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    政大機構典藏 > 傳播學院 > 新聞學系 > 會議論文 >  Item 140.119/41503


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/41503


    Title: 台灣紀實攝影與《人間》雜誌
    Authors: 陳庭舜
    Ting-Shung Chen
    Contributors: 國立政治大學廣播電視學系
    Keywords: 人間;紀實攝影;報導攝影
    Renjian, Documentary Photography, Photojournalism
    Date: 2007-07
    Issue Date: 2010-06-18 10:01:15 (UTC+8)
    Abstract: 台灣紀實攝影自日據時期萌芽，後歷經國府時期的壓抑，直至八０年代社會改革開放後始綻放光芒，同時間，也是台灣最具代表性的紀實攝影刊物《人間》雜誌的創刊。本文從台灣報導攝影的歷時性分析，界定《人間》創刊在台灣報導攝影界的定位價值，繼探討《人間》內容所呈現的左翼思想和陳映真作為《人間》發行人，對《人間》及其建制攝影家的影響，並從結構面探索《人間》內部的組織與作業方式與雜誌產製過程，並解構《人間》攝影師與圖片編輯的組成特色，再者反思《人間》內容文本與紀實攝影間的相互關係。最終探討人間雜誌消失的成因，和《人間》的消失對台灣紀實攝影發展的打擊。
    This research concerns the documentary photography in Taiwan before and after abolished martial law in 1980s’, and the publication of “Renjian Magazine” impacted the development of documentary photography at that time. Chapter One focuses on the development of documentary photography in Taiwan.

    In Chapter Two, the researcher discusses as following subjects:
    1. the value and left wing thinking of “Renjian”.
    2. the consequence of Renjian’s leader Chen Ying-zhen and how he affected the photographers in this Magazine.
    3. the organization and the making process in “Renjian”.
    4. the constituent characteristic of photographers in “Renjian”.
    5. the relation between Renjian’s texts and the documentary photography.

    Chapter Three inquires into why “Renjian” stopped the publication and the impact to the development of documentary photography in Taiwan.
    Relation: 第五屆「世界華文傳媒與華夏文明傳播國際學術研討會」,2007.07.14-2007.07.15
    Description: 國立政治大學廣播與電視研究所碩士生
    Data Type: conference
    Appears in Collections:[新聞學系] 會議論文

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