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    政大機構典藏 > 文學院 > 哲學系 > 期刊論文 >  Item 140.119/62372
    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/62372

    Title: 出入山水間:風景現象學的一條通道
    Other Titles: Passage in and from Landscape
    Authors: 黃冠閔
    Contributors: 哲學系
    Keywords: 身體;宇宙遊戲;深度;框架;視域;場所
    body;cosmic play;depth;frame;horizon;place
    Date: 2012.11
    Issue Date: 2013-12-12 11:32:29 (UTC+8)
    Abstract: 風景並非橫陳在藝術家或觀賞者面前的一種單純表象,而是表達了轉化過程。即使在最平常的方式下遭遇風景,都可以帶出一種場所感,指出人的身體所處的具體境遇。這種遭遇是體驗風景的動態方式,故而,人類在活動變化中,發現有一幅景致在面前,而自己卻也身在其中。平常經驗或藝術經驗或許能夠挑選某些風景片段以便符合各自不同的旨趣。不過,現代世界裡這種挑選帶入了科技控制的手段,將風景框限在某一片段中也就顯現出人如何擺佈自然,並選取與他的存在相連結的景況。在風景中的動態體驗構成一種通道、挪出一塊創造性的空間,可以幫助我們思考當代人類生活的具體條件。
    Landscape is not a pure representation before the spectator or the artist, but an expression of the transformation, of process. To encounter with landscape, even in its ordinary form, will bring out a sense of place by indicating the concrete situation where human bodies are located. But the landscape is experienced in a dynamic process. Hence, human beings are in a constant passage, observing a scene in front of them while being inscribed in that scene. But the ordinary and artistic experiences may choose some certain sections of landscape in accordance with different interests. In the modern times, the framing of landscape is involved with the technical control of nature and of the human existence linked with the lived landscape. The passage in and from landscape demarcates a creative spacing that helps us reflect on the concrete conditions of human life.
    Relation: 哲學與文化, 39(11), 41-56
    Data Type: article
    Appears in Collections:[哲學系] 期刊論文

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