English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 110658/141572 (78%)
Visitors : 47204427      Online Users : 677
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/123904


    Title: 性暴力的文化再現：港台強暴電影的文本分析
    Cultural Representation of Sexual Violence: A Text Analysis of Chinese Rape Films
    Authors: 羅燦煐
    Luo, Tsun-Yin Echo
    Contributors: 新聞學研究
    Keywords: 性暴力;文化再現;強暴迷思;性腳本;港台電影;父權意識形態
    sexual violence;rape myth;Chinese film;patriarchal hegemony
    Date: 1998-07
    Issue Date: 2019-06-25
    Abstract: 本研究旨在於檢視強暴電影的性暴力再現，以探討父權意識形態的爭霸動力。本研究以維護男性宰制的強暴迷思為分析架構，檢視14部港台強暴電影的文本內容。本研究發現，港台強暴電影的性暴力再現，與英美相關文獻有類同之處。大體而言，發現港台電影的性暴力建構，一方面再現父權體制的主流迷思，包括：強調受暴女性的「性吸引力」、質疑女性的受暴宣稱、責備受暴女性的咎由自取、貶低受暴女性的價值、強調男「性」的「征服」與「成就」，與凸顯女「性」的客體性及被用性。此外，港台電影的性暴力再現，尚建構反迷思的另類論述，包括：（良家婦女）好女孩的受暴者、熟識的加害人、強暴手法的過度暴力化、女性的徒勞反抗，「命定」受暴；受暴女性的「必然」自卑創傷；（條件式的）女性情慾自性、男性的性焦慮。強暴電影的性暴力建構，雖提供父權體制的主流迷思與反迷思的爭霸場域，但強暴電影的反迷思建構，透過強化「性恐怖統治」與凸顯男性主控的性文化腳本，與主流迷思產生辯證關係，仍迂迴鞏固現存的父權意識形態。
    This study conducted a text analysis of 14 Chinese rape films to examine the cultural representations of sexual violence against women in Taiwan. Based the analytical framework on popular rape myths, this study examines the representations of rape offender and victim, as well as the circumstances and social responses to the rape incidents in the selected films. This study found Chinese rape films reflect and reinforce popular misconceptions about the offender, victim and causes of rape incidents. However, Chinese rape films also construct alternative representations to the main stream rape myths. This study maintains that, although providing a discursive field for hegemonic struggle, the alternative representations in Chinese rape films dialectically reinforce female dependence and compliance to male protection, as well as dialectically emplhasize the dominance and achievement of male sexuality. Thus, Chinese rape films dialectically reinforce dominant patriarchal ideology in the hegemonic process of sexual violence against women in Taiwan.
    Relation: 新聞學研究, 57, 159-190
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    795.pdf1989KbAdobe PDF294View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback