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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/54004


    Title: 《這款ㄟ囝仔》創作論述: 自我療癒的創作實踐
    The child:A documentary as the practice of self-healing
    Authors: 黃嘉文
    Huang, Chia Wen
    Contributors: 蔡琰
    Tsai, Yean
    黃嘉文
    Huang, Chia Wen
    Keywords: 自我療癒
    紀錄片
    身心障礙者
    self-healing
    documentary
    the disabled
    Date: 2011
    Issue Date: 2012-10-24 16:03:39 (UTC+8)
    Abstract: 本作品紀錄家人對患有腦性麻痺的弟弟無私的付出與照護,用影片呈現以阿嬤為首的家人,如何努力、認真地面對不幸與殘缺。創作過程同時作為自我療癒的實踐方式,本人藉此過程重新獲得勇氣與面對遺憾的信心。
    在拍攝手法上,主要採取參與模式(The Participatory Mode)紀錄家人與弟弟相處的情形,呈現家屬努力不懈的奮鬥精神。期盼透過作品,觀眾能夠打破對身心障礙群體及其家屬單一且刻板的淒苦印象,肯定家屬們的努力,並且理解病患與家屬之間緊密、雙向與互助的情感聯繫。
    本創作論述提供創作的背景與動機,關於敘事治療、疾病、照護、紀錄片類型的文獻探討,以及創作內容說明。
    This film records my family’s wholehearted devotion to my little brother with cerebral palsy. It reveals how my grandmother and family members fight with the misfortune and transcend it. As a practice of self-healing, I obtain courage and confidence to face the trauma that has been buried in my mind since my little brother became disabled through the whole process.
    I apply the“Participatory Mode”of documentary to record how my little brother and my family live their lives to reveal their unyielding spirit. I hope this film can change the stereotypical impressions of the disabled and their families in the society and let people truly understand the tight inter-subjective bonds between the disabled and their families.
    The thesis declares my motives and story background of this creation in the first part. It then reviews the literary writings about self-healing, cerebral palsy, family caregiving, and documentary directing. In the third part, I explain all the treatment of my film.
    Reference: 丁晨(2003)。《世界的斷裂與接應:一位極重度多重障礙者生命意義之探討》。南華大學生死學研究所碩士論文。
    王亞維譯(1998)。《製作紀錄片》。台北:遠流。(原書Rabiger, M. [1992]. Directing the Documentary. MA: Focal Press)
    王蔚慈(2003)。〈台灣紀錄片的類型發展與分析─以Bill Nichols的六種模式為研究基礎。〉《廣播與電視》,頁1-33。
    李道明(1995)。〈從紀錄片的定義思索紀錄片與劇情片的混血形式〉,《戲劇學刊》,10:79-109。
    吳凡(2006)。〈記錄與記憶─朱詩倩〉,財團法人台灣女性影像學會(編)
    《女性‧影像‧書─從女性影展看女性影像之再現》,頁123-126。台北:書林。
    范昱峰譯(1998)。《睡人》。台北:時報文化。(原書 Sacks, O. [1973]. Awakenings.)
    陳阿月譯(2008)。《從故事到療癒:敘事治療入門》。台北:心靈工坊。(原書 Morgan, A. [2000]. What is Narrative Therapy? ─ An easy-to-read introduction. Australia: Dulwich Centre.)
    陳亭螢譯(2007)。《陰暗情緒是毒也是藥:榮格陰暗情緒原型的自我轉化及療癒》。台北:人本自然。(原書 Greenspan, M. [2003]. Healing through the dark emotions: The wisdom of grief, fear, and despair.)
    曾進興譯(1999)。《腦性麻痺與溝通障礙》。台北:心理出版社。(原書 Mecham, M. J. [1998]. Cerebral Palsy.)
    傅佩榮(1995)。《自我的意義:齊克果.馬塞爾.海德格.卡繆》。台北:洪健全基金會。
    趙永芬譯(2008)。《火星上的人類學家》。台北:天下文化。(原書 Sacks, O. [1996]. An anthropologist on mars: Seven paradoxical tales. New Tork: Random House.)
    廖世德譯(2001)。《故事‧知識‧權力─敘事治療的力量》。台北:心靈工坊。(原書 White, M. & Epston, D. [1990]. Narrative Means to Therapeutic Ends. Australia: Dulwich Centre.)
    Description: 碩士
    國立政治大學
    廣播電視學研究所
    97453015
    100
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0097453015
    Data Type: thesis
    Appears in Collections:[Department of Radio & Television & Graduate Program] Theses

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