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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/56859

    Title: 探討阿莫多瓦的《高跟鞋》、《我的母親》、 《玩美女人》中之母親形象
    A Study of the Images of Mothers in Almodóvar's High Heels (Tacones lejanos, 1991), All about My Mother (Todo sobre mi madre, 1999) and Volver (Volver, 2006).
    Authors: 吳詩汝
    Wu, Shih Ju
    Contributors: 楊瓊瑩
    Yang, Chung Ying
    Wu, Shih Ju
    Keywords: 阿莫多瓦
    Mother Figure
    High Heels
    All about my Mother
    Date: 2012
    Issue Date: 2013-02-01 16:51:44 (UTC+8)
    Abstract: 西班牙導演阿莫多瓦(Pedro Almodóvar, 1947-)崛起於後佛朗哥時期,是「馬德里新潮運動」中,自由創作、龐克精神的代表人物之一。阿莫多瓦的創作議題多以性別、情慾、自由為主,擅長融合類型電影與大眾文化,是當代西班牙文化研究的熱門題材之一。阿莫多瓦兼具顛覆性與通俗性的作品,始終以女性為焦點,其創作脈絡中,母親角色為不可或缺的元素。

    阿莫多瓦的三部電影《高跟鞋》(Tacones lejanos, 1991)、《我的母親》(Todo sobre mi madre, 1999)與《玩美女人》(Volver, 2006),是以「母親」為核心議題的代表作。《高跟鞋》以母女關係為主題,探討追求個人成就、背離母職的母親與具有戀母情結的女兒之間的關係。《我的母親》以犧牲奉獻的慈母為主題。《玩美女人》則是由堅毅的家庭主婦的觀點,來探討母親與死亡的主題。

    Spanish director Pedro Almodóvar (1947~ ) sprang up in the post Franco dictatorship. He is one of the representatives of freelance and punk spirit in the movement la movida madrileña. Almodóvar's films are of great popularity in the contemporary Spanish cultural studies. Sex, lust and freedom are the major themes in his films. He is also an expert in fusing various film genres and popular cultures into his movies. Almodóvar is known as a woman's director, who has consistently placed female characters centre of his films. May it be the theme or the supporting role of the film, the maternal role in his films has always been a crucial element.

    Three films of Almodóvar's masterpieces, including High Heels (Tacones lejanos, 1991), All about my Mother (Todo sobre mi madre, 1999) and Volver (Volver, 2006) are discussed in this thesis. Almodóvar crafted mother as the central character and motherhood the core issue. High Heels explores the relationship between a selfish mother and her daughter with Oedipus complex. All about my Mother centers on the sacrifice and devotion of a single mother who looks for the missing father of her dead son. Volver deals with two issues: mother and death, from the view of a determined housewife.

    The thesis aims to analyze how Almodóvar renders the role of a mother in the three films mentioned above from different film forms, mixed genres, mise en scene and mise en abyme. Moreover, this thesis is devoted to examining the maternal figure by applying the psychoanalytic and feminist theories on motherhood. The images of mother presented in these Almodóvar's movies, whether they are a mother who deviates from motherhood, a devoted, self-sacrificing single mother, or an ordinary housewife, are all characteristic of the images of traditional Spanish mothers. Almodóvar further proposes the multi-family concept which breaks through the physiological gender constraints of being a mother, and within this concept, the maternal love turns into care and concern for all humanity.
    Reference: 一、影片
    Tacones lejanos. Dir. Pedro Almodóvar. Paramount, 1991.
    Todo sobre mi madre. Dir. Pedro Almodóvar. Columbia Tristar, 1999.
    《玩美女人》(Volver)。導演:阿莫多瓦(Pedro Almodóvar)。迪昇數位影視總代理,2007。

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    2.期刊/ 專書篇章
    Cadalso, Isabel. “Pedro Almodóvar: A Spanish Perspective.” Cineaste 18.1, (1990): 36.
    Camino, Mercedes. “’Vivir sin tí’: Motherhood, Melodrama and españolada in Pedro Almodóvar’s Todo sobre mi madre (1999) and Volver (2006).” Bulletin of Spanish Studies 87.5 (2010): 625-642.
    Corbalán, Ana. “Dificultad ante una alternativa familiar en Todo sobre mi madre de Almodóvar: ¿Subversión o regresión?” The Colorado Review of Hispanic Studies 6, Fall (2008): 149-166.
    D'Lugo, Marvin. “Volver o La contra-memoria.” Secuencias: Revista de Historia de Cine 28 (2008), 77-93.
    Donapetry, María. “Cinematernidad.” La mujer en la España actual: ¿Evolución o involución? Ed. Jacqueline Cruz, Barbara Zecchi. Barcelona: Icaria Editorial, 2004. 373-394.
    Dovolis, Petros. “Specters, Memory and the Politics of Culture: Encountering Ghosts in William Shakespeare's Hamlet and Pedro Almodóvar's Volver.” NTU Studies in Language and Literature 24, (2010): 25-47.
    Holland, Jonathan. “Pedro Reigns in Spain: Almodóvar Still Considered An Icon.” Variety 370.10, (1998): 39.
    Kinder, Marsha. “Pleasure and the New Spanish Mentality: A Conversation with Pedro Almodóvar.” Film Quarterly 41.1 (1987): 33-44.
    ---. “From Matricide to Mother Love in Almodóvar’s High Heels.” Post-Franco, Postmodern: the Films of Pedro Almodóvar. Ed. Kathleen M. Vernon and Barbara Morris. Westport, Conn.: Greenwood P, 1995. 145-153.
    ---. “Volver.” Film Quarterly 60.3 (2007): 4-9.
    Maddison, Stephen. “All about Women: Pedro Almodóvar and The Heterosocial Dynamic.” Textual Practice 14.2 (2000): 265-84.
    Marcantonio, Carla. “Volver.” Cineaste 31.4 (2006): 77-79.
    Martin-Márquez, Susan. “Pedro Almodóvar’s Maternal Transplants: From Matador to All About My Mother.” Bulletin of Hispanic Studies 81.4 (2004): 497-509.
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    Sofair, Michael. “Review of All about My Mother.” Film Quarterly 55.2 (2001): 40-47.
    Triana Toribio, Núria. “A Punk Called Pedro: La Movida in the Films of Pedro Almodóvar.” Contemporary Spanish Cultural Studies. Ed. Barry Jordan and Rikki Morgan-Tamosunas, London: Arnold, 2000. 274-282.
    Yang, Chung-Ying. “Cuerpo, in/comunicación y representación en Hable con ella de Pedro Almodóvar.” Tamkang Journal of Humanities and Social Sciences (《淡江人文社會學刊》) 32 (2007): 91-105.

    Almodóvar, Pedro. “El último sueño.” El País. Sep 14 1999. < http://www.elpais.com/archivo/buscando.html >
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    Description: 碩士
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0095952001
    Data Type: thesis
    Appears in Collections:[歐洲語文學系] 學位論文

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