English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 110944/141864 (78%)
Visitors : 47848589      Online Users : 732
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/124075


    Title: 奇幻經典之跨媒介網絡建構及敘事策略初探：以《哈利波特》故事網絡為例
    Preliminary Exploration of Constructing a Fantasy Transmedia Story Network Using Narrative Strategies: Using the Story of the Harry Potter Series as an Example
    Authors: 賴玉釵
    Lai, Yu-Chai
    Contributors: 新聞學研究
    Keywords: 互媒;奇幻類型;故事網絡;敘事策略;跨媒介敘事
    intermediality;fantasy genre;story network;narrative strategy;transmedia storytelling
    Date: 2018-10
    Issue Date: 2019-06-28 12:00:10 (UTC+8)
    Abstract: 本文剖析敘事者如何依互媒建構故事節點、文本群集，召喚潛在閱聽人參與《哈利波特》跨媒介網絡。敘事者可循潛在閱聽人跨媒介記憶，安置多平臺之故事地標，協助潛在閱聽人視點游移而融入網絡結構。敘事者引用奇幻經典而展現「跨媒介互文」，提供潛在閱聽人參照其他節點而融入第二世界。敘事者規劃奇幻經典之系列改編，參照多平臺之故事片段而填補間隙。敘事者補述奇幻經典而讓文本持續擴張及流動，異於傳統結構主義之靜態或封閉體系。
    This study used the Harry Potter series to analyze the application of intermediality for constructing story nodes and textual constellations and for encouraging continual interaction from the implicit audience. In contrast to the static observation of traditional structuralism, the story network of the Harry Potter series constantly expands and flows. By tracing the implicit audience`s transmedia memory, the narrator arranges multiplatform story landmarks to bring the audience into the network through their wandering perspectives. In addition, the narrator applies extra compositional intermediality and thereby invites the audience into the story network by referring to other literary works. Finally, in the Harry Potter series, network aesthetics are embodied through the occasional insertion of additional plotlines into the story network, which compels the implicit audience to travel between multiplatform story nodes and to compare episodes in order to fill the gaps.
    Relation: 新聞學研究, 137, 133-183
    Data Type: article
    DOI 連結: https://doi.org/ 10.30386/MCR.201810_(137).0004
    DOI: 10.30386/MCR.201810_(137).0004
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File SizeFormat
    981.pdf2929KbAdobe PDF2209View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback