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政大機構典藏 > 學術期刊 > 文山評論：文學與文化 THCI Core > 期刊論文 > Item 140.119/139672

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/139672

Title:	The Parenthetical Voice-over: Dialectical Audiovisual Structure in Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila
Authors:	Lee, Ming-Yu
Contributors:	文山評論：文學與文化
Keywords:	voice-over ;Hollis Frampton ;Jonas Mekas ;(nostalgia) ;The Song of Avila ;essay film ;diary film
Date:	2021-12
Issue Date:	2022-04-08 15:42:40 (UTC+8)
Abstract:	This paper aims to discuss the use of the voice-over in first-person cinema and its unique audiovisual structure. Employing notions of caméra-stylo from Alexandre Astruc, horizontal montage from André Bazin, sonic interstices from Laura Rascaroli, and Michel Chion`s discussion on the sound in cinema, I try to examine in this paper how the voice-over has become the most common approach for revealing the filmmaker/author`s presence, and further, how voice-over narration interacts with images within a dynamic parenthetical structure. By using Hollis Frampton`s (nostalgia) and Jonas Mekas`s The Song of Avila as case studies, I aim to establish that in parenthetical structure, the voice-over functions in various ways and can be seen as a novel perspective for treating audiovisual structure in the first-person cinema.
Relation:	文山評論：文學與文化, 15(1), 235-267
Data Type:	article
DOI 連結:	https://doi.org/10.30395/WSR.202112_15(1).0010
DOI:	10.30395/WSR.202112_15(1).0010
Appears in Collections:	[文山評論：文學與文化 THCI Core] 期刊論文

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