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    政大機構典藏 > 傳播學院 > 新聞學系 > 學位論文 >  Item 140.119/33276
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/33276


    Title: 從「韓國文化熱」論東亞文化之融合
    From Korean Culture Fever to Hybridization of Eastern Asian Culture
    Authors: 金知玧
    Kim, Jiyoon
    Contributors: 方孝謙
    Fang, Xiao Qien
    金知玧
    Kim, Jiyoon
    Keywords: 文化混種
    全球在地化
    東亞認同
    跨文化實踐
    韓流
    cultural hybridization
    glocalization
    East Asian identity
    cross-cultural practice
    the Korean Wave
    Date: 2006
    Issue Date: 2009-09-17 15:57:02 (UTC+8)
    Abstract: 本文研究的目的嘗試回答「在以國族認同的現實中,東亞流行文化的交流是否能使東亞國家成為一個想像中的共同體,進而創造一個令人嚮往認同的東亞認同?」。在理論層次上,本研究認為一個想像中的東亞共同體可以建立在亞洲閱聽人對東亞國家間混種流行文化產品的消費上,東亞共同體代表了形形色色的生活型態,並結合傳統、現代及後現代的價值觀。為了要找出混種的文化實踐能否建構東亞認同,必須探討這些文化實踐在社會及歷史的情境中各種既有的連接方式。
    本研究發現,在消費進口流行文化的情境下,消費混種流行文化文本不僅能提供消費者反思社會議題,同時也讓生產者理解其他國家如何產製產品的機會。此外,大眾媒體藉由討論國家主義,試圖干預閱聽人對他國文化產品的消費行為。當審視東亞流行文化實踐之間所發生複雜的互動關係,本研究也發現構想東亞認同應該是想要面對並克服各種非民主及壓制的力量,而非去認同其所定位的文化內容。
    National identity has traditionally played a central role in shaping a person’s views and beliefs. However, is it possible that we are moving towards a new paradigm, where exchanges of popular culture in East Asia make it possible to visualize an integrated East Asia bloc and connect with a broader East Asian identity? On the theoretical level, we contend that the new East Asian image is being cultivated by the commonality of consuming hybridized popular culture products exchanged among East Asia countries, which represent various shapes and forms of cultural memes, which are ingrained in tradition and values of modernity and post-modernity. In order to find out whether hybrid cultural practices can constitute the basis for the establishment of an 「East Asian identity」 with the potential to change the current landscape in power relations, we need to investigate concrete ways in which specific cultural practices are articulated in the social and historical contexts.
    In the context of the consumption of imported popular cultural products, the experience of hybrid popular culture products provides the consumer with an opportunity to critically reflect on the problems in their society as well as gaining an insight into the foreign country producing the product.
    For the part of audiences enjoying other Asian cultural products, some make use of the cultural products as symbolic capital as a way of distinguishing themselves from other users.
    Reference: 一、中文書目
    朱元鴻,2000,〈文化工業:因繁榮而即將作廢的類概念〉,《文化產業:文化生產的結構分析》臺北,遠流出版社,頁11-45.
    吳叡仁譯(1999)。《想像的共同體:民族主義的起源與散佈》,臺北:時報。(原書Anderson, B. [1983]. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.)
    李美玲整理(2001)。〈新世紀之初,臥虎藏龍之後?-臺灣電影的 定位與展望圓桌會談紀錄〉,《電影欣賞》,109: 96-108。
    宋元根(2004a)。〈為何韓劇會風靡亞洲-以大長今為例〉,「公視國際研討會-臺灣電視媒體大未來」,台北:國家圖書館。
    (2004b)。〈數位化多頻道時代公共電視的角色-韓國文化廣播電視 (MBC)為例〉,「公視國際研討會-臺灣電視媒體大未來」,台北:國家圖書館。
    金鍾烈(2003)。《韓流在中國-以電視劇為中心》。北京大學中文系比較文化研究專業碩士論文。
    陳光興(2001)。〈為甚麼大和解不/可能?「多桑」與「香蕉天堂」殖民/冷戰效應下省籍問題的情緒結構〉,《臺灣社會研究季刊》,43: 41-109。
    馮建三(2002)。〈反支配:南韓對抗好萊塢壟斷的個案研究,1958-2001〉,《臺灣社會研究季刊》,47: 1-31。
    Toby Miller , Nitin Govil, John McMurria and Richard Maxwell著,馮建三譯,2003,〈Global Hollywood(全球好萊塢) 〉,巨流圖書公司
    卓伯棠、鄧呈曦(2005)。〈文化相似的結果-大長今熱潮席捲香港〉,《傳媒透視》,6月號。
    二、英文部分
    Books:
    Ang, I. (1985). Watching Dallas. London: Routledge.
    Ang, I. (1996). "In the realm of uncertainty: The global village and capitalist
    postmodernity." in I. Ang (ed.) Living Room wars. London: Routledge.
    Appadurai, A. (1990). "Disjuncture and difference in the global cultural economy." in M. Featherstone (ed.) Global culture, pp. 295~310. London: Sage.
    Appadurai, A.(1996). Modernity at large:Cultural dimensions of globalization. Minneapolis: University of Minnesota Press.
    Bourdieu, P.(1984). Distinction: A social critique of the judgment of taste(R. Nice, Trans.). Cambridge, MA: Harvard University Press. (Original work published 1979)
    Evans, P. (1979). Dependent Development: The Alliance of Multinational, State, and Local Capital in Brazil. Princeton University Press.
    Featherstone, M. (1991). "Global culture: An introduction." in M. Featherstone (ed.) Global culture, pp. 1-14. London: Sage.
    Friedman, J.(1994). Cultural identity and global process. London: Sage.
    Galtung, J. et al. (1965). "The structure of foreign news." Journal of Peace Research, 2. pp. 64-91.
    Galtung, J. (1971). "A structural theory of imperialism." Journal of Peace Research. 8:2. pp. 91-118.
    Gracia-Canclini, N.(1990)."Cultural Reconversion." In G. Yudice, et al.(eds)on Edge:The Crisis of Latin American Culture. Minneapolis:University of Minneapolis Press.
    Giddens, A. (1990). The consequence of modernity. Cambridge: Polity Press.
    (1991)Modernity and Self-Identity. Oxford:Polity.
    Hall, S.(1992). The question of cultural identity. In S. Hall, D. Held & T.
    Hannerz, U.(1987). ."The World in Creolization.", Africa 57(4):pp.546-559.
    (1991) "Scenarios for peripheral cultures." in A. D. King (ed.)
    Culture, globalization and the world system. London: Macmillan.
    Harvey, D.(1990). The Condition of Postmodernity. Oxford:Blackwell.
    McGrew(Eds.), Modernity and its futures (pp. 274-316). Cambridge: Polity.
    Iwabuchi, K.(2000). To globalize, regionalize, or localize us, that is the question:Japan’s response to media globalization. In G. Wang, J. Servaes & A. Goonasekera(Eds.), The new communication landscape:Demystifying media globalization, (pp. 199-224). London: Routledge.
    (2001). Becoming culturally proximate: A scent of Japanese idol dramas in Taiwan. In B. Moeran(Ed.), Asian media productions (pp. 54-74). London:Curzon.
    Lenin, V. I. (1917). Imperialism: The Higest Stage of Capitalism. In Selected Works. Vol.1. Moscow: Foreign Laguages Publishing House, 1960.
    MaGrew, A. (1992). “A Global Society?" In S. Hall, D. Held and A. McGrew(eds.), Modernity and its Futures. Cambridge: Polity Press. pp. 61-102.
    Morley, D. & Robbins, K.(1995). Spaces of identity: global media, electronic landscapes and cultural boundaries. London & New: Routledge.
    Pieterse, J. N.(1995). Globalization as hybridization. In M. Featherstone, S. Lash & R. Robertson(Eds.), Global modernities (pp. 45-68). London: Sage.
    Robertson, R. (1992). Globalization: Social theory and global culture. London, Newbury Park, New Delhi: Sage.
    (1995) Glocalization:Time- space and homogeneity-heterogeneity. In M. Featherstone, S. Lash & R. Robertson(Eds.)Global modernities(pp. 25-44). London: Sage.
    Sinclair, J., Jacka, E., & Cunningham, S.(1996). New patterns in global television: Peripheral vision. New York: Oxford University Press.
    Straubhaar, J.(1997)Distinguishing the global, regional and national levels of world television. In A. Sreberny-Mohammadi, D. Winseck, J. McKenna, & O. Boyd-Barrett (Eds.), Media in global context: A reader (pp. 284-298). London-Arnold Press.
    Tomlinson, J.(1997) Cultural globalization and cultural imperialism. In A. Mohammadi (Ed), International communication and globalization: A critical introduction,(pp.170-190). London: Sage.
    Waters, M. (1995). Globalization. London and New York: Routledge.
    Journals:
    Chua, B. H.(2004). Conceptualizing an East Asian Popular Culture. Inter-Asia Cultural Studies, 5(2), 199-201.
    Dirlik, A.(2001). Markets, culture, power: The making of a second cultural revolution in China. Asian Studies Review, 25(1), 16-39.
    Hoskins, C. & Mirus, R.(1988). Reasons for the U.S. dominance of the international trade in television programmes. Media, Culture and Society, 10, 499-515.
    Kraidy, M. M. (2002). Hybridity in cultural globalization, Communication Theory, 12( 3), 316-339.
    Shohat, E.(1992). Notes on the ‘post-colonial’. Social Text, 31/32: 99-113.
    三、韓文部分
    Tomlinson, J. (1991). Cultural imperialism. The Johns Hopkins University Press. 강대인 역(1994), 《문화제국주의》 나남출판.
    Giddens, A. (1991). Modernity and self-identity. Cambridge: Polity Press. 권기돈 역(1997). 《현대성과 자아정체성》새물결.
    김승현(1991). 국제사회의 변화와 국제 커뮤니케이션의 패러다임 《한국 언론학의 쟁점과 진로》 나남. 311-331쪽.
    김승현(1994). 매스미디어와 세계문화. 《현상과 인식》봄 제18권 1호, 41-63쪽. 김호기(1997). 문화의 세계화: 이론과 현실.《신인문》제1호. 한길사. 276-297쪽.
    김호기(1997). 모더니티와 한국사회. 《현대사상》 제2호. 민음사. 142-165쪽.
    Morley, D. and Robins, K. (1995). Spaces of identity: Global Media, Electronic Landscapes and Cultural Boudaries. 마동훈․남궁협 옮김(1999). 《방송의 세계화와 문화정체성》 한울 아카데미.
    박길성(1996).《세계화: 자본과 문화의 구조변동》사회비평사.
    박영민(1995). 공간에서 장소로, 다시 반대로. 《공간과 사회》 제5호. 한울. 32-71쪽.
    서정우(1997). 《국제커뮤니케이션론》 나남출판. 240-253쪽.
    신현준(2005).K-POP의 문화정치:가요 민족주의로부터 팝 아시아주의 속으로,”아시아 대중문화 연구 국제세미나 서울 2005”.
    양은경(2004).한국 방송 콘텐츠 제작,유통의 국제화 전략:한류를 넘어.『방송문화연구』16권 1호, 9-32.
    이기택 역(1996). 《국제관계이론》일신사.
    이수훈(1993). 《세계체제론》나남.
    임동욱(1989). 문화제국주의론의 비판적 고찰. 김왕석․임동욱 외.《한국언론의 정치경제학》아침.
    조항제(2003). 한국방송의 역사와 전망. 한울 아카데미. 제9장.
    중앙일보 2004년 11월 22일, 23일.
    한국서양사학회 편(1996). 《근대 세계체제론의 역사적 이해》까치.
    황상재(1997). 위성방송의 확산과 신정보질서. 《국제커뮤니케이션과 한국사회》. 나남출판. 225-252쪽.
    조혜정Hae-Jeong Cho(2002)Modernity,popular culture and East-West identity formation-A discourse analysis of Korean wave in Asia. In Korean Wave and Asian Mass Culture, Yonsei University Press, 1-42.
    이동후 Dong-Hoo Lee(2004)Limits of transnational imagination. In Korean Journal of Communication, 18(4),358-397。
    김현미 Hyon-Mee Kim(2003)The inflow of Japanese pop culture and the historical construction of fandoms in South Korea. In Korean Journal of Anthropology, 36(1),149-187。
    유상철외(2005)《한류DNA의 비밀을 찾아서》 (中譯:尋找韓流DNA的秘訣),首爾:생각의 나무 출판사.
    김학수(2003).<韓國電影產業的關鍵人物>,인물과사상사,頁143-171.
    CJ娛樂公司(2003)〈CJ Entertainment Annual Report 2002〉.
    정재형(2003)<문화제국주의시대의영화(文化帝國主義時代的韓國電影)>,韓國電影振興會 網路資料庫.
    Lisa Leung Yuk Ming(2005)Virtualizing the ‘ Korean Wave’: Transnationalizing governance in web discussion groups of ‘Daejangguem’, rediscovery of Asia:Cultural/Industrial Meanings of Trans-Border Exchanges of TV programs in East Asia, Korea Society for Journalism & Communication Studies.
    韓國文化觀光部(2005),《2004文化產業白皮書》。首爾:韓國文化觀光部。
    四 、網站資料
    http://www.cjent.co.kr:CJ ENTERTAINMENT
    http://www.cw.com.tw:天下網站 創意行銷 抓住你的「雙瞳」
    http://www.kofic.or.kr:電影振興委員會官方網站
    http://www.mct.go.kr:韓國文化觀光部文化產業資料庫(Ministry of Culture and Tourism )
    http://www.screenquota.org:Coalition for cultural Diversity in Moving images database電影銀幕配額聯合會資料庫
    http://www.unesco.org/exboard/fr/166ex1provf.pdf.
    http://www.donga.com:韓國東亞日報網站
    http://www.cine21.co.kr:電影雜誌「cine 21」
    Description: 碩士
    國立政治大學
    新聞研究所
    92451029
    95
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0924510291
    Data Type: thesis
    Appears in Collections:[新聞學系] 學位論文

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