English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 112721/143689 (78%)
Visitors : 49518849      Online Users : 782
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101383


    Title: Dynamics of Mixed Genealogy and the (Re)Construction of Ethnicities in Faulkner`s Go Down, Moses
    Authors: Wu, Yi-ping
    Date: 2006-12
    Issue Date: 2016-09-06 15:57:45 (UTC+8)
    Abstract: This paper attempts to read Faulkner’s critical engagement in the construction of ethnicities as a means of transcending racial tensions and divisions in the South. Focusing on dynamic individual histories to reflect the historical, social, and cultural processes that create certain racial categories, Faulkner in Go Down, Moses depicts how the individuals struggle with genealogical memories and act on personal experiences to locate and reinvent their identities in response to discriminately defined race relations and constructed identities. When it’s time to confront the contradictions of genealogy as well as to interrogate the grounding knowledge in family history, the three male characters, Lucas Beauchamp, Sam Fathers, and Isaac McCaslin first learn to resist the arbitrary racial markers imposed upon them. Then the anxiety of resolving the contradictions of genealogy triggers the act of self-invention. Notably, Faulkner’s participation in the construction of ethnicities enables him to shape new meanings for blackness and Indianness that in return affect the shape of whiteness. In acknowledging the presence of ethnically dynamic cultural heritages, Faulkner significantly broadens the making of a modern southern identity in terms of playing across the color line.
    Relation: 臺灣英美文學期刊, 3, 53-77
    Taiwan journal of English literature
    Data Type: article
    Appears in Collections:[文山評論:文學與文化 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML21077View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback