政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/57410
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 112881/143847 (78%)
造访人次 : 50320626      在线人数 : 793
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻
    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/57410


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/57410


    题名: 融合與重鑄：高友工與當代新儒家
    其它题名: Blending and Re-composition: Kao Yu-Kung`s Theory and Contemporary New Confucianism
    作者: 曾守正　
    Tseng, Shou-Cheng
    贡献者: 政大中文系
    关键词: 抒情傳統;美典;境界;當代新儒家
    Lyrical tradition;aesthetics;horizon;Contemporary New Confucianism
    日期: 2011-05
    上传时间: 2013-03-27 10:31:42 (UTC+8)
    摘要: 高友工先生的抒情傳統論述, 係為當代重要學說之一, 其影響鉅大, 甚至有 "高友工震盪" 之稱. 當代新儒家的學說, 實為高氏論述的重要基礎, 其牽引抒情傳統的理論內涵, 歷史敘述之完成. 可是, 抒情傳統與新儒家學說的關係, 罕受學術界注意, 討論. 近年來, 王德威先生認為在討論抒情傳統譜系時, 不要忽略五○年代前後新儒家學者的影響. 龔鵬程先生卻以 "戲論" 稱呼高氏學說, 認為高氏對於牟宗三先生學說, "誤解大了" , "完全理解錯亂" ；高氏論藝術精神, 又迥異於徐復觀先生. 就此看來, 高友工先生與當代新儒家的關係, 應有重新釐清之必要. 以道德心性為思想內核的當代新儒家學說, 如何被高氏架接於文學藝術的討論?其洞見與不見為何?本文嘗試從理論內在間架, 理論現實關懷, 歷史敘述等路向, 予以梳理.
    Dr. Yu-Kung Kao`s statement of lyrical tradition is one of the distinguished contemporary theory in Chinese studies. His theory has significant impact to the contemporary Sinology, thus some people even call his theory as "Yu-Kung Kao Concussion." The contemporary New Confucianism is the infrastructure of Kao`s statement, it constructs the structure of traditional lyric theory, especially in the theory contents and the history texture. However, few discussion associated with the relation between the traditional lyric theory and the Contemporary New Confucianism. Recently, Dr. David Der-wei Wang(王德威) considers that we should not skip the effect of the New Confucianism around 50s` when discussing in the traditional lyric. But Dr. Peng-Cheng Kung(龔鵬程) said Kao`s statement is "invalid argument", and considers that Kao totally miss understood Dr. Zhong-san Mao`s(牟宗三) concept. Besides, Kao has different viewpoint with Dr. Fu-Kuan Hsu (徐復觀) at art spirit. Hence, it is necessary to clarify the relation between Kao and Contemporary New Confucianism. This article tries to discuss how the Contemporary New Confucianism be constructed in Kao`s theory by different phases, including the historical structure, and the inner framework and realistic reflection of the theory.
    關聯: 淡江中文學報,26,79-115
    数据类型: article
    显示于类别:[中國文學系] 期刊論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    79-115.pdf5239KbAdobe PDF2844检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈