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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/62922

    Title: 彰化民謠之節律研究
    Other Titles: The Metrical Structure of Changhua Folk Verse
    Authors: 蕭宇超
    Hsiao, Yu-Chau E.
    Contributors: 語言所
    Keywords: 語料庫;民謠;優選理論;制約層級排序;節律
    corpus;folk verse;Optimality Theory;constraint ranking;metrical structure
    Date: 2006.01
    Issue Date: 2013-12-23 17:27:47 (UTC+8)
    Abstract: 民謠在傳統研究上有兩個缺點:一、素材僅限於少數韻行;二、只著重語言個別派生規律,而缺乏普遍性。本文建立一個720行的彰化閩南語民謠語料庫,並提出一個非派生分析。從這個語料庫顯示,大部分的韻行屬陽性節律,占90.67%,而拍板分享則是避免陰性節律的手段。本文在Prince and Smolensky(1993)的優選理論框架下,提出一組節律制約。這些制約屬於普遍語法的一部分,而在彰化民謠中呈現語言個別性的層級排序。
    Traditional treatments of folk verse have two disadvantages. First, they focus only on a small number of lines. Second, they pursue derivational rules on a language-specific basis, but lack universal validity. This paper establishes a corpus of 720 lines of Southern Min folk verse in Changhua and provides a non-derivational analysis of the data. The corpus shows a preference for masculine rhythm, which is found in 90.67% of the data. Metrical beat sharing, then, allows feminine lines to be avoided. This paper puts forth a set of metrical constraints under the framework of Prince and Smolensky's (1993) Optimality Theory. The constraints are part of Universal Grammar, but are ranked language-specifically in Changhua folk verse.
    Relation: Concentric: Studies in Linguistics,32(1),1-29
    Data Type: article
    Appears in Collections:[語言學研究所] 期刊論文

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