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請使用永久網址來引用或連結此文件:
https://nccur.lib.nccu.edu.tw/handle/140.119/70945
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| 題名: | 庾信賦之世變與情志書寫－宮體•國殤•桃花源 |
| 其他題名: | The Changing Situation and Sentimental Writing of Yu Xin`s Rhapsodies: Palace-style Poetry, National Calamity, and the Peach Blossom Spring |
| 作者: | 許東海
Hsu, Tong-Hai |
| 貢獻者: | 中文系 |
| 關鍵詞: | 庾信;賦;宮體;南北朝;桃花源
Yu Xin庾信;rhapsody;palace-style;Northern & Southern Dynasties;Peach Blossom Spring |
| 日期: | 2006.06 |
| 上傳時間: | 2014-10-31 18:05:01 (UTC+8) |
| 摘要: | 作為文學史上之宮體典範而言，庾信賦及其宮體書寫之重要意義乃是多面向。宮體基本上是一種新變文風，以貴遊引領風騷。其次，宮體又是一種身分與文化之表徵，其間藉由庾信宮體賦的書寫載體及其話語符碼，巧妙地映現當代王室權貴偏安江左的樂園隱喻建構。然則透過庾信賦由宮體樂園、國觴輓歌到桃源失落書寫之前後觀照，宮體書寫更深化為作者與世變對話的內在途徑及其心靈符碼，其中宮體賦內化為庾信情志世界與歷史記憶的獨特隱喻，宮體賦既是庾信緬懷舊梁風華的美麗見證與文化脈絡，同時又成為他凝思世變與追憶家國的情志線索。因此藉由宮體賦之書寫依據，展開文學、文化、政治、歷史、世界之多層次與多面向之書寫與對話，既是庾信賦語言與情志之具體示現，亦為庾信賦世變及其情志書寫之內在脈絡與深層底蘊。
As a model of ”palace-style” (gongti宮體) poetry in the history of Chinese literature, and Yu Xin`s庾信 rhapsodies, and its form of gongti, was extremely significant. Basically, the gongti, whose theme was nobles` travel, represented a new fad in writing during the Six Dynasties period. Moreover, gongti was also a symbol of status and culture; through the genre and implication of Yu Xin`s rhapsodies, the author presented a structure of metaphor, the technique that skilfully reflected the contemporary situation of the imperial family: they were content to retain sovereignty over a part of the country. Furthermore, Yu Xin`s rhapsodies also reflected the change from a paradise of gongti, to an elegy of national calamity, and finally to the perishing of the ideal of the ”Peach Blossom Spring”; therefore, the writing of gongti further became a means to express the author`s innermost thoughts and feelings about the changing world. In summary, Yu Xin`s rhapsodies, with their deep implication and sequence of ideas, revealed the nature of the changing world through his sentimental writing. |
| 關聯: | 漢學研究, 24(1), 141-173 |
| 資料類型: | article |
| 顯示於類別: | [中國文學系] 期刊論文
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文件中的檔案:
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大小 | 格式 | 瀏覽次數 |
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| 141-173.pdf | 1976Kb | Adobe PDF2 | 829 | 檢視/開啟 |
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