English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 110944/141864 (78%)
Visitors : 48024794      Online Users : 1016
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/103134


    Title: 「南方文化」的理念與實踐─《文藝臺灣》作品研究
    Authors: 林慧君
    Lin, Hui-Chun
    Keywords: 日據時期;南方文化;在台日人作家;文藝臺灣
    Date: 2011-12
    Issue Date: 2016-10-21 14:11:45 (UTC+8)
    Abstract: 1937年以後,日本因應戰局所展開的政治、軍事與文化等政策,使得文學表現的語言與內容幅度受到很大限制,台灣文壇的主導權也因此移轉至在台日人作家手中,其中以西川滿為首的《文藝臺灣》文學社團所產生的影響最明顯。該雜誌創刊號提出以「建設南方文化」為編輯方向,從帝國日本的南方文化政策,到《文藝臺灣》的「南方文化」,透過對三十八期雜誌編輯理念的觀察與作品分析,發現所謂的「南方」仍侷限在「台灣」,「台灣」被視為日本「南方文化」的一部分,「台灣の文化」不是台灣的本土文化,是為帝國版圖中南方區域的文藝而存在。以殖民地台灣的特殊地理條件,並不是不可能由此孕育出日本帝國的南方文化,但在國家機器的干預與統制日趨嚴重的情形下,該文學集團最終與日本中央文壇同步,投入順應時局與配合戰爭宣傳的編輯與寫作,在聖戰協力與大東亞共榮的想像中,自許為日本唯一南方特色的《文藝臺灣》,其南方文化的理念實踐也成了為「日本帝國」的概念効勞的空洞姿勢。
    The political, military and cultural policies adopted by the Japanese government after 1937 imposed great restrictions on the language and contents of literary works. The control over the literary circle in Taiwan also shifted to the hands of Japanese writers in Taiwan. “Literature in Taiwan”, a literary group led by Nishikawa Mitsuru, had the most profound impacts. The magazine advocated the “development of southern culture”, by extending the southern cultural policy of Imperial Japan to the southern culture in Taiwan Literature. This paper analyzes the works published in the 38 issues of the magazine, and finds that the term “south” was limited to Taiwan, and Taiwan was considered part of the southern culture under Japan. “The Taiwanese Culture” did not mean the local culture of Taiwan. Rather, its existence served the purpose of supporting the literature of the southern part of the imperial kingdom. Given the unique geographic characteristics of Taiwan as a colony, it was not impossible to create the southern culture as part of Imperial Japan. However, the growing intervention and control of the state machine, the literary group finally had to synchronize with the literature at the core of Japan by responding to the wartime and writing/editing propaganda. In the imaginary world depicted by the holy war and the Great East Asia Coprosperity Sphere, the realization of the southern culture by Taiwan Literature, which was proud to be the only southern feature in Japan, was no more than empty posturing bowing to serve Imperial Japan.
    Relation: 臺灣文學學報,19,75-98
    Data Type: article
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    19(p.75-98).pdf2767KbAdobe PDF2795View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback