined or explored. In the contemporary television programming landscape, characterized by a vast array of program formats, questions emerge about the transferability of the competencies that atmosphere creators possess across different program genres and recording contexts. Furthermore, there's an intriguing consideration regarding the adaptability of atmosphere creation Skills when transitioning from traditional on-site recordings to online and hybrid formats. Positioned at the juncture of theory and practice, this research embarks on an empirical exploration. It begins with preliminary observational studies, Setting the stage for in-depth interviews with experienced professionals. These interviews aim to: 1) define the role and clarify the core competencies integral to atmosphere creators; 2) examine the dynamics between atmosphere creators and Live audiences or novice participants, focusing on how these interactions shape recording atmospheres in different program types; and 3) analyze how atmosphere creators use a variety of tools to craft recording environments across diverse scenarios. Data from the interviewees are consolidated and content analysis is conducted on "interview texts" and "author's texts" to construct the role definition and work content of atmosphere creators within recording contexts. It is hoped that this research will contribute to various recording environments, events, concerts, and any context that requires atmosphere creation Skills to be employed. This ensures that the role of the atmosphere creator, a coordinator, is no longer that of an anonymous figure hidden within the recording scene. |
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| Description: | 碩士
國立政治大學
傳播學院碩士在職專班
110941008 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0110941008 |
| Data Type: | thesis |
| Appears in Collections: | [傳播學院碩士在職專班] 學位論文
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