English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 109952/140887 (78%)
Visitors : 46296158      Online Users : 1288
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/86180


    Title: 村上春樹裡面的中國：以〈雪梨的綠街〉、〈開往中國的慢船〉、《聽風的歌》三篇小說為主
    Authors: 藤井省三
    Shozo, Fujii
    Contributors: 東京大學人文社會系
    Keywords: 村上春樹;中國;歷史記憶;聽風的歌;開往中國的慢船
    Date: 2007-06
    Issue Date: 2016-04-26 15:01:05 (UTC+8)
    Abstract: 村上春樹深受中國的影響。其處女作《聽風的歌》（1979）的開頭一節即寫道「所謂完美的文章並不存在，就像完美的絕望不存在一樣。」這段話，我想可能是受了魯迅「絕望之於虛妄，正與希望相同」這段話的觸發吧！村上春樹在高中時代即愛讀魯迅的〈阿Q 正傳〉，有為之傾倒的跡象。其後甚至以日本菁英白領階級的「Q 氏」為主角，寫成短篇小說〈沒落的王國〉。在他可稱得上是正統式的文藝評論《寫給年輕的讀者的短篇小說導讀》一書中，村上也斷斷續續地提及他的「阿Q」論。此外，在中華街座落的港都神戶長大，身為侵華戰爭參與者之子的村上春樹以最初的短篇小說〈開往中國的慢船〉為始，持續書寫了《尋羊冒險記》、《發條鳥年代記》、《黑夜之後》等圍繞著中國的歷史記憶為題的作品。若是撇除中國的話，我想是無法談村上文學的。本文嘗試以村上春樹早期作品為線索，來解讀村上文學裡中國這個主題。
    Murakami Haruki was deeply influenced by China. His first work Hear the Wind Sing (1979) begins as follows: "The perfect writing is not in existence as well as faultless desperation." From this citation, we can see that he might be inspired by "Desperation is as well as hope for nihility" written by Lu Hsun. Murakami Haruki was fond of Lu’s True Story of Ah Q in his high school days and had been attracted by him since then. Afterward, he even wrote the short story the Fall of the Kingdom in which the protagonist named "Q" is an elitist white-collar class. In A Guidance of the Short Stories for Young Readership, which can be regarded as an orthodox literary criticism, Murakami intermittently demonstrates his comments on "Ah Q". In addition, as a son of participant being involved in the aggressive war to China, grown up in harbor city Kobe where the China town is located, since his first short story Slow Boat to China, Murakami Haruki’s works, such as A Wild Sheep Chase, The Wind-Up Bird Chronicle, After Dark and so on, constantly focus on the historical memory of China. I think that Murakami literature cannot avoid the issue of China. This paper will examine the issue of China in Murakami literature with Murakami Haruki `s early works.
    Relation: 臺灣文學學報,10,1-18
    Data Type: article
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    118.pdf1082KbAdobe PDF2403View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback