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    政大機構典藏 > 文學院 > 哲學系 > 學位論文 >  Item 140.119/35990
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/35990


    Title: 班雅明論波特萊爾詩學之Erfahrung與Erlebnis
    Authors: 黃慧敏
    Huang, Hui-min
    Contributors: 陳文團
    黃慧敏
    Huang, Hui-min
    Keywords: Erfahrung
    Erlebnis
    experience
    shock
    memoire involontaire
    memoire volontaire
    Date: 2002
    Issue Date: 2009-09-18 16:49:15 (UTC+8)
    Abstract: 關於本論文的章節安排。在論証次序上,由於上面的論証已經提示蒙太奇對班雅明的重要意義,所以下一章開始,首先對於電影與感官模式加以申述,也就是電影蒙太奇與變化了的感官模式中有所對應的部份——震驚體驗兩者間如何能聯繫起來。而蒙太奇與震驚體驗之間的關聯性又在於不連續性。而經由這一個特性,可以作為中介,讓我們把班雅明的時代與波特萊爾的時代聯繫起來看。所以波特萊爾詩作裡、以及其創造性過程中的經驗二重性:Erfahrung與Erlebnis之間的糾葛也一一浮現。這樣就完整呈現出班雅明是如何論証波特萊爾的作品、以及創作過程裡經驗概念的Erfahrung與Erlebnis之二重性。
    Reference: 班雅明著作英譯本
    Walter Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, Trans. Harry Zohn. London: NLB, 1973.
    -----------, Illuminations, Ed. Hannah Aredt. Trans. Harry Zohn. New York: Schocken Books, 1969.
    -----------, One Way Street and Other Writings. Intro. Susan Sontag. Trans. Edmund Jephcott and Kingsley Shorter. London: NLB, 1979.
    -----------, Selected Writings, Volume 1, 1913~1926, edited by Marcus Bullock and Michael W. Jennings. Harvard: The Belknap, 1996. Volume 2, 1927~1934, edited by Michael Jennings, Howard Eiland, and Gary Smith. Harvard: The Belknap, 1999.
    -----------, The Correspondence of Walter Benjamin 1910-1940. Edited by Gershom Scholem& Theodor Adorno. Translated by Manfred R. Jacobson and Evelyn M. Jacobson.Chicago and London: University of Chicago Press, 1994.
    二手參考書
    Arato, Andrew& Gebhardt, Eike. The Essential Frankfurt School Reader. New York: Urizen Books, 1978.
    Buck-Morss, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute. Free Press, 1977.
    Bullock, Marcus Paul. Romanticism and Marxism: the Philosophical Development of Literary theory and Literary History in Walter Benjamin and Friedrich Schlegel. New York: P. Lang, 1987.
    Burger, Peter. Theory of the Avant-Garde. Trans Michael Shaw, Minneapolis: University of Minnesota Press, 1984.
    Caygill, Howard. Walter Benjamin: the Colour of Experience. London: Routledge, 1998.
    Eagleton, Terry. The Ideology of the Aesthetics. Oxford: Basil Blackwell, 1990.
    Jameson, F. Marxism and Form: Twentieth-Century Dialectical Theories of Literature. New Jersey: Princeton University Press, 1974.
    Jay, Martin. The Dialectical Imagination: A History of Frankfurt School and Institute of Social Research 1923-1950. Boston: Little, Brown, 1973.
    McCole, John. Walter Benjamin and Antinomies of Tradition. Ithaca and London: Cornell University Press, 1993.
    Smith, Gary. (ed.) On Walter Benjamin: Critical Essay and Recollections, MIT, 1998.
    ───, Benjamin: Philosophy, History, Aesthetics. Chicago: The University of Chicago Press, 1989.
    Wolin, Richard. Walter Benjamin: An Aesthetic of Redemption. Los Angeles: University of California Press, 1994.
    宋維科,班雅民〈波特萊爾的幾個主題〉中的「經驗」,文史哲學報,2000。
    蔡翔任,從啟蒙到世俗的啟明──班雅明的破迷辯證,哲學雜誌35期,2000。
    楊小濱,《否定的美學─法蘭克福學派的文藝理論與文化批評》,台北:麥田出版社,1995。
    馬國明,《班雅明》,台北,東大圖書,1998。
    劉北成,《本雅明思想評傳》,台北:商務印書館,1998。
    郭貞伶,《〈機械複製時代的藝術作品〉之世俗啟明與救贖》,政大哲研所碩士論文,2000。
    廖金鳳譯,電影百年發展史(上下兩冊),Kristin Thompson&David Bordwell著,台北:麥格羅希爾出版。1998。
    焦雄屏等譯,認識電影,Louis Giannetti著,臺北:遠流,1989。
    簡政珍,電影閱讀美學,臺北:書林,1993。
    Description: 碩士
    國立政治大學
    哲學研究所
    88154006
    91
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0088154006
    Data Type: thesis
    Appears in Collections:[哲學系] 學位論文

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