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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/98504
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/98504


    Title: 沈璟曲論及其承繼與影響探析
    Authors: 盧柏勳
    Lu, Po-Hsun
    Contributors: 中文系
    Keywords: 沈璟;明代曲論;吳江派;格律
    Date: 2012-10
    Issue Date: 2016-06-29 17:04:49 (UTC+8)
    Abstract: 沈璟(1553-1610),是明代著名的戲曲家,無論是戲曲理論及戲曲作品,皆十分豐厚,與湯顯祖齊名,其理論對當代的影響甚鉅,本文共分三大部份來研究沈璟曲論,其一,沈璟曲論之繼承;其二,沈璟曲論之主張;其三,沈璟曲論之影響,希望以一以貫之的角度,來窺探其曲論深微之處。經過考察發現,沈璟曲論的建立,受何良俊及周德清《中原音韻》啟發甚多,而沈璟本身的曲論,則以本色與聲律為主,本色又可分為語言本色、音律本色兩者,而聲律方面,要求依律合腔,且要明辨四聲陰陽。關於影響,則分正面與反面,正面影響,乃是指沈璟有樹立格律規範,提倡場上之曲之功,負面影響,則為誤把語言本色當俚俗,也因過度強調格律,反而限制文采的發展。
    Relation: 東吳中文研究集刊, No.18, pp.81-107
    Data Type: article
    Appears in Collections:[中國文學系] 期刊論文

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