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| Title: | 技術與理論的融合：台灣電影創作的攝影技術、空間敘事與視覺美學(1995-2024）
The Fusion of Technology and Theory: Cinematography Technology, Spatial Narrative, and Visual Aesthetics of Taiwanese Film Production (1995-2024) |
| Authors: | 王公誠
Wang, Kungcheng |
| Contributors: | 陳儒修
Chen, Ru-Shou
王公誠
Wang, Kungcheng |
| Keywords: | 台灣電影
攝影技術
空間敘事
視覺美學
數位電影技術
Taiwan Cinema
Cinematography
Spatial Narrative
Aesthetics of Contemporary Cinema
Digital Cinematic Technologies |
| Date: | 2025 |
| Issue Date: | 2025-08-04 15:27:33 (UTC+8) |
| Abstract: | 本研究以「技術與理論的融合：台灣電影創作的攝影技術、空間敘事與視覺美學」為題，旨在深入探討電影技術革新與電影理論相互交融，推動台灣電影在美學表現與敘事手法上的發展與創新。於全球化與數位化的浪潮中，台灣電影產業面臨多重挑戰與機遇。隨著攝影技術演進、數位剪輯普及、視覺特效的成熟以及調光調色技術的精進，電影製作流程與美學風格開始變革。同時，巴贊（André Bazin）的寫實電影理論、蒙太奇理論、庫柏力克（Stanley Kubrick）的視覺美學，以及列斐伏爾（Henri Lefebvre）的空間哲學，為電影創作者提供了豐富的理論資源，深化台灣電影文本的意涵與表達方式。
本研究綜合上述之理論結合採立意抽樣之半結構深度訪談方式設定與中島、陳玉勳和徐漢強三位電影導演進行訪談，並融入本文研究者之好萊塢電影製作經驗，共同探討台灣電影製作創作敘事與電影技術之觀點。
本論文強調，電影技術進步與電影理論的深化，對台灣電影的美學發展與敘事創新具有關鍵作用。技術提供創作者更廣闊的表現空間，理論賦予了創作深層次的文化意義與藝術價值。面對全球化與數位化的趨勢，台灣電影應積極擁抱技術革新，深入理解並靈活運用電影理論，創造出兼具國際視野與本土特色的優秀作品。
This study investigates the dynamic interplay between technological advancement and theoretical development in shaping the visual and narrative aesthetics of contemporary Taiwanese cinema. In the context of global digital transformation, Taiwan's film industry navigates both challenges and opportunities. The evolution of photographic technology, digital editing, visual effects, and color grading has redefined cinematic production workflows and expanded aesthetic possibilities. Simultaneously, foundational theories—including André Bazin’s realism, montage theory, Stanley Kubrick’s visual aesthetics, and Henri Lefebvre’s spatial philosophy—provide critical frameworks for interpreting and enhancing cinematic expression.
Methodologically, this research integrates semi-structured in-depth interviews with directors and cinematographers, combined with textual analysis of the aforementioned films. It also draws from the researcher's professional background in Hollywood production to contextualize the findings within broader industrial practices.
The study concludes that the synergy between technological tools and theoretical frameworks is essential to the aesthetic and narrative evolution of Taiwanese cinema. While technological innovation expands the boundaries of cinematic expression, theoretical engagement anchors film practice in cultural and philosophical depth. In the face of ongoing globalization and digital convergence, Taiwanese filmmakers are encouraged to adopt a dual strategy: embracing emergent technologies while critically applying cinematic theory to produce works that are both locally grounded and globally resonant. |
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| Description: | 碩士
國立政治大學
傳播學院碩士在職專班
112941003 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0112941003 |
| Data Type: | thesis |
| Appears in Collections: | [傳播學院碩士在職專班] 學位論文
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