The images of individuals and personal emotions in Baratynsky`s poems are not subordinate to the individuality, but turn into abstract individuality that is deindividualized and detached from daily life. Baratynsky`s love poems tend to be more introspective and philosophizing, important changes occurred in the poetic taste of love. What the poet is interested in is not the individuality that has unique personality and unique destiny, but the universal law reflected in the individuality. This paper analyzes the reasons of digestion of individual image in Baratynsky`s poetry, and gives a detailed analysis to his three love poems Confession (1823), Defense (1824) and Awakening (1821). 巴拉丁斯基（Евгений Абрамович Баратынский, 1800-1844）筆下的個體形象和個人情感，都不是從屬於個體的一部分，而是去個性化的個體，脫離了日常生活，成為抽象化的個體。巴拉丁斯基的愛情詩歌更加趨向於內省和哲思，愛情的詩味發生了重要的變化。讓詩人感興趣的不是擁有獨特個性和命運的個體，而是在個體身上凸顯出來的普遍規律。本文分析了巴拉丁斯基詩歌中個體形象消解的緣由，並對其三首愛情名詩〈表白〉（Признание，1823）、〈辯護〉（Оправдание，1824）與〈覺醒〉（Разуверение，1821）做了詳細剖析。
