English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 118753/149817 (79%)
Visitors : 80814536      Online Users : 3176
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version
    政大機構典藏 > 傳播學院 > 期刊論文 >  Item 140.119/159675


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/159675


    Title: 媒介學的（不）理論：從基德勒與克蕾默爾的媒介存有論探問媒介與技術的「在中間」
    The (a)theoretical Medienwissenschaft: On the ＂in-between＂ of medium and technique from Kittler and Krämer's perspectives on the ontology of media
    Authors: 謝杰廷
    Hsieh, Chieh-Ting
    Contributors: 傳播學院
    Keywords: 文化技術;亞里士多德;使者;建築;媒介哲學
    Culture-technique;Aristotle;Messenger;Architecture;Philosophy of media
    Date: 2025-06
    Issue Date: 2025-09-24 09:55:14 (UTC+8)
    Abstract: 本文從媒介學研究者弗里德里希．基德勒（Friedrich Kittler）與希比耶．克蕾默爾（Sybille Krämer）對於技術以及媒介存有論的探問指出，媒介學所要反省∕反對的是西方哲學脈絡下的理論知識對於技術的排除與忽視。媒介學因而並不是要為媒介建立理論，而是要分析理論、知識、以及文化之所以能被建立的技術。本文指出，在媒介學的觀點下，媒介就是技術──它們皆起於「在中間」，並打開「在中間的空間」，不只傳遞訊息，更造出技術物，是理論、知識與文化的預設。
    Beginning with Friedrich Kittler and Sybille Krämer's analyses of technique and their reflections on the ontology of media, this research argues that Medienwissenschaft, which is often translated as "German media theories," is intended to reflect on and fight against the ignorance of technique by the theoretical knowledge in Western philosophy. The aim of Medienwissenschaft is not to develop theories for media but to analyze the techniques through which theories, knowledge systems, and cultures are constructed. This research also indicates that in Medienwissenschaft, medium is regarded as technique because they both, deriving from their "being-in-between," open up "in-between-spaces" for the transmission of messages and the production of artifacts as the preconditions for theories, knowledge systems, and cultures.
    Relation: 臺灣傳播學刊, Vol.47, pp.251-276
    Data Type: article
    DOI 連結: https://doi.org/10.6195/TJOC.202506_(47).0006
    DOI: 10.6195/TJOC.202506_(47).0006
    Appears in Collections:[傳播學院] 期刊論文

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML33View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback