English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 111300/142216 (78%)
Visitors : 48292142      Online Users : 794
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 傳播學院 > 新聞學系 > 學位論文 >  Item 140.119/49512
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/49512


    Title: 媒介娛樂中的生活政治:以Anthony Giddens的「現代性自我認同」概念為基礎探討閱聽人的反思活動
    The "life politics" in media entertainment-audience`s self-reflexivity in media reception based on anthony giddens` theory of "modernity and self-identity"
    Authors: 劉琮琦
    Liu, Chung Chi
    Contributors: 翁秀琪
    劉琮琦
    Liu, Chung Chi
    Keywords: 生活政治
    閱聽人
    自我反思
    (反思性)自我認同
    Date: 2009
    Issue Date: 2010-12-08 12:55:18 (UTC+8)
    Abstract: 娛樂性媒介收視在過去往往被視為是「非政治」的。所幸,晚近文化研究成果已成功揭示閱聽人接收大眾文化文本的過程本質上也具政治性─閱聽人可能巔覆、抵抗正文意識型態,從而產生庶民的政治化意識。然而前述論點仍有潛在危險,因為一旦娛樂性的媒介收視非得涉及嚴肅的「政治性批判」才具備政治上的「合法性」,娛樂收視中的其它部份將再度受到貶抑。循此,研究者期待透過紀登斯的「生活政治」觀點為閱聽人研究中的政治問題賦予新的詮釋與可能。

    本研究一方面回顧紀登斯的「自我認同」及「生活政治」論述,二方面蒐集了閱聽人觀影後的自我書寫資料並對其創用者進行深入訪談,以回應研究者的核心提問。結果顯示閱聽人接收媒介通俗文本時,同時在「看著他人的故事想著自己的心事」。過程裡,收視者的自我反思將帶動著自我認同的發展,從而和生活政治的推展產生聯繫。研究者希望透過本研究擴充當代閱聽人研究的提問角度,並和紀登斯的生活政治概念進行理論及經驗上的對話。
    Entertaining media reception has long been regarded as “irrelevant to politics.” However, a body of literature of Culture Study found that “reading-the-popular-text” is political in itself, since readers might subvert or resist the ideology embedded in the popular texts, hence, empowering them the “political consciousness.” Yet, the above argument is incomplete: once entertaining media reception relate to policy only through the “politically critical reading”, the rest reading types of the audiences will be debased logically. Thus, this thesis introduces the concept of “Life Politics”, raised up by Anthony Giddens, to inject new possibilities into the reception-study tradition.

    This thesis reviews Giddens’ theory on the one hand, collects the empirical data through audiences’ post-text on Blogs after receiving the popular text and self-narration in interviews on the other, to answer research questions. The result shows that audiences are inclined to reflex themselves while receiving the popular text. The whole process leads to the development of Self-Identity which has a deep linkage to the modern course of Life Politics. The analysis and theories mentioned above will broaden our understanding of audiences’ reception as well as enlarge the usability of Giddens’ political thought.
    Reference: 壹、中文部份
    王逢振 編(2004)。《詹姆遜文集第3卷:文化研究和政治意識》。北京:中國人民大學。
    尹弘毅 譯(2002)。《現代性:紀登斯訪談錄》。台北:聯經出版社。(原著:Giddens, A. & Pierson, C. (1998). Conversations with Anthony Giddens:Making Sense of Modernity. UK: Polity Press)
    田禾 譯(2000)。《現代性的後果》。南京:譯林出版社。(原著:Giddens, A. (1990). The Consequences of Modernity. UK: Polity Press)
    朱元鴻(2000)。「文化工業:因繁榮而即將作廢的類概念」。《文化產業-文化生產的結構分析》。台北:遠流,p.11-45。
    何春蕤(2006)。〈民困愁城:憂鬱症與現代性的黑暗面〉。文化研究2006年年會研討會論文。
    李天鐸 譯(1993)。《電視與當代批評理論》。台北:遠流。(原著:Allen, R.C. (Ed.) (1987). Channels of Discourse: Television and Contemporary Criticism. Chapel Hill: University of North Carolina Press)
    李紀舍 譯(2005)。「文化工業再探」。《文化與社會》。台北:立緒,p.318-328。(原著:Alexender, J.C. and Seidman, S. (Ed.) (1990). Culture and Society: Contemporary Debates. UK: Cambridge University Press)
    林珊如、劉應琳(2003)。「從詮釋現象學的觀點看愛書人之休閒閱讀經驗」。《中國圖書館學會會報》,71,21-36。
    林雅容(2009)。「自我認同形塑之初探:青少年、角色扮演與線上遊戲」。《資訊社會研究》,16,197-229。
    林麗珊(2007)。「後現代社會的不安全感析論」。《警學叢刊》,38(1),79-94。
    周素鳳 譯(2001)。《親密關係的轉變:現代社會的性、愛、慾》。台北:巨流出版社。(原著:Giddens, A. (1992). The Transformation of Intimacy: Sexuality, Love & Eroticism in Modern Societies. Cambridge: Polity Press)
    洪配郁、藺月峰 譯(1990)。《啟蒙辯證法(哲學片斷)》。重慶:重慶出版社。(原著:Horkheimer, Max & Aorno, Theodor W. (1969). Dialektik der Aufklarung. Frankfurt: Fischer Taschenbuch)
    胡榮、王小章 譯(1995)。《心靈、自我與社會:從社會行為主義者的觀點出發》。台北:桂冠。(原著:Morris, C.W. (Ed.) (1934). Mind, Self, & Society: From the Standpoint of a Social Behaviorist. University of Chicago Press. )
    陳坤虎、雷庚玲、吳英璋(2005)。「不同階段青少年之自我認同內容及危機探索之發展差異」。《中華心理學刊》,47(3),249-268。
    陳學明(1996)。《文化工業》。台北:揚智出版社。
    黃光國(2001)。「位格人觀與自我」。《應用心理學研究》,10,5-9。
    黃光國(1993)。「互動論與社會交易:社會心理學本土化的方法論問題」。《本土心理學研究》,2,94-142。
    曾愛迪、招雁翔(2005)。「從敘說中開展的自我建構歷程:以一位幼教老師為例」。《應用心理研究》,28,223-252。
    創世際市場研究顧問(2007)。〈部落格經營傾向與滿意度調查〉。2010/1/23,取自:http://www.insightxplorer.com/specialtopic/self_blog200710.html
    馮建三 譯 (1995)。《電視,觀眾與文化研究》。台北:遠流(原著:Morley, David (1992). Television, Audience & Culture Studies. New York: Routledge)。
    張鼎昆、方俐洛、凌文輇(1999)。「自我效能感的理論及研究現狀」。《心理科學進展》,17(1),39-43。
    趙一帆、蒲隆、任曉晉 譯(1989)。《資本主義的文化矛盾》。台北:桂冠。(原著:Bell, Daniel (1976). The Cultural Contradictions of Capitalism. New York:
    Basic)。
    趙旭東、方文 譯(2005)。《現代性與自我認同:晚期現代的自我與社會》。台北:左岸文化。(原著:Giddens, A.(1991). Modernity and self-identity: Self and society in the late modern age. Cambridge: Polity Press.)。
    趙庭輝(1999a)。〈閱聽眾分析在英國媒體與文化研究的發展〉。中華傳播學會1999年年會研討會論文。
    ---(1999b)。「英國媒體與文化研究的回顧:伯明罕大學當代文化研究中心的傳統」。《傳播文化》,7,47-100。
    劉現成 譯(1997)。「後現代主義與電視」。《大眾媒介與社會》。台北:五南,p.70-87(原著:Curran, J. and Gurevitch, M. (Ed.) (1991). Mass Media and Society. New York: Routledge)。
    盧嵐蘭 (2008)。《閱聽人論述》。台北:秀威資訊。
    鄭培凱 譯 (1993)。「班雅明與布萊希特的文藝觀」。《當代》81期,p.35-49(原著:Eagleton, T. (1993).)。
    謝子樵(2009)。〈台灣網友部落格使用行為分析〉。2010/1/23,取自:http://www.bnext.com.tw/article/view/cid/0/id/11833
    貳、西文部份
    Ang, I. (1984). Watching Dalls: Soap Opera and the Melodrama Imagination. London: Methuen.
    Angus, L., Lewin, J., Bouffard, B., & Trevisan, D. “What’s the Story?” Working with Narrative in Experiential Psychotherapy. In Augus, L.E., & McLeod J.. (Ed.) (2004), The Handbook of narrative and Psychotherapy: Practice, Theory and Research (pp.87-102). London: Sage.
    Alasuutari, P. (1999). Introduction: Three Phases of reception studies. In P. Alasuutari (Ed.), Rethinking Media Audience: The new Agenda (pp.1-21). London: Sage.
    Bagguley, P. (1999). Beyond Emancipation? The Reflexivity of Social Movements. In O’Brien, M., Penna, S., & Hay, C. (Ed.) (1999), Theorising Modernity: Reflexivity, Environment and Identity in Gidden’s Social Theory (pp.65-82). New York: Longman.
    Bauman, Z. (1997). Postmodernity and Its Discontents. UK: Polity Press.
    Beck, U. & Beck, E. (2002). Individualization: Institutionalized Individualism and its Social and Political Consequences. London: Sage.
    Beck, U. (1994). The Reinvention of Politics: Towards a theory of Reflexive Modernization. In Beck, U., Giddens, A., & Lash, S. (Ed.) (1994), Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order (pp.1-55). California: Standford University Press.
    Bird, S.E. (2003). The Audience in Everyday Life: Living in a media World. New York: Routledge.
    Blumer, H. (1969). Symbolic Interactionism: Perspective and Method. New Jersey: Prentice-Hall.
    Bonnie, N., Diane, S., Michelle, G., & Luke, S (2004). Why We Blog. Communication of the ACM, 47(12), 41-46.
    Browne, R. & Browne, P. (2005) The Generalities of Cultures. In Browne, R.B. (Ed.) (2005), Profiles of Popular Culture (pp.3-12). Madison, Wis.: University of Wisconsin Press.
    Bruner, J. (2002). The Narrative Creation of Self. In Augus, L.E., & McLeod J.. (Ed.) (2004), The Handbook of narrative and Psychotherapy: Practice, Theory and Research (pp.3-14). London: Sage.
    de Certeau, M. (1984). The Practice of Everyday life. Berkeley: The University of California Press.
    Dyer, R. (2002). Only Entertainment.. New York: Routledge.
    Erikson, E. (1980). Identity and the Life Cycle. New York: Norton.
    Ezzy, D. (1998). Theorizing Narrative Identity: Symbolic Interactionism and Hermeneutics. The Sociological Quarterly, 39(2), 239-252.
    Flanagan JC (1954) The Critical Incident Technique. Psychological Bulletin, 51(4), 327-359.
    Filho, J. & Herschmann, M.(2003). Debatable Tastes: Rethinking Hierarchical Distinctions in Brazilian Music. Journal of Latin American Cultural Studies, 12(3), 347-358.
    Fiske, J. (1989). Understanding Popular Culture. UK: Unwin Hyman Ltd.
    Fiske, J. (1988). Meaningful Moments. Critical Studies in Mass Communication, 5(3), 246-251.
    Gecas, V.(1989) The Social Psychology of Self-Efficacy. Annual Review of Sociology, 15, 291-316.
    Giddens, A. (1990) The Consequences of Modernity. UK: Polity Press.
    Giddens, A.(1991) Modernity and self-identity: Self and Society in the Late Modern Age. Cambridge: Polity Press.
    Giddens, A.(1994) Living In a Post-Tradition Society. In Beck, U., Giddens, A., & Lash, S. (Ed.) (1994), Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order (pp.56-109). California: Standford University Press.
    Glasgow, R.E. & Rosen, G.M. (1978). Behavioral Bibliotherapy: A Review of Self-Help Behavior Therapy Manuals. Psychological Bulletin, 85(1), 1-23
    Goffman, E. (1959). The Presentation of Self in Everyday Life. New York: Doubleday.
    Gurevitch, M.& Scannel, P. (2003). Canonization Achieved? Stuart Hall’s “Encoing/Decoding”. In Katz, E., Peters, J., Liebes, T., & Orloff A. (Ed.) (2003), Canonic Texts in Media Research: Are there any?Should there be? How about these? (pp.231-247) UK: Polity Press.
    Giselinde, K.(2006) Television and Taste Hierarchy: The Case of Dutch Television Comedy. Media, Culture & Society, 28(3), 359-378.
    Hall, S. (1980). Encoding/Decoding. In S. Hall, D. Hobson, A. Lowe, & P. Willis (Ed.), Culture, Media, Language: Working Papers in Culture Studies, 1972-79 (pp.128-138). London: Routledge.
    Hennion, A. (2001). Music Lovers: Taste as performance. Theory, Culture, Society, 18(5), 1-22.
    Holstein, J. & Gubrium, J.(2000) The Self We Live By: Narrative Identity in Postmodern World. New York: Oxford University Press.
    Katz, E. & Liebes, T.(1990). Interacting With “Dallas”: Cross Culture Reading of American TV. Canadian Journal of Communication, 15(1), 45-65.
    Katz, E. & Liebes, T.(1984). Once Upon a Time, in Dallas. Intermedia, 12(3), 28-32.
    Katz, E., Blumler, Jay G., & Gurevitch, M. (1974). Utilization of Mass Communication by the Individual. In J. Blumler, & E. Katz (Ed.), The Uses of Mass Communications: Current Perspectives on Gratifications Research (pp.19-32). London: Sage.
    Lichterman, P. (1992). Self-Help Reading as a Thin Culture. Media, Culture, Society, 14(3), 421-447.
    Livingstone, S. (1999). Mediated Knowledge: Recognition of the familiar, discovery of the new. In J. Gripsrud (Ed.), Television and Common Knowledge (pp.91-107). London: Routledge.
    Livingstone, S. (1998). Audience Research at the Crossroads: the “implied audience “ in media and cultural theory. European Journal of Cultural Studies, 1(2), 193-217.
    Livingstone, S. & Lunt, P.(1994). Talk on Television: Audience Participation and Public Debate. London: Routledge.
    Lizardo, O.(2006). How Cultural Tastes Shape Personal Networks. American Sociological Review, 71(5), 778-807.
    Lloyd, B. (2000). Media Influence on Identity Formation and Social Competence: Does Music Video Impact Adolescent Development? Pennsylvania Dissertation, UMI.
    Lull J. (1990). Inside Family Viewing: Ethnographic Research On Television’s Audience. London: Routledge.
    Meyer, H.D. (2000). Taste Formation in Pluralistic Societies: The Role of Rhetorics and Institutions. International Sociology, 15(1), 33-56.
    Morley, D. (1986). Family Television: Cultural Power and Domestic Leisure. London: Comedia.
    Morley, D. (1980). The Nationwide Audience. London: British Film Institute.
    Mouzelis, N. (1999). Exploring Post-tradition Orders: Individual Reflexivity, Pure Relations and Duality of Structure. In O’Brien, M., Penna, S., & Hay, C. (Ed.) (1999), Theorising Modernity: Reflexivity, Environment and Identity in Gidden’s Social Theory (pp.83-97). New York: Longman.
    Radway, J. (1984) Reading the Romance: Women, Patriarchy and Popular Literature. Chapel Hill: University of North Carolina Press.
    Rojek, C. (2001). Leisure and Life Politics. Leisure Science, 23(2), 115-125.
    Rolling, R. (1994). Popular Culture and The Death of Good Taste. National Forum, 74(4),13-17.

    Sartre, J.P. (1975). Existentialism is a Humanism. In Kaufman, Walter (ed.) (1975). Existentialism: from Dostoyevsky to Sartre (pp.345-369). USA: New American Library.
    Smith, M. (1994). Selfhood at Risk. American Psychologist, 49(5), 405-411.
    Storey, J. (2001). Culture Theory and Popular Culture: An Introduction. New York: Prentice Hall.
    Tomlinson J. (1994). A phenomenology of Globalization? Giddens on Global Modernity. European Journal of Communication, 9(2), 149-172.
    Thompson, J. (1994). Social Theory and the Media. In D. Crowley, & D Mitchell (Ed.), Communication Theory Today (pp.27-49). UK: Polity Press.
    Van Dijck, J. (2004). Composing the Self: Of Diaries and Lifelogs. Fibreculture Journal, 3. Retrieved January 23, 2010, from:
    http://journal.fibreculture.org/issue3/issue3_vandijck.html
    Verstraeten, H. (2004). The Transformation of politics: Implication for media assessment and accountability. Communications: The European Journal of Communication Research, 29(1), 43-58.
    Witkin, R. (2003) Adorno on Popular Culture. New York: Routledge.
    Description: 碩士
    國立政治大學
    新聞研究所
    96451002
    98
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0096451002
    Data Type: thesis
    Appears in Collections:[新聞學系] 學位論文

    Files in This Item:

    File Description SizeFormat
    100201.pdf2255KbAdobe PDF22074View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback