政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/113374
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 109952/140887 (78%)
造訪人次 : 46354976      線上人數 : 1090
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/113374


    題名: Chinese Feelings: Notes on a Ritual Theory of Emotion
    作者: Lee, Hai-Yan
    關鍵詞: emotion;presentation;representation;ritual;sincerity
    日期: 2016-06
    上傳時間: 2017-10-03 11:40:48 (UTC+8)
    摘要: Be true to yourself. So urges the ancient maxim. In contemporary Western societies, this usually translates into the imperative of being in touch with your feelings. But sincerity and emotional authenticity have not always been first principles, and East Asian societies have traditionally subordinated emotion to ritual propriety. In this article, I propose a ritual theory of emotion that acknowledges the importance of codified rules of conduct, stylized modes of expression, and a shared subjunctive world as constitutive of a ritual social order that nonetheless admits of emotional plenitude. Beginning with a recent film about the renowned Peking Opera performer Mei Lanfang, I argue that we moderns have lost the art of presentation epitomized by classical theater and that the representational aesthetic, exemplified by film, has become hegemonic in modern life, from the intimate sphere of the family to the public arena of civic and political engagement. I draw on an emerging body of interdisciplinary scholarship on emotion and cognition as well as the continued, albeit misrecognized, role of ritual and its dialectic with sincerity. I then turn to a 19th-century memoir, Six Records of a Floating Life by Shen Fu, to sketch the outlines of an experimental aesthetic and lifestyle poised precariously yet playfully between presentation and representation, ritual and sincerity.
    關聯: 文山評論:文學與文化, 9(2),1-37
    資料類型: article
    顯示於類別:[文山評論:文學與文化 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    9-2(1-37).pdf553KbAdobe PDF2435檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋